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打造充满京味烟火的文化家宴
Xin Lang Cai Jing· 2026-02-17 05:53
2026年北京广播电视台春节联欢晚会,将于今天19时30分,在北京卫视、北京文艺频道、北京时间客户 端等平台同步播出。作为连续十二年位居省级卫视传播力榜首的春节文化品牌,北京台春晚在创办四十 周年之际,始终坚守"以人民为中心"的创作导向,坚守百姓联欢的核心基调,紧扣"春风得意马蹄吉"主 题,将真情与匠心融入歌舞篇章,将语言表达扎根于生活深处,精心打造一席充满京味烟火的文化家 宴。 开场歌舞《春风得意马蹄吉》 经典节目《重宝贺新春》 亮点 ▍用精彩短片串联京城新春 本届晚会以一系列精彩视频短片为脉络,串联起整场晚会,用镜头捕捉京城烟火,传递新春暖意。短片 《春天,马上到》率先拉开序幕;《当最"可爱"的人遇见最可爱的人》以军人与孩子的温情互动为切入 点,诠释出刻在中国人骨子里的安全感与幸福感;《我们的除夕夜》以"人机共生,科技向善"为核心, 全景呈现机器人在居家生活中的全流程实用技能;《我给大树织毛衣》集中呈现了北京台春晚联动多个 社区及地坛公园开展的公益活动成果;贺岁短片《恭喜自己》由成龙携手周华健、王力宏、谢霆锋、张 杰等多位好友演唱,回顾百态人生,致敬每一个在平凡生活中努力拼搏的自己。 ▍以重磅话题书写时代 ...
十五年长情陪伴,百事“把乐带回家”联动现象级动画IP《浪浪山小妖怪》,以平凡微光照亮新春归途
Zhong Guo Shi Pin Wang· 2026-01-19 10:34
Core Insights - The collaboration between Pepsi and the animated IP "Wang Wang Mountain Little Monsters" aims to redefine the narrative of the brand's "Bringing Joy Home" campaign, marking a new phase in its 15-year journey [1][4][12] Group 1: Brand Narrative and Emotional Connection - The campaign reflects a shift in public sentiment, where the definition of "joy" has evolved from external achievements to finding peace and stability in everyday life [3][4] - The meaning of "home" has transformed from a ceremonial return to a place of emotional comfort and acceptance, emphasizing the importance of ordinary connections [3][4] - Over the past 15 years, the "Bringing Joy Home" campaign has grown from a simple New Year greeting to a cultural symbol embedded in family traditions, resonating with the emotional pulse of the nation [4][12] Group 2: Engagement Strategies - Pepsi has created an immersive emotional experience through various channels, including limited edition packaging and themed products that resonate with consumers' identities [5][7] - The campaign extends into real-life settings by establishing themed experience spaces in key cultural and commercial locations, allowing the brand's message to permeate everyday life [7][9] - The new year special "Wang Wang Mountain Little Monsters: Bringing Joy Home" film conveys the essence of joy derived from unconditional acceptance by family, aligning with the brand's emotional core for this year's campaign [9][12] Group 3: Cultural and Market Implications - The partnership with "Wang Wang Mountain Little Monsters" signifies Pepsi's commitment to engaging with contemporary narratives around family and joy, reflecting a deep empathy for ordinary lives [12] - The campaign serves as a bridge between generations, fostering understanding and resonance through relatable stories of everyday workers and their experiences [12] - The 15-year milestone represents both a significant achievement and a new beginning for Pepsi, reinforcing its role as a companion during the Chinese New Year and its ongoing commitment to emotional engagement with consumers [12]
4255万元的刘野作品《张爱玲》引爆2025嘉德春拍
Jing Ji Guan Cha Bao· 2025-05-16 07:35
Core Insights - Liu Ye's artwork "Zhang Ailing" sold for 42.55 million yuan, becoming the highlight of the 2025 China Guardian Spring Auction, showcasing the artist's continued appeal and market demand for his unique aesthetic [2][8] - The auction featured a total transaction value of 360 million yuan, indicating a successful strategy of combining classic and contemporary Chinese art [8] Artwork Details - "Zhang Ailing," created in 2004, is a 60×45 cm oil painting that blends surrealism and cartoon styles, reflecting the themes of loneliness and alienation associated with the writer Zhang Ailing [2][3] - The painting started at an opening bid of 9 million yuan and was sold after numerous bids, achieving a final price nearly five times its minimum estimate, marking Liu Ye's fourth highest auction price [2][3] Market Trends - The top ten artists' works accounted for 70% of the total transaction value, highlighting a growing "head effect" in the market where a small percentage of artists dominate sales [7] - Younger collectors are increasingly favoring emerging artists, while seasoned collectors focus on 20th-century classics, indicating a diverse collecting landscape [7] - The introduction of Western masters' works did not perform as well as local artists, suggesting a strong preference for domestic cultural values among Chinese collectors [6][8]