（来源：河北新闻网） 转自：河北新闻网 俗话说"无戏不成年"。在中国人的文化记忆里，锣鼓丝竹与爆竹声声交织，生旦净丑与阖家团圆相伴，构成了春节独有的精神图景。当现代娱乐方式日益多 元，传统戏曲还能否承接起"年味"的期待？河北卫视大年初一播出的《中华有好戏》2026年春节戏曲晚会，以"百戏入冀 百梅争春"的磅礴气象，给出了铿 锵有力的回答 。 传承，是晚会的温度。有些动人的画面，不在名角身上，而在那些略显青涩的年轻面孔上。韩再芬携青年演员同台，手把手领着他们演绎《女驸马》；青年 学子们彩扮登台，眼神里是对传统的好奇与热忱；来自河南、天津的戏曲小达人，平均年龄不足十岁，却有板有眼地唱响经典。当老艺术家将后辈带至舞台 中央，当传承从理念化为可见的舞台行动，观众看到的不只是艺术的延续，更是血脉的赓续。那一刻，戏台上唱的不再是戏，而是几代人之间无声的托付。 这台晚会的高明之处，在于它没有把守正、创新、传承割裂开来，而是让三者互为支撑、融为一体。守正，让创新有了根基；创新，让传承有了活力；传 承，让守正有了未来。 当压轴戏歌《百梅争春》唱响，当京津冀三地演员同台谢幕，这台晚会完成了它最朴素也最深刻的使命——它让观众相信： ...

2025川渝中小学生戏曲传承展演汇报演出现场。 2025川渝中小学生戏曲传承展演汇报演出现场。 戏曲经典剧目注入童真与朝气 展演，不只是技艺的比拼，更是川渝两地文化血脉在少年身上的生动流淌。 2025川渝中小学生戏曲传承展演活动四川省决赛现场。 2025川渝中小学生戏曲传承展演活动四川省决赛现场。 2025川渝中小学生戏曲传承展演活动四川省决赛现场。 □吴德玉 王一理 "90后"陈丽君、李云霄成为越剧顶流，如偶像般存在；青春版《牡丹亭》，令年轻人对昆曲"情不知所 起，一往而深"……戏曲，正成为一种文化素养，走进校园，走进课堂。1月31日，2025川渝中小学生戏 曲传承展演汇报演出在成都城市音乐厅举行。 舞台上，既有《人间好》《贵妃醉酒》等经典剧目韵味十足的演绎，也有《中华少年》所展现的戏曲薪 火与少年朝气交相辉映……展演活动期间，川渝两地学校、青少年宫等踊跃参与，推出了一批涵盖多个 经典剧种的戏曲传习作品，涌现了一批青少年戏曲传习人。千年戏文，新声婉转，巴蜀少年就这样脆生 生地上台了。 如同这次展演登上成都城市音乐厅，川渝的大舞台展演，让孩子们随时开锣"起范儿"。去年11月，成都 市第十一届中小学生戏曲成果展 ...

"楚剧《葛麻》中的葛麻这一人物是什么行当？""旦行！"1月14日，武汉市校际戏曲争霸赛暨校园戏曲成果展在武汉教育电视台演播厅 隆重上演。面对主持人接连抛出的戏曲专业问题，台上来自六个区的学生代表踊跃作答，展现出扎实的戏曲知识功底与青春自信的风采。 随后，京剧、汉剧、楚剧的经典片段轮番上演，名家与新秀同台献艺，为观众带来一场沉浸式的戏曲艺术盛宴。 武汉市校际戏曲争霸赛暨校园戏曲成果展活动现场。 京剧《穆桂英探谷》选段。 江夏区大花岭小学凭借一出京剧《穆桂英探谷》选段，以其沉稳大气的台风和韵味醇厚的唱腔，将穆桂英的睿智与从容演绎得淋漓尽 致，将校际戏曲争霸赛与校园戏曲成果展拉开了序幕。 来自江岸、江汉、硚口、东湖高新、江夏、黄陂6个区的战队选手们盛装登场，围绕戏海拾贝、梨园"声"辉、校园探戏、戏苑争锋四个 环节进行比拼。 经过激烈角逐，最终，江岸区战队凭借出色表现摘得本次争霸赛的"金奖"，东湖高新区、江汉区战队获得"银奖"，硚口区、江夏区、 黄陂区战队获得"铜奖"。 本次活动由中共武汉市委宣传部、武汉市教育局、武汉市文旅局主办，武汉教育电视台承办，旨在弘扬中华优秀传统文化，发掘和培 养戏曲后备人才，推动武汉市戏曲 ...

中新网杭州1月13日电(林波)戏曲作为中华文化的瑰宝，近年来借助新媒体传播迎来"出圈"热潮，吸引 了大量年轻受众，为艺术传承注入新生机。但与此同时，粉丝群体中出现的控评拉踩、追私窥探、浅层 追捧等"饭圈化"苗头，正侵蚀戏曲艺术的核心价值，破坏行业生态，阻碍传承发展。 1月13日，浙江省两会期间，浙江省政协委员、浙江音乐学院教授、浙江省音乐家协会副主席郑培钦接 受中新网采访时表示，戏曲破圈的关键，在于从"戏圈文化"走向"大众文化"，要遏制"饭圈化"倾向，推 动戏曲健康、可持续地"出圈"。 浙江素有"戏曲大省"之称，拥有18个剧种、58个戏剧类省级非物质文化遗产代表性项目。不同剧种的创 新实践，勾勒出传统艺术在当代存续与发展的多样图景。 浙江越剧发展历程就是一部创新史。从袁雪芬等老一辈艺术家引入导演制、完善剧本创作，到如今陈丽 君、李云霄等新生代演员通过接地气的表演范式吸引年轻观众，越剧的每一次繁荣都与创新紧密相连。 1月13日，郑培钦(中间)接受采访现场。 陈允栋 摄 晚，婺剧《三打白骨精》在杭州演出。 曹丹 摄 郑培钦还提出，要规范院团运营，坚守艺术底线，督促戏曲院团加强剧目创作管理，避免为追求流量而 仓促跟 ...

Core Viewpoint - The program "Chufeng Xingsheng - The First Children's Opera Conference" launched by China Central Radio and Television Station is gaining popularity, focusing on immersive learning to aid in the transmission of traditional opera through engaging children's performances [1]. Group 1: Program Structure and Content - The program transforms traditional "oral transmission" into an interactive experience that allows participation, competition, and sensory engagement [1]. - It emphasizes two core components: "Nian Gong" (reading skills) and "Zuo Gong" (performance skills), integrating basic training into situational tasks in historical locations like Taiyuan and Jinci [1]. - In the "Nian Gong" segment, renowned artists use creative methods such as turning dialogue into fun Q&A and teaching techniques through engaging activities [3]. Group 2: Innovative Training Methods - The "Zuo Gong" training incorporates creative elements, with exercises that blend traditional wisdom about practice with performance [5]. - The program breaks the boundaries of traditional stages and classrooms, extending opera education into real-world settings, enhancing the learning experience [7]. - Children participate as "cultural ambassadors," engaging in classic performances and interactive lessons led by notable figures from the opera community [8]. Group 3: Cross-Industry Collaboration - The involvement of contemporary artists as "assistant teachers" introduces new vitality to traditional opera, attracting younger audiences through interactive games and cultural activities [8]. - The program's influence among youth continues to rise, showcasing the successful integration of traditional art forms with modern engagement strategies [8].

Core Viewpoint - The 2024 youth version of the Peking Opera "The Yang Family Women Generals" showcases the enduring artistic vitality of this classic work, originally created in 1959 to celebrate the tenth anniversary of the founding of New China, emphasizing themes of patriotism and female heroism [5][7][13]. Group 1: Historical Context and Significance - "The Yang Family Women Generals" was first performed in 1959 and has since become a classic, known for its high frequency of adaptations and performances across over 20 countries and regions [6][8]. - The play is rooted in Chinese folklore and has been adapted from various regional operas, highlighting the rich cultural heritage and artistic collaboration within Chinese theater [8][12]. Group 2: Artistic Innovation and Collaboration - The 2024 version breaks away from traditional performance models by adopting a collaborative approach that integrates scriptwriting, directing, and acting, reflecting a modernized theater system established by the National Peking Opera Company [7][9]. - The creative process emphasizes a comprehensive artistic collaboration, moving beyond individual performances to create a cohesive artistic expression [7][9]. Group 3: Character Development and Performance - The play features a diverse range of characters, each meticulously crafted to embody the unique traits of their respective roles, showcasing the depth of female characters like Mu Guiying and She Taijun [12][14]. - The character of Mu Guiying, portrayed by Jiang Meiyi in the 2024 version, exemplifies a blend of traditional and modern performance styles, reflecting the evolution of Peking Opera [14]. Group 4: Legacy and Future - The production serves as a vital platform for nurturing young artistic talent, ensuring the transmission of skills and cultural values from seasoned artists to the next generation [13][14]. - The ongoing popularity and adaptation of "The Yang Family Women Generals" underscore its status as a cultural treasure, continuing to resonate with contemporary audiences while preserving its historical significance [13][15].

Core Viewpoint - The original play "Wanguan Fire" by director Shao Zehui explores the concept of "leading role" through the relationship between costumes and actors, presenting a novel perspective. The new work "Next Scene" continues to focus on the state of traditional opera, centering on the relationship between a father and son from a Peking opera family, but lacks the brilliance of the previous work [1]. Summary by Relevant Sections - **Character Dynamics**: The father, Tang Hongming, is talented and deeply understands the Tang school of art but is cynical and unconventional, having failed in business abroad. The son, Tang Chi, is dedicated to the inheritance and promotion of Tang school art, influenced by his grandfather, but suffers from a terminal illness [1]. - **Conflict Themes**: The conflict between father and son exists on both ethical and artistic levels, with differing understandings of the inheritance of Tang school art and the current state of Peking opera. The work metaphorically addresses the fragility of human life and questions the future of ancient art forms [1]. - **Emotional Depth**: The father-son relationship encapsulates the richness of traditional culture, grounding the grand theme of the development and inheritance of opera in genuine and simple emotions. However, the carefully designed relationship lacks fully developed character portrayals, leading to a hurried narrative that neglects the psychological changes of the characters during the events [1].

Core Insights - The 2025 Jiangsu Zijin Cultural Arts Festival featured a segment called "Art in Motion Youth," showcasing traditional Chinese operas such as Peking Opera, Yue Opera, and Kunqu Opera, attracting significant audience engagement during the National Day holiday [1][2][4]. Group 1: Cultural Significance - The festival aimed to elevate the cultural essence and development potential of the region, with a focus on integrating traditional arts with tourism [4]. - The historical context of Qixia Mountain, known for its connection to classic Kunqu Opera, provided a rich backdrop for the performances, enhancing the cultural experience for visitors [4][6]. Group 2: Youth Engagement - Young performers from the Jiangsu Peking Opera and Yue Opera troupes demonstrated their skills, with notable performances that resonated with both older and younger audiences, indicating a revival of interest in traditional arts among the youth [2][3][5]. - Interactive elements, such as workshops and audience participation, were incorporated to engage younger audiences, transforming them from passive observers to active participants [4][6]. Group 3: Economic Impact - The festival contributed to a noticeable increase in hotel occupancy rates and merchant revenues in the Qixia Mountain area during the National Day holiday, showcasing the economic benefits of cultural tourism [6][7]. - Social media buzz, including trending topics related to the festival, highlighted the event's success in attracting attention and visitors, further solidifying the link between cultural events and economic growth [6][7]. Group 4: Future Prospects - The Qixia District plans to continue cultural initiatives, including the "Qixia Has Drama" series, aiming to establish a lasting cultural presence that appeals to both residents and tourists [6][7]. - The festival serves as a model for integrating traditional arts with modern tourism, fostering cultural confidence and ensuring the sustainability of these art forms for future generations [7].

Core Viewpoint - The 2025 "New Song Talent" Zhejiang Youth Opera Actor Competition showcased the rich heritage and innovative spirit of Zhejiang's opera scene, featuring 45 finalists from various traditional and regional opera genres [1][2]. Group 1: Event Overview - The competition took place from July 27 to 29, 2025, at the Zhejiang Victory Theatre, organized by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism [1]. - A total of 401 young actors from 43 professional troupes and 5 art schools participated, with 45 selected for the finals after rigorous preliminary and semi-final rounds [1]. Group 2: Participants and Performance - The finalists represented a diverse range of opera styles, including Kunqu, Peking, Yue, and regional operas such as Ninghai Pingdiao and Newchang Diaohang, highlighting the cultural richness of Zhejiang [1]. - The competition was divided into three categories: Comprehensive Literary Drama, Comprehensive Martial Drama, and Yue Opera, showcasing a variety of performances that illustrated the depth of talent [1]. Group 3: Judging and Recognition - The judging panel included renowned figures such as Weng Guosheng and Lin Weilin, who evaluated performances based on multiple criteria including vocal quality, physical expression, and character portrayal [2]. - The competition revealed significant progress among returning contestants and highlighted promising new talent, indicating a bright future for Zhejiang opera [2].

Core Viewpoint - The article highlights the efforts of Liu Zongfa in preserving and promoting the traditional Chinese opera "Haha Qiang," emphasizing the importance of cultural heritage and the challenges faced in its transmission and development [2][3]. Group 1: Cultural Heritage Preservation - Liu Zongfa, a representative inheritor of Haha Qiang, established the Qingxian Haha Qiang Training Center in 2012 to promote the performance and transmission of this art form [2]. - Over the past decade, Liu and his colleagues have rescued and documented 25 plays and have rewritten and completed 5 plays, ensuring the continuity of this cultural heritage [4]. Group 2: Challenges and Solutions - The traditional method of oral transmission has led to the loss of lyrics and scripts over time, prompting Liu to actively seek out and document the works of older Haha Qiang artists [3]. - Liu has invested between 100,000 to 200,000 yuan annually since 2003 to support the training center and theater troupe, demonstrating a commitment to sustaining the art form financially [5]. Group 3: Community Engagement and Impact - The training center has attracted over 100 students in recent years, with more than 30 students now able to perform on stage, indicating a growing interest in Haha Qiang among the younger generation [5]. - The success of students, such as Zhang Yinuo and Xie Yufei, who won first prize at a local arts exhibition, showcases the positive impact of Liu's efforts on the community [5].