视频里，这些角色的面容形象、音色口型都完美贴合大众熟悉的样貌，行为却"跑偏"得像脱缰的野马 ——随着人工智能技术发展应用逐渐成熟，对经典影视的"魔改"也越来越常见。 自2026年1月1日起，国家广播电视总局在全国范围内开展对"AI魔改"视频传播乱象的专项治理，为期一 个月，重点清理对四大名著、历史题材、革命题材、英模人物等电视剧作品的颠覆性篡改、"魔性"解构 与低俗化改编。 为何整治"AI魔改"？它与合法改编"二创"有哪些区别？相关行为有哪些侵权风险？如何在鼓励创新与传 承经典间保持平衡？记者进行了采访调研。 AI能力跃升 你刷到过这种视频吗？《甄嬛传》里的华妃向皇后请安后，跨上摩托绝尘而去；黛玉前一秒蹙眉垂泪， 下一秒化身拳击手与宝玉对打；诸葛亮阵前怒斥王朗，一张嘴说的却是流利英文…… 家住陕西的韩先生最近很苦恼。他是个历史迷，10岁的儿子耳濡目染，常抱着平板电脑了解历史人物的 生平事迹。可在网上一搜索，总会跳出不少AI生成内容，其中就包括对经典影视剧片段的各种"AI魔 改"。 "拿《三国演义》说，我看过原著和94版电视剧，自然清楚哪些桥段是假的、恶搞的。"韩先生说，"但 我儿子有时候真的会信。比如上次说起 ...

最近，一支几乎聚齐了好莱坞所有大IP的视频在网上爆了： 一大帮IP角色踏上战场，派拉蒙的海绵宝宝和变形金刚打头阵，忍者神龟全体斧钺钩叉，旁边站着教父。 好莱坞与流媒体两大巨头的IP大战一触即发，看台上则坐满了华纳的经典角色： 哈利波特、超人、蝙蝠侠、《老友记》六人组……兔八哥在嗑爆米花，《权力的游戏》"小恶魔"甚至举起了酒杯，纯纯坐山观虎斗。 对面，Netflix《怪奇物语》小11和魔王菊花怪统一战线，星期三和《鱿鱼游戏》男主并肩作战，巨型娃娃在背后虎视眈眈。 这显然脱胎于年前最大的收购案：Netflix宣布计划以827亿美元收购华纳兄弟，派拉蒙随即发起总价值约1084亿美元、面向股东的敌意竞购。 这场好莱坞史上最大竞购尚未落幕，AI抢先出手了。 是的，这是Reddit网友完全用AI做出来的IP二创视频。 在AI魔法之下，任何IP都能"乱炖"，一切关系可被改写，这必然涉及到版权争议。 面对挡不住的AI浪潮，国内外流媒体是怎么做的？ 01 IP二创已经被AI玩疯了 "派拉蒙大战Netflix"的AI二创视频，已经在国内外网站上被转疯了。 X上单条视频播放量就超过了730万。 抛开现实中派拉蒙与Netflix的竞 ...

Core Viewpoint - The phrase "要脸" (to save face) has gained significant traction online, particularly following a heartfelt yet self-aware statement made by folk singer Ma Di on the show "I Am a Singer 2," which has sparked widespread discussion and imitation across the internet [1][5][12]. Group 1: Cultural Impact - The phrase has led to a surge of creative reinterpretations and parodies, with musicians and internet users worldwide engaging in this cultural phenomenon [4][14]. - The emergence of "要脸文学" (face-saving literature) serves as a template for expressing personal shortcomings humorously, allowing individuals to articulate their struggles in a light-hearted manner [6][20]. Group 2: Social Commentary - The concept of "要脸" has evolved from a serious cultural critique to a more playful and relatable topic, reflecting a shift in how younger generations perceive and discuss personal dignity and societal expectations [10][13]. - The phrase has become a convenient explanation for various life challenges, enabling individuals to address their frustrations without delving into deeper issues [21][23]. Group 3: Creative Expression - The adaptability of the "要脸" template allows for various substitutions, indicating its flexibility and the broad appeal it has among different demographics [24][25]. - The phenomenon illustrates how modern communication, especially through social media, can transform traditional cultural expressions into contemporary forms of humor and relatability [26][36].