转自：贵州日报 《狂野时代》海报。 《地球最后的夜晚》海报。 同时，今年恰逢世界电影诞生130周年、中国电影诞生120周年，《狂野时代》作为一部像费里尼的《八 部半》、特吕弗的《日以作夜》等一样的，关于电影自身、致敬电影艺术的"元电影"，虽然将故事设定 在人类不再做梦、不再需要电影的时代，但也通过向死而生、浴火重生的意象，对甚嚣尘上多年的"电 影已死"论调做出有力回击，道出这门艺术即便正在经受AI与短视频的冲击，被技术、理性、算法所"规 训"，但只要梦境、感性、情感还在，便依旧会魅力非凡。就像早期的动画装置费纳奇镜制造的效果， 仍然会将今天的我们深深吸引。 偈语引导人物放下执念 毕赣执导的艺术电影数量虽然有限，但不可否认其作品已有极具辨识度的鲜明特色，凸显出作者性：他 善于用意象丰富、诗意氤氲的镜头语汇，尤其是想象力超群的长镜头，以非线性叙事、拼贴等手法，将 诗句、歌声、昔日的流行文化符号等融入故事，让现实与记忆、梦境、幻觉融为一体，含混物理时空边 界的同时，重新建构心理时空。 在世界电影版图中，毕赣的创作可以从用镜头雕刻时光的塔可夫斯基、把多重时空并置的阿彼察邦、将 东方美学特质融入创作的侯孝贤等中外名导的 ...

Core Viewpoint - The 7th Hainan Island International Film Festival opened in Sanya, coinciding with significant anniversaries for global and Chinese cinema, highlighting the intersection of film history and the Hainan Free Trade Port's development [2] Group 1: Film Festival Highlights - The festival received a record 4,564 film submissions from 119 countries and regions, marking the highest participation in its history [2] - Notable figures in the film industry, including Marco Müller, the festival's jury chairman, emphasized the importance of the festival as a platform for international film exchange [2] - The opening ceremony featured various performances and tributes, including a moving segment led by actor Chen Baoguo, reflecting on the historical significance of Chinese cinema [3] Group 2: Cultural Exchange and Collaboration - The festival included a special "Thai Film Unit" to celebrate the 50th anniversary of China-Thailand diplomatic relations, showcasing the ongoing cultural exchange between the two countries [4] - The event also highlighted the contributions of filmmakers from different regions, with discussions on the unique filming experiences in Hainan, described as a natural filming studio [3][4] Group 3: Community and Social Responsibility - The opening ceremony paid tribute to victims of a recent fire in Hong Kong, honoring the bravery of firefighters and rescue personnel, demonstrating the festival's commitment to social issues [4]

Core Viewpoint - The fifth Italian Flower Film Festival concluded successfully in Florence, with the film "Nanjing Photo Studio" directed by Shen Ao winning the Audience Award with a high score of 4.78 [1][3]. Group 1: Awards and Recognitions - The Audience Award was awarded to "Nanjing Photo Studio" for its unique narrative perspective and profound artistic expression, highlighting the film's ability to resonate with viewers [3]. - Other significant awards included the Emerging Filmmaker Award to director Lin Jianjie for "Family History," the Lifetime Achievement Award to director Li Shaohong, and the Lifetime Achievement Award in Art to artist Zhang Xuan [3]. Group 2: Film Festival Highlights - The festival showcased a diverse range of films, featuring over ten outstanding Chinese films, emphasizing rich content and artistic achievements [3].

Core Points - The article discusses the passing of David Keighley, the founder of IMAX technology, who died at the age of 78, highlighting his significant contributions to the film industry and the IMAX experience [3][27] - Keighley's work ensured that IMAX not only provided a superior viewing experience but also maintained high standards in cinema quality and artistic integrity [20][24] IMAX Technology Development - IMAX technology originated in 1967 at the Montreal Expo, where a large screen was created using seven projectors, marking the beginning of IMAX [7][9] - The use of 70mm film in IMAX, which is three times the size of standard film and nearly ten times the area of 35mm film, allows for clearer and larger images [9][10] - Keighley developed the DMR (Digital Remastering) technology, which enhances standard 35mm films to IMAX quality through digital optimization [12][14] Quality Assurance and Standards - Keighley established a rigorous IMAX Quality Assurance system to ensure consistent viewing experiences across all IMAX theaters globally [20][22] - This system includes regular checks on brightness, sound calibration, and overall cinema conditions to maintain IMAX's high standards [22][24] Artistic Contributions - Keighley played a crucial role in preserving the artistic intentions of filmmakers, ensuring that the unique aspects of IMAX, such as its aspect ratios, were effectively utilized [24][25] - His attention to detail allowed directors like Christopher Nolan to confidently use complex compositions that demanded high-quality projection [25][27] Legacy - David Keighley's contributions have left a lasting impact on the IMAX brand, transforming it from a technological innovation into an artistic phenomenon [27]

Core Insights - The Shanghai International Film Festival (SIFF) features a selection of notable documentaries, with several films already sold out, indicating strong audience interest [1][2][4] Group 1: Featured Documentaries - "The Catastrophe" is a 568-minute documentary that has garnered significant attention since ticket sales began [1] - "The Dreamers," directed by Kim Longinotto, is a 101-minute documentary focusing on Brenda Meyers-Powell, who helps marginalized women in Chicago [2] - "The Lonely Afternoon," directed by Albert Serra, is a 126-minute documentary that provides an intimate look at a Spanish bullfighter's life [4] - "The Flame Guardians," a 102-minute documentary by Olivia Lunas, explores the relationship between firefighters and wildfires in North America [6] - "The Moonlight in the Desert," directed by Xu Huijing, is a 111-minute documentary about ecological agriculture in China [8][9] Group 2: Critical Acclaim and Recommendations - The documentaries are praised for their unique perspectives and emotional depth, with critics highlighting their artistic and narrative qualities [4][6][10] - "Eternal Soundtrack," a 150-minute documentary, has been nominated for the 2025 Oscar for Best Documentary Feature, showcasing the historical context of Patrice Lumumba's assassination [12] - Other noteworthy films include "Beirut, Burning Embers," "Sisters' Song," and "Capturing Light," which are also recommended for viewing [13]

Core Viewpoint - The "Time Mirror: Classic Films Exhibition" is launched to commemorate the 130th anniversary of world cinema and the 120th anniversary of Chinese cinema, featuring 14 restored classic films across 21 cities in China for a duration of four months [1] Group 1 - The exhibition aims to share the beauty of cinematic art across time and space with a broader audience [1] - The event is organized by the National Alliance of Art Films, which emphasizes diverse content supply and innovative screening formats to meet the growing demand for multicultural experiences among movie fans [1] - The exhibition is set to enhance the accessibility of classic films, allowing more viewers to engage with significant cinematic works [1]

Core Points - The article highlights the enduring artistic vitality of French actress Isabelle Huppert, who continues to perform with passion and creativity at the age of 72, recently touring China with the play "The Cherry Orchard" [1][2] - Huppert's performance style is characterized by subtlety and precision, earning her recognition as one of the best actors of her time, with accolades including a second-place ranking in The New York Times' list of the best actors of the 21st century [2][4] - The production of "The Cherry Orchard," directed by Tiago Rodrigues, remains faithful to Chekhov's original work, focusing on the emotional struggles of a noble family facing the loss of their ancestral estate [2][6] Performance Insights - Huppert's portrayal of Lyuba Ranevskaya in "The Cherry Orchard" is marked by a restrained emotional expression, contrasting with previous interpretations that emphasized more overt emotionality [5][6] - The minimalist staging and non-naturalistic direction of the play allow for an open interpretation by the audience, encouraging personal connections to the character and the narrative [6][8] - Huppert's ability to convey complex emotions through subtle physicality and micro-expressions enhances the audience's engagement with the character's internal struggles [5][6] Cultural Exchange - Huppert expresses a strong appreciation for Chinese cinema, citing films like "Daylight Fireworks" and "Roadside Picnic" as examples of works that resonate with European audiences [7][8] - The actress emphasizes the universal language of film and theater as a means of fostering understanding and emotional connections across cultures [8] - Huppert is open to future collaborations with Chinese filmmakers and expresses a willingness to learn Mandarin to enhance her engagement with Chinese roles [8]