法国华侨华人会主席蔡君柱表示，广场的设立是对旅法华人群体长期努力的肯定，也增强了华人社区的归属感与自豪感。法国亚裔社团联盟主席孙文雄 指出，这是继一战华工纪念牌之后，巴黎市中心对华人群体的又一次致敬，展现了对历史的铭记与文化的传承。 "潘玉良广场"揭幕仪式现场。活动举办方供图 人民网巴黎10月7日电 （记者尚凯元）中秋佳节当天，巴黎市中心雷奥米尔街举行"潘玉良广场"揭幕仪式。这是巴黎历史上首座以华人命名的公共广 场。活动由巴黎中心区政府、法国华侨华人会和法国亚裔社团联盟联合举办，中国驻法使馆文化处代表、巴黎市和中心区官员、旅法侨界和文化界人士等百 余人出席。 巴黎中心区区长阿列尔·维尔表示，广场的设立不仅是对旅法华人历史贡献的纪念，也是巴黎多元文化交融的象征。广场选址处在巴黎最早的华人社区 交汇地，命名过程历时五年，凝聚了多方努力。 作为中国现代艺术的先驱，潘玉良早年赴法留学并长期定居巴黎，以中西融合的艺术风格和鲜明的女性视角著称。巴黎赛努奇亚洲艺术博物馆馆长埃里 克·列斐伏尔介绍说："她的画笔穿越文化隔阂，让人感受到女性自我意识的觉醒，也推动了中国艺术在西方世界的传播。"目前，馆内收藏有50余件潘玉良 的作 ...

Core Viewpoint - The Chengdu World University Games is showcasing a vibrant blend of diverse cultures, serving as a bridge connecting different ethnicities through various performances and events [1][2]. Group 1: Cultural Representation - The opening ceremony featured over a hundred children and young singers from around the world performing the theme song "Wàn Qiān," including six members from the Daliangshan Niuniu Choir, highlighting the ethnic diversity of the event [1]. - The ceremony also included Han and Yi athletes, Xu Lu and Alu Xiaobo, jointly lighting the main torch, symbolizing ethnic integration and unity [1][2]. Group 2: Performances and Activities - The Chengdu World University Games is hosting various performances that reflect the rich ethnic culture of Sichuan, including a puppet show titled "The Most Dazzling Ethnic Style" by the Chengdu Intangible Cultural Heritage Protection Center [2][4]. - The Yi Autonomous Prefecture Song and Dance Troupe performed a Yi men's group dance "Young Horse Flying," aiming to convey the spirit of bravery and progress [4]. Group 3: International Perspectives - International participants, such as American cheerleading judge Riffino Liz, expressed admiration for the cultural diversity showcased at the event, noting the impressive fact that China has 56 ethnic groups [4]. - German athlete Klarsen Felix, who won a silver medal in men's Faustball, emphasized that sports serve as an important window for displaying diverse ethnic cultures, appreciating China's rich cultural heritage [4].

Core Points - The "Western Xia Tombs" have been officially listed as a UNESCO World Heritage Site, increasing China's total number of World Heritage Sites to 60 [2][21] - The Western Xia Tombs represent a significant cultural heritage site that reflects the multi-ethnic integration and cultural exchanges during the Western Xia Dynasty (1038-1227 AD) [7][15] Summary by Sections Heritage Significance - The Western Xia Tombs are the largest and best-preserved archaeological remains from the Western Xia period, providing evidence of multi-ethnic integration and cultural exchanges in northern China during the 11th to 13th centuries [10][11] - The site includes 9 imperial tombs, 271 accompanying graves, and various architectural and flood control relics, covering a total area of 44,468.5 hectares [9][10] Architectural Features - The layout of the tombs follows a centralized design, with a symmetrical arrangement that incorporates elements from Tang and Song dynasties, as well as Buddhist and local customs [12][13] - The architectural features include various types such as tomb cities, moon cities, and steles, showcasing a blend of cultural influences and construction techniques [13][15] Cultural Exchange - The Western Xia Tombs serve as a testament to the Western Xia Dynasty's role as a cultural and economic hub along the Silk Road, facilitating exchanges between the Central Plains and the western regions [15][16] - Artifacts discovered at the site, including over 7,100 movable cultural relics, highlight the integration of Western Xia culture with that of the Central Plains, particularly in architecture and textile production [16][17] Preservation Efforts - The UNESCO World Heritage Committee praised the Chinese government's efforts in protecting and managing the Western Xia cultural heritage, noting the effective monitoring systems and legal frameworks in place [18][19] - The preservation journey of the Western Xia Tombs has undergone several phases, from initial discovery in 1972 to the successful application for World Heritage status in 2025 [20][21] Future Directions - The successful listing as a World Heritage Site marks a new beginning for the Western Xia Tombs, with plans to enhance research, community involvement, and sustainable development [20][21] - The focus will be on improving the management of cultural relics and promoting the significance of Western Xia culture within the broader context of Chinese civilization [20]

Core Viewpoint - The exhibition "Colorful Liupan: Ningxia Guyuan Cultural Relics Exhibition" at the Shanghai Museum showcases over 300 cultural relics from the Ningxia region, highlighting the rich cultural exchanges along the Silk Road and the integration of various civilizations [2][4]. Group 1: Exhibition Overview - The exhibition features artifacts from the Western Zhou to the Sui and Tang dynasties, including 61 first-class relics and 25 newly unearthed artifacts from the Pengyang Yaoheyan Western Zhou site [2][3]. - It is divided into three sections: "Casting Rituals in the Great Plains," "Hu and Han Dance Together," and "The Elegance of Yuanzhou," each focusing on different historical and cultural aspects of the Ningxia region [2][4]. Group 2: Cultural Significance - The first section emphasizes the development of ritual and music culture in the Guyuan area during the Zhou dynasty, showcasing the influence of Central Plains and northern grassland cultures [2][3]. - The second section highlights the prosperity of cultural exchanges between the East and West during the Northern Zhou period, featuring artifacts from the tomb of Li Xian, a significant figure of that time [3][4]. - The third section illustrates the strong attraction and inclusiveness of Chinese civilization through artifacts from the Sui and Tang periods, including a unique Sogdian tomb group [4]. Group 3: Notable Artifacts - Key artifacts include the Sasanian-style convex glass bowl and the gilded silver pot, which reflect the cultural exchanges facilitated by the Silk Road [3][4]. - The exhibition aims to deepen the understanding of the historical interactions among various ethnic groups and the multi-faceted nature of Chinese civilization [4]. Group 4: Exhibition Duration - The exhibition will run until November 17 [5].

Core Insights - The article highlights the vibrant cultural diversity and economic development in Xinjiang, showcasing the harmonious coexistence of multiple ethnic groups and the region's modernization efforts [1][2][5]. Group 1: Cultural Diversity - Xinjiang is portrayed as a microcosm of China's multiculturalism, with various ethnic groups such as Han, Uyghur, and Kazakh living together, reflecting a rich cultural tapestry [2][4]. - Foreign media representatives expressed admiration for the local traditions and hospitality, emphasizing the region's unique cultural heritage [4][5]. Group 2: Economic Development - The Horgos International Border Cooperation Center is noted as a significant cross-border cooperation zone, contributing to economic vitality and trade expansion since its establishment in 2006 [5]. - The Urumqi International Land Port Area is highlighted as a crucial hub for the China-Europe Railway Express, enhancing Xinjiang's role in international trade and connectivity [7]. Group 3: Media Engagement - The media tour attracted representatives from over 20 countries, facilitating a platform for enhanced communication and understanding of Xinjiang's culture and development [10]. - Journalists reported a stark contrast between their preconceived notions of Xinjiang and the reality they experienced, leading to a more nuanced understanding of the region [10].

Group 1 - The event showcased the vitality of Chinese traditional culture through the participation of 17 dragon boat teams from various countries, including Germany, France, Italy, the USA, and Thailand [1][2] - The opening ceremony featured a performance of "Yang Family Generals War Drums," setting a grand tone for the competition [2][3] - The event attracted nearly 500 athletes and received strong support from consulates of Thailand, Indonesia, and Cambodia, highlighting the expanding international "friend circle" [2] Group 2 - The dragon boat race served as a platform for cultural exchange, featuring performances from various Asian artists, making it a comprehensive cultural festival [2][7] - The competition saw intense rivalry, with the Italian "Chinese Dragon Boat Team" ultimately winning the professional group championship after a close race against the French team [6] - The event also emphasized economic and trade cooperation, with support from multiple Frankfurt enterprises, indicating its role beyond just a sports event [2]