本报记者 江 南 图①：西班牙巴塞罗那欧洲现代艺术博物馆"丹青吟咏 盛世相辉——'中国历代绘画大系'之宋画展"现 场。 图②：中国历代绘画大系典藏馆外景。 图③：浙江大学艺术与考古博物馆举办的"盛世修典 ——'中国历代绘画大系'成果展之元画专题展"。 图④："中国历代绘画大系"各断代全集封面。 图⑤： 空中俯瞰中国历代绘画大系典藏馆。 以上图片均由浙江大学出版社提供 纸绢上的线条笔触、勾皴点染，画面里的溪山树木、花鸟人物，背景处的亭台楼阁、烟云薄暮，在这些 笔墨和留白、精工和写意中，蕴藏着中华文明赓续传承的基因密码。 257册敦实厚重的画册，汇集全球260余家文博机构、超1.2万件(套)中国古代绘画藏品。 由浙江大学、浙江省文物局编纂出版的"中国历代绘画大系"(以下简称"大系")，是习近平总书记亲自批 准，多年来一直高度重视、持续关注的一项规模浩大、纵贯历史、横跨中外的国家级重大文化工程。历 经20年精心实施，"大系"已成为迄今精品佳作收录最全、出版规模最大的中国古代绘画图像文献集成。 笔墨有魂，丹青飘香。项目启动20周年之际，围绕"大系"成果保护、利用、研究等工作仍是"进行 时"。"大系"正在书写赓续千年文 ...

Core Points - The Beijing Municipal People's Congress held a meeting to review the draft of the "Beijing Great Wall Protection Regulations," which aims to establish a management system for the protection of the Great Wall and improve visitor management [1][2] Group 1: Legislative Framework - The draft emphasizes a shift from "rescue protection" to a balanced approach of "preventive protection" and "research-based restoration" [2][3] - The Great Wall in Beijing spans 520.77 kilometers and is recognized as one of the best-preserved and culturally significant sections among 15 provinces and cities [2] - The legislation aims to solidify practical experiences in Great Wall protection, including integrating archaeological excavations and digital initiatives [2][3] Group 2: Protection Mechanisms - The draft outlines a comprehensive protection mechanism, including defining protection zones, establishing records, and setting up protective institutions [1][4] - It mandates the establishment of a collaborative protection mechanism among Beijing, Tianjin, and Hebei, extending protection to related cultural relics beyond the Great Wall itself [4] - The draft specifies conditions and procedures for adjusting protection zones and construction control areas, requiring archaeological investigations for any construction within these areas [4] Group 3: Visitor Management - The draft details the management of visitor areas, including conditions for designating sections of the Great Wall as tourist sites and the responsibilities of local governments [5] - Non-tourist sections may implement measures such as electronic fences to deter climbing, while management units are tasked with enforcing these measures [5] - The draft encourages educational activities and international cooperation related to Great Wall protection [5]

Core Insights - The surge in sales of cultural and creative products, exemplified by the National Museum's "Phoenix Crown" refrigerator magnet, reflects the robust vitality and widespread influence of traditional Chinese culture in contemporary consumerism [1][2] - The success of cultural products is attributed to their artistic design, craftsmanship, and the emotional resonance they create with consumers, leading to strong purchase intentions and brand loyalty [2][3] Industry Trends - The cultural and creative industry in China is experiencing rapid growth, with diverse monetization models emerging, including IP licensing, direct product sales, immersive experience consumption, and digital derivatives [3][4] - The market for cultural and creative products is projected to exceed 3 trillion yuan in added value by 2024, with expectations to surpass 5 trillion yuan by 2025, indicating a compound annual growth rate of over 15% [3] Challenges and Opportunities - Despite the growth, the industry faces challenges such as product homogenization, insufficient intellectual property protection, and a shortage of high-end creative talent [4] - To foster high-quality development, there is a need for improved industry planning, financial support, talent cultivation, and stronger IP protection measures [4]

Core Viewpoint - The development of Hangzhou as a "Museum City" is highlighted through its historical evolution, current achievements, and future plans, emphasizing the integration of cultural heritage into the daily lives of citizens and the use of technology to enhance museum experiences [1][2][3][4][6][7]. Group 1: Historical Development - Hangzhou's museum journey began in 1929 with the establishment of the West Lake Museum, leading to a current total of 299 museums, including 73 state-owned and 31 non-state-owned [2]. - The city ranks second in China for the number of national first-class museums, with 12 such institutions [2]. - The "Museum City" initiative has been in progress since 2003, when Hangzhou first implemented a free admission policy for museums, sparking a cultural renaissance [3]. Group 2: Current Achievements - As of May 2023, Hangzhou has developed a robust museum framework, including 184 rural (community) museums and 11 other types, showcasing a diverse cultural landscape [2]. - The city has launched the "Hangzhou Memory" digital platform, allowing residents to explore local history and culture from home, and has established 10 new state-owned museums [3]. - Annually, Hangzhou's museums serve over ten million visitors, becoming integral to the cultural lives of its citizens [3]. Group 3: Future Plans and Initiatives - In 2024, Hangzhou will begin drafting the "Hangzhou Museum City Development Plan (2025-2030)," outlining strategies for future growth and cultural service improvements [3]. - Upcoming events include the 17th Hangzhou City Guide Skills Competition and the second "Museum City" cultural relics theme seal carving competition, encouraging public participation in cultural initiatives [5]. - The integration of technology is emphasized, with plans to enhance smart museum services and digital engagement through platforms like the "Hangzhou Memory" digital map [6][7].