川北薅草锣鼓是田间地头生长出来的古老艺术。 图据广元市文化广播电视和旅游局官网 川北薅草锣鼓集打击乐、说唱、民间文学于一体。图据方志四川 川北薅草锣鼓为劳作者鼓劲。图据青川县地方志编纂中心 □白云苍狗 川北山区的田埂上，日头刚爬过山头，便传来一阵激越的锣鼓声。这声响，不是戏台上的热闹，而是农 耕文明里独有的"BGM（背景音乐）"——国家级非物质文化遗产代表性项目"川北薅草锣鼓"。在机械 化尚未普及的年代，它是川北乡民下田劳作的"发令枪"，也是提振精神的"强心剂"。如今，虽不似往昔 那般时时响彻田野，却依然承载着川北大地最鲜活的乡土记忆。 乡民"搭工互助"催生川北薅草锣鼓 川北薅草锣鼓历史悠久，但具体起源于何时、由何人开创，尚无定论。唯有清末至民国时期的民间手抄 本中，留有"秦朝起始到而今"的唱词；又因如今川北薅草锣鼓主要盛行于夏季薅二道苞谷草或黄豆草之 时，结合玉米传入中国的时间（16世纪中叶）推断，其很可能源于秦代，兴于元末明初。 川北多山，农田零星散布于坡地之间。夏季高温多雨，杂草生长迅猛，薅草成为保收成的关键农活。单 家独户效率低下，乡亲们便自发"搭工互助"，几十人聚集在同一片田地劳作。锣鼓队在一旁助兴 ...

指尖捏起酒杯轻晃，琥珀色酒液沿杯壁缓缓滑落，一缕独特的酱香先于味觉漫入鼻腔——这口让无数人铭记的醇厚酒香， 源自一门2006年便跻身首批国家级非物质文化遗产——"茅台酒酿制技艺"。 从1996年被列为国家机密保护，到2024年"茅酒之源"老作坊入选世界文化遗产预备名单，茅台酒酿制技艺的每一份荣誉， 都藏在它不可复制的独特密码里。 风土共生：非遗技艺的自然与人文密码 "离开茅台镇酿不出茅台酒"这一论断，揭示着茅台酒15.03平方公里核心产区的不可复制性，也道破了茅台酒酿制技艺的核 心底气——它是独特自然条件与传统工艺的科学结晶。 这里的一切都为酿酒而生：砂页岩风化而成的紫红泥，透气保肥如"营养海绵"，滋养着酿酒专用的红缨子高粱；赤水河常 年保持地表水Ⅱ类以上水质，硬度适中、微量元素丰富，是酿酒的"生命之源"；400米左右的海拔催生了冬暖夏热、高温高湿 的小气候，空气中漂浮着上万种驯化后的微生物，它们是看不见的"酿造工匠"，与工艺共生共长。 作为中国传统发酵食品的典型代表，茅台酒酿造工艺经长期积淀，形成了顺应天时的"时间"体系、因地制宜的"空间"体 系、循法而成的"工法"体系，三者共同构成"时空法"体系，彰显着中 ...

Core Viewpoint - The article highlights the cultural and architectural significance of the Chengyang Yongji Bridge in Sanjiang Dong Autonomous County, Guangxi, showcasing it as a masterpiece of traditional Dong architecture and a representative of intangible cultural heritage in China [3]. Group 1: Architectural Significance - The Chengyang Yongji Bridge, completed in 1924, is constructed entirely without nails or rivets, using wood and stone, measuring nearly 80 meters in length, 4 meters in width, and 12 meters in height [3]. - The bridge exemplifies the craftsmanship of Dong wooden architecture, which was recognized as a national intangible cultural heritage representative project in 2006 [3]. Group 2: Cultural Heritage - The Dong wooden architecture employs traditional mortise and tenon joints, resulting in a structure that is both sturdy and artistically valuable [3]. - There are over 200 Dong wind and rain bridges in Sanjiang, including notable examples like the Sanjiang Yiyang Wind and Rain Bridge and the Chengyang Yongji Bridge [3].

Core Insights - The "Zan Hua Wei" cultural experience has become a national trend, attracting tourists to the Xunpu village in Quanzhou, which is a significant historical site along the Maritime Silk Road [1][2] - The village has seen a substantial increase in tourism-related activities, with nearly 300 photography shops and an average daily visitor count of 20,000 [2] Group 1: Cultural Heritage and Tourism - The Xunpu village, with a history of over a thousand years, was recognized as a national intangible cultural heritage site in 2008 [1] - The "Zan Hua Wei" tradition has led to a new wave of tourism, with visitors engaging in activities such as wearing floral hairpins and participating in local customs [1] Group 2: Economic Impact - From 2022 to 2024, the income of local residents has more than doubled, with total consumption driven by tourism exceeding 5 billion yuan [2] - The village is undergoing infrastructure improvements and has launched ten major projects to enhance cultural landmarks and tourism experiences [2]

Core Viewpoint - The article highlights the cultural significance and architectural uniqueness of ancient opera stages in Le Ping, Jiangxi, emphasizing their role in preserving local theatrical traditions and heritage [1][8]. Group 1: Cultural Significance - Le Ping is known as the "Hometown of Ancient Opera Stages" in China, with over 400 ancient opera stages that reflect a rich history of local operatic traditions such as Yiyang Tune and Raohe Opera [1]. - The flourishing of opera has led to the development of unique architectural forms of ancient opera stages, with the oldest dating back to the Ming Dynasty [1][8]. - The ancient opera stages serve as venues for community events, including festivals and weddings, maintaining their relevance in contemporary society [8]. Group 2: Architectural Features - There are five types of ancient opera stages in Le Ping: courtyard stages, temple stages, guild stages, Wannian stages, and ancestral hall stages, each with distinct characteristics [3]. - The construction materials for these stages are carefully selected, with traditional use of camphor wood and modern preference for pomelo wood due to their durability [3][4]. - The design includes features like the "zhaojing" (a type of ceiling structure) that enhances acoustics, reflecting sound waves for better auditory experience [4][6]. Group 3: Economic Aspects - The construction of an opera stage historically required at least 2 million RMB, often funded by local villagers [8]. - Recent developments have seen new opera stages built as part of rural construction and tourism initiatives, highlighting their role in cultural tourism [8].

Core Viewpoint - The article highlights the rich history and cultural significance of Cantonese embroidery (Yuexiu), emphasizing its unique techniques and the efforts to preserve and innovate this traditional art form in modern times [1][3][4]. Group 1: Historical Background - Cantonese embroidery has a history dating back to the Tang Dynasty, with notable early examples including a skilled embroiderer who could stitch the "Lotus Sutra" on a small piece of silk [1]. - During the Qing Dynasty, Cantonese embroidery became a significant trade item along the Maritime Silk Road, with a large volume of products exported from Guangzhou [1]. Group 2: Artistic Techniques - Yuexiu is known for its rich colors, clear textures, and harmonious light and shadow, often depicting traditional elements like dragons and peonies, as well as local flora and fauna [1][3]. - The embroidery techniques include various needle methods, such as the "chicken needle" and "penetrating needle," which enhance the liveliness and texture of the designs [2][4]. Group 3: Preservation and Innovation - Efforts to preserve Cantonese embroidery include the creation of embroidery technique cards summarizing various needle methods, led by 93-year-old master Xu Chiguang [4]. - Recent initiatives in Guangdong involve establishing intangible cultural heritage bases, conducting training programs, and integrating Yuexiu elements into modern fashion and home products, thereby increasing its visibility and relevance in contemporary life [4].

Core Viewpoint - The Erdos wedding ceremony, held on the Suobohan grassland, showcases a rich cultural heritage and emotional resonance, attracting both domestic and international tourists [1][4]. Group 1: Cultural Significance - The Erdos wedding has been preserved for over 700 years, maintaining traditional rituals such as the Hada engagement and the sheep offering toast, and was recognized as a national intangible cultural heritage in 2006 [1]. - The ceremony includes a poignant "Farewell Distribution" segment, where the bride's mother prepares her for marriage, highlighting deep familial bonds and emotional connections [2][4]. Group 2: Audience Engagement - The performance features a mix of traditional songs and emotional exchanges, which have moved many attendees, including foreign guests who have been seen to shed tears during the ceremony [5]. - The event is designed to cater to a wide audience, with the performance team conducting two shows daily during the peak tourist season [1]. Group 3: Market Potential - There is a call for local authorities to explore international markets for the Erdos wedding, aiming to promote Chinese traditional culture on a larger scale [5].

Group 1 - The core viewpoint of the articles highlights the charm and cultural significance of Wuqiao acrobatics, recognized as a national intangible cultural heritage, showcasing the skills and dedication of performers [1][2] - Wuqiao acrobatics is characterized by a blend of traditional techniques and modern scientific training methods, with the establishment of 14 intangible cultural heritage study centers and 23 workshops to promote skill development [2] - The integration of technology in performances, such as the use of sound and light in the "Jianghu·Show," elevates traditional acrobatics from mere skill display to narrative storytelling, attracting over 800,000 visitors annually to the local theater [2] Group 2 - The legacy of Wuqiao acrobatics is maintained through family traditions, with notable figures like Wang Ligan and his father Wang Baohe, who is a representative inheritor of this art form [1] - The region boasts 17 acrobatics professional villages, 137 performance troupes, and over 7,600 practitioners, indicating a robust ecosystem supporting the art form [2] - Wuqiao acrobatics was included in the first batch of national intangible cultural heritage lists in 2006, reflecting its historical and cultural importance [2]

Core Insights - The story of Ma Songsheng highlights the preservation of traditional craftsmanship in paper-making, which has been recognized as a national intangible cultural heritage [4][12] - The narrative emphasizes the importance of dedication and the passing down of skills through generations, showcasing the challenges and rewards of maintaining such artisanal practices [10][12] Group 1: Traditional Craftsmanship - Ma Songsheng has dedicated 52 years to the ancient craft of paper-making, which has been passed down from his father and is now a national intangible cultural heritage [4][12] - The paper-making process is deeply tied to seasonal changes, with specific tasks assigned to different times of the year, reflecting a strong connection to nature [5][9] Group 2: Cultural Significance - The craft of paper-making has historical significance, having been used for important cultural practices such as the imperial examination and art, which continues to be relevant today [7][9] - Ma's participation in the 2008 Beijing Olympics showcased the cultural heritage of traditional paper-making to a broader audience, although daily life often involves repetitive labor [2][4] Group 3: Education and Legacy - Ma Songsheng actively engages with younger generations by teaching them the craft, ensuring the continuation of this traditional skill despite declining interest among youth [10][12] - The narrative illustrates the importance of hands-on experience in mastering the craft, as well as the emotional connection to the process of creating paper [9][12]

Group 1 - The "Pak Paau Mountain" competition is a traditional event held annually on Cheung Chau Island, Hong Kong, during the Buddha's birthday, which has been recognized as a national intangible cultural heritage since 2011 [1] - The competition involves participants climbing a giant replica of "Pak Paau Mountain" made of steel and bamboo to collect "peace bags" within a 3-minute time limit, contributing to local tourism and economic activity [1] - Local hotels reported nearly full occupancy during the event, with over half of the guests being from mainland China, indicating a significant boost in tourism [1] Group 2 - The competition attracted over a thousand spectators, with many residents watching from their balconies, showcasing strong community engagement and interest in local culture [2] - The event included a relay invitation competition featuring teams from Shenzhen, Zhuhai, and Macau, highlighting cross-regional participation and competition [2] - The winners of the main competition were Guo Jiaming and Gong Zisan, with Guo achieving a total score of 1131 points, marking his tenth title as "Pak Paau King" [2]