Core Viewpoint - The film "Seeking Brick" premiered in Qian'an, highlighting the story of the Great Wall's protection and the search for a lost brick, reflecting cultural heritage and revolutionary spirit [1][4][8]. Group 1: Film Production and Team - "Seeking Brick" is co-produced by various governmental and media organizations in Hebei, with script and direction by Li Wei, known for works like "Sheep's Life" and "My Mother, My Home" [3]. - The film features lead actors Zhang Liang, E Jingwen, and Liu Junxiao, and is supported by the Hebei Provincial Party Committee [3][4]. Group 2: Themes and Cultural Significance - The film uniquely combines the themes of Great Wall protection and the search for martyrs' roots, aligning with current cultural and heritage preservation initiatives in China [4][8]. - It serves as a tribute to the spirit of the Great Wall, exploring themes of cultural heritage, personal growth, and emotional belonging [8]. Group 3: Filming Location and Community Involvement - Qian'an was chosen for its rich Great Wall tourism resources and cultural stories, with local entrepreneurs showing cultural commitment [6][7]. - The film is a significant collaborative effort for Qian'an, aiming to enhance the integration of culture and tourism, and to promote the city's cultural brand [7]. Group 4: Audience Engagement and Future Plans - The premiere event featured interactive sessions with the cast, and Zhang Liang was appointed as the ambassador for Great Wall protection in Qian'an [9][11]. - The film is set to be released in theaters nationwide on November 14, 2025, aiming to showcase Qian'an's ecological beauty and cultural heritage [11]. Group 5: Broader Cultural Context - Qian'an is positioned within the Beijing-Tianjin-Hebei urban agglomeration, with a 45.3 km section of the Great Wall, emphasizing its commitment to cultural preservation and tourism development [13]. - The city has received accolades for its cultural initiatives and aims to become a model for high-quality cultural development in the region [14][15].

Core Points - The article highlights the emotional and historical significance of the relocation of cultural artifacts from the Palace Museum during the war, focusing on the life of Zhuang Yan and his son Zhuang Ling, who were deeply involved in the preservation of these treasures [1][3][12]. Group 1: Historical Context - In 1933, over 10,000 boxes of artifacts were relocated from the Palace Museum to avoid destruction during the war, showcasing the commitment of museum staff to protect cultural heritage [1][3]. - Zhuang Yan was one of the key figures responsible for the safe transport of artifacts during the tumultuous years of the Second Sino-Japanese War, demonstrating the perilous conditions under which these items were moved [3][4]. Group 2: Personal Narratives - Zhuang Ling, born during the artifact relocation, reflects on his childhood experiences amidst the hardships of war, emphasizing the cultural education he received from his father [6][10]. - The article describes the family's efforts to maintain a connection to Chinese culture through storytelling and games, despite the challenging circumstances they faced [9][10]. Group 3: Cultural Significance - The ongoing exhibition at the Palace Museum commemorates the migration of artifacts, highlighting the shared cultural heritage between the two sides of the Taiwan Strait [12][13]. - The article notes that the artifacts have fostered a sense of cultural identity among Taiwanese people, while also representing a longing for reunification of cultural treasures [12][14]. Group 4: Future Aspirations - Zhuang Ling expresses hope that the regrets of the previous generation regarding the separation of cultural artifacts will not be passed on to future generations [15].

Core Viewpoint - The "Centenary Guardian" exhibition at the Palace Museum showcases over 200 national treasures from its collection of more than 1.95 million artifacts, highlighting the museum's development over the past century [1]. Group 1: Exhibition Overview - The exhibition is structured around three main themes: "Cultural Heritage," "Centennial Legacy," and "Diverse Expressions," presenting a vivid history of the Palace Museum [1]. - An innovative narrative technique using both artifacts and archival documents allows each item to tell its own historical story, illustrating the museum's remarkable journey from hardship to success [1]. Group 2: Featured Artifacts - The centerpiece of the exhibition is the "Along the River During the Qingming Festival" by Zhang Zeduan from the Northern Song Dynasty, symbolizing both artistic brilliance and its tumultuous history [3]. - The "Five Oxen" painting by Han Huang from the Tang Dynasty, the oldest existing paper-based Chinese painting, was repatriated to the museum in 1958 after being damaged [5]. - The "Baiyuan Tie" by Wang Xun, the only surviving work from the "Sage of Calligraphy" Wang Xizhi's family, also has a challenging return story [8]. Group 3: Cultural Significance - The return of these national treasures reflects the perseverance and progress of the Palace Museum and the cultural heritage efforts of New China [10]. - Artifacts like the jade disc from over 2,000 years ago and the Spring and Autumn period's lotus crane pot symbolize the enduring spirit of the Chinese nation and its continuous civilization over 5,000 years [12]. - The Palace Museum today embraces a more open and confident approach to preserving, inheriting, and showcasing excellent traditional Chinese culture, sharing a vibrant story of ancient China with the world [15].