此外，主办方沄影平台还携手李恒，分别启动"天工开物艺术作品AR数字艺术进校园"以及"天工开物艺 术作品文化和旅游专题研学"项目。 其中，"文化和旅游专题研学"项目，进一步拓展了艺术与工程、文化与旅行之间的对话维度。活动中， 观众不仅能实地探访港珠澳大桥、高铁枢纽等超级工程现场，也能在慢旅行中体味古城烟火气与非遗技 艺传承。 现场展示了"沄影"数字文旅专业服务平台的技术成果，并联动上海白日梦科技、布比科技等单位协办， 呈现AR交互、区块链确权、数字艺术品拍卖等创新应用场景。通过"恒远宏大""妙笔生华""筑梦神 州""风之相貌""天光沄影"五大主题演绎单元，多维展现科技赋能的文化遗产活化、艺术表达升级及文 旅体验重构的多元可能。 会上，艺术家李恒分享了以重彩山水画记录国家工程背后的创作故事，他将现实场景中的桥梁、高铁、 城市天际线等工程元素融入山水图景之中，用数字技术呈现工程建设等文化遗产，作品不仅延续了传统 中国画的审美意蕴，更突破静态表达边界，实现了艺术语言的延展与再生。 北京商报讯（记者 关子辰 葛婷婷）8月22日，由沄影主办、新华网承办的天工开物·数字艺术暨"沄 影"数字文旅专题发布会在新华网媒体创意工场 ...

Group 1 - The core idea of the event is to bridge technology and humanity through "digital art," allowing families to experience the intersection of technology and art in a warm and interactive environment [1][3][16] - Shandong Mobile aims to empower family growth through technology, integrating digital tools into daily life to enhance communication and access to quality resources [3][10] - The event featured 23 families participating in various activities, including a deep tour of the World Home Appliance Museum and a professional lecture on AI and art by a professor from Tsinghua University [4][7][13] Group 2 - The lecture highlighted the evolution of home appliances and how AI transforms them from "silent tools" to "smart partners," emphasizing the role of technology in enhancing family life [10][14] - The session on digital art introduced concepts like iPad painting, VR painting, and AIGC (Artificial Intelligence Generated Content), showcasing innovative applications in education and creativity [13][14] - Families expressed positive feedback, noting that the event deepened their understanding of AI and its integration into daily life, inspiring children to think about future careers related to AI [15][16] Group 3 - The event is seen as a successful practice of technology and aesthetic education, illustrating a new vision of coexistence between technology and family [16] - It provided high-quality family time and an opportunity for parents to update their educational concepts, aligning with Shandong Mobile's mission to use technology to enhance family connections [16]

Group 1 - The core idea of the article revolves around the development of the Shuangcheng Art Center, which is transitioning from venue operation to content production, aiming to integrate culture and technology in the China Vision Valley industrial community [7][8][11] - The Shuangcheng Art Center has successfully hosted major events and performances, including the "CFS World Finals" and "Girl Group Performances," gaining significant attention in the industry [8] - The name "Shuangcheng" originally referred to "Twin Cities," symbolizing deep collaboration between the U.S. and Hangzhou, and has evolved to represent a vibrant cultural and technological journey [8] Group 2 - The China Vision Valley industrial community is set to establish a new model of production and community interaction, covering an area of approximately 4.7 square kilometers, focusing on visual intelligence industries and the aggregation of small and medium-sized tech manufacturing enterprises [9][10] - The community aims to enhance public services and create a "15-minute convenience service circle" and a "24-hour warm living circle," fostering a high-density industrial ecosystem and a harmonious community [10] - The integration of digital technology in cultural production is highlighted, showcasing a transformation in how art creation and cultural heritage are approached, indicating a deeper change in cultural production methods [11]

Core Viewpoint - The exhibition "The Digital Wild" showcased the integration of art and technology, highlighting the evolution of digital art and its potential impact on society [1][18]. Group 1: Exhibition Overview - The exhibition featured five distinct zones that explored the theme of digital life through immersive experiences [3]. - Notable works included Huang Wei's "Breath of the Minefield," which presented a futuristic scenario of AI jellyfish being "euthanized" due to aging technology, prompting reflections on human-nature emotional connections [3]. - Philipp Artus's "Aquatic Life" allowed visitors to create underwater ecosystems through interactive animations, symbolizing the utopian imagination of artificial ecosystems replacing natural ones [3]. Group 2: Interactive Installations - Wu Ziwei's team presented "Mimicry," an interactive installation that captures plant images and generates insect textures, facilitating discussions on technology's interaction with social issues [5]. - Genetic Moo's "Micro World" included interactive elements that engaged over 500,000 participants globally, allowing users to manipulate biological behavior parameters [5]. Group 3: Educational Impact - The exhibition served as an important platform for students from various institutions to enhance their aesthetic education and broaden their international artistic perspectives [9]. - Students from Shenzhen Technology University engaged deeply with the artworks, analyzing the underlying technological and artistic concepts [9]. - The exhibition also featured a student art show titled "Spring Awakening," showcasing diverse artistic expressions using various media [11]. Group 4: Cultural Significance - The success of "The Digital Wild" exhibition is attributed to Shenzhen's innovative environment for digital art [15]. - The event attracted media attention, with young reporters from Guangdong Jiajia Cartoon TV interviewing artists and attendees, capturing the vibrant moments of the exhibition [16].

Group 1 - The 21st China (Shenzhen) International Cultural Industries Fair has commenced, attracting thousands of cultural enterprises and institutions, showcasing the latest achievements in China's cultural industry [1] - Huawei's "Tian Sheng Hui Hua" digital art exhibition has gained unprecedented popularity, featuring outstanding works from the 2024 GoPaint digital creation competition [2][4] - The event has drawn a diverse audience, including cultural figures, tech enthusiasts, and the general public, highlighting the intersection of technology and culture through unique digital art [4] Group 2 - The "GoPaint" digital creation competition has been held for several years, with themes evolving from traditional color translation to urban cultural symbols, and now focusing on nature for 2024 [7] - The 2024 competition received over 6,000 submissions, indicating strong participation and expanding its industry influence [7] - The success of the event is supported by the Tian Sheng Hui Hua app and Huawei MatePad, which provide advanced tools for creators, enhancing the digital art experience [9] Group 3 - The Huawei MatePad Pro features a 13.2-inch flexible OLED screen and advanced hardware, making it an ideal mobile workstation for artists [9] - The app includes various efficient editing tools, allowing creators to push the boundaries of their work and improve productivity [9] - The ongoing evolution of the GoPaint competition is set to continue, promising further contributions to the digital cultural landscape [10]

Group 1 - The first "Hengqin-Macau International Digital Art Expo" is held in Hengqin, featuring various activities such as themed exhibition areas, high-end speeches, roundtable forums, and art classes over an 8-day period [1][2] - The expo aims to create a platform that connects art and technology, tradition and future, as well as China and the world, promoting Hengqin as an "international salon" for digital art [2][3] - The event includes four themed exhibition areas covering a total exhibition area of 6,000 square meters, attracting renowned artists and over 20 technology companies [3] Group 2 - The "Art Future Style" exhibition area showcases how digital technology activates traditional cultural genes and fosters new artistic paradigms, allowing immersive experiences of the Palace Museum [3] - The "Technology Reconstructs Art" exhibition area demonstrates the profound impact of technologies such as artificial intelligence, big data, and virtual reality on artistic creation [3] - The "Super Association" exhibition area features award-winning works from the 2025DASHOW International Digital Art Association competition, highlighting how technology supports young avant-garde artists in creating unique and creative works [3]

Core Viewpoint - The 21st Cultural Expo showcased Huawei's "Born to Paint" digital art exhibition, highlighting the harmonious blend of art and technology in the Guangdong-Hong Kong-Macao Greater Bay Area cultural industry innovation exhibition [1][2]. Group 1: Exhibition Highlights - The exhibition featured immersive large-screen displays that presented traditional culture and mythology in innovative formats, creating a visually stunning experience that injects youthful and trendy vitality into cultural heritage and expression [1]. - The "Spring Tide" series, inspired by Eastern aesthetics, utilized Huawei's tablet to replicate the essence of traditional ink painting, allowing viewers to appreciate the unique charm of classical culture [1]. - The artwork "Reincarnation of Sanxingdui," inspired by ancient Shu culture, employed modern digital art techniques to reinterpret ancient and mysterious cultures, emphasizing the core theme of "food as the foundation of life" [1]. Group 2: Artistic and Technological Integration - The work "Impression of Aerospace & Co-creating Nature" showcased dynamic effects of light and color, reflecting humanity's boundless imagination for space exploration and demonstrating the powerful expressiveness of digital art in addressing grand themes [2]. - A professor from the China Academy of Art noted that digital painting is a contemporary continuation of Chinese artistic language, with Huawei's tablet technology enabling precise expression akin to traditional brushwork [2]. - The exhibition's organizers expressed optimism that the captivating presentation of digital art would further promote its appeal to the public, anticipating more surprises from the fusion of technology and art in the future [2].

Core Perspective - Huang Jiannan's artistic journey reflects a profound exploration of how visual experience resonates with the inner landscape, breaking traditional boundaries between Eastern and Western art forms [2][4][6] Group 1: Artistic Philosophy and Techniques - Huang Jiannan's work embodies a unique creative philosophy where art is not merely imitation of nature but a manifestation of life's will, as seen in his piece "Desert Solitude" [1][4] - His approach integrates elements from both Eastern and Western art, such as blending Monet's impressionism with traditional Chinese ink techniques, creating a dialogue between different cultural expressions [2][4] - The artist's innovative use of materials and techniques, like using oil painting to express traditional Chinese aesthetics, has been recognized as a significant contribution to contemporary art [4][6] Group 2: Market Trends and Value - Huang Jiannan's early works, marked by his travels, have shown an annual appreciation rate of 27%, significantly higher than the average 12% in the art market [5] - Collaborations with scientific institutions, such as NASA, have led to substantial increases in the value of his works, exemplified by the "Interstellar" series, which quadrupled in price over three years [5] - His unique market strategy, which includes the integration of digital art with traditional painting, reflects a broader trend in contemporary art where the hand-crafted aspect is becoming a rare and valuable resource [5][6] Group 3: Cultural Impact and Recognition - Huang Jiannan's work has been pivotal in establishing a cultural dialogue on a global scale, as evidenced by his large installation at the Venice Biennale, which asserts cultural authority [6] - His recent exhibition at the British Museum highlights the relevance of his work in addressing contemporary artistic challenges, particularly in the context of digital art's rise [6][7] - The artist's philosophy emphasizes a connection between local experiences and global narratives, showcasing the duality of being rooted in tradition while reaching for global recognition [6][7]

Core Viewpoint - The "2025 Asia Digital Art Exhibition" serves as a platform for global digital artists, promoting the exchange of ideas and showcasing the integration of technology and art in China [2][4]. Group 1: Exhibition Overview - The exhibition has been held for seven consecutive years since its inception during the 2019 "Asian Civilization Dialogue Conference" [2]. - It aims to build a global platform for digital artists and enhance the presence of Chinese digital art creators [2][4]. - The exhibition reflects the growing accessibility and popularity of digital art, which has become a part of everyday experiences, such as the Beijing Winter Olympics opening ceremony and various digital animations [2][3]. Group 2: Participation and Engagement - The exhibition has evolved to include both artists and scientists, enhancing its credibility and depth [4]. - This year, students from Beijing Haidian District participated by showcasing works created using artificial intelligence [4]. - The initiative aims to improve digital literacy among the youth, integrating technology and culture into educational programs [4]. Group 3: Artistic and Technological Integration - Digital art is characterized by its accessibility, allowing anyone with digital tools to become a creator, particularly appealing to the younger generation [3]. - The exhibition features cutting-edge explorations by artists regarding the interaction with artificial intelligence and robotics, highlighting both optimism and ethical considerations in technology [3][4]. - The collaboration between artists and scientists is intended to stimulate creativity and critical thinking, fostering a new generation of talent [4][5]. Group 4: Impact on Innovation - The vibrancy of digital art in a region reflects the creativity of its artists and the depth of technological accumulation [5]. - Beijing is positioned as an international center for technological innovation, with Haidian as its core area, suggesting a bright future for digital art in the region [5].