5部青年导演作品则展现了戏剧新锐力量的蓬勃生机和社会思考。《白犀牛事件》以犀牛故事为 喻，讲述人类生活中的普遍困境；《他和她（三周年纪念版）》通过三个不同年龄段、不同质感的爱情 小故事，让真实的生活碎片产生更强烈的共鸣；《正在吃草的罗西南多》以音乐与语言交织的"暴雨式 表达"，在全球化语境下进行解构；《樱桃园量子日记》在赛博朋克的视角下，呼唤爱与温情；《如何 正确乘坐公交车》则构筑起一个充满黑色幽默的"异世界"。这些作品或荒诞、或温情、或先锋，共同搭 建起一个充满无限可能的青年艺术舞台。 本届戏剧季还持续探索"演艺+公共空间"模式，不局限于传统剧场，而将演出与活动延伸至商业街 区、文化场馆与城市角落。与戏剧季一同成长的《他和她》以纪念版形式，连续第三年亮相电魂·自在 里，在非标艺术空间传递爱与温暖。闭幕巡游"未来游园会"通过一个个"小而美"的创意活动，将滨江星 光大道打造成一个限时开放的嘉年华，邀请所有路过的市民观众成为戏剧现场的一部分。巨型人偶、国 潮小丑、跨界乐队、默剧皮影、非遗滚灯、环境朗读……融汇多种艺术形式、不同戏剧团队的巡游，让 市民观众在街头巷尾与戏剧不期而遇，实现艺术与商业的良性互动。 11月 ...

Core Viewpoint - The original play "Wanguan Fire" by director Shao Zehui explores the concept of "leading role" through the relationship between costumes and actors, presenting a novel perspective. The new work "Next Scene" continues to focus on the state of traditional opera, centering on the relationship between a father and son from a Peking opera family, but lacks the brilliance of the previous work [1]. Summary by Relevant Sections - **Character Dynamics**: The father, Tang Hongming, is talented and deeply understands the Tang school of art but is cynical and unconventional, having failed in business abroad. The son, Tang Chi, is dedicated to the inheritance and promotion of Tang school art, influenced by his grandfather, but suffers from a terminal illness [1]. - **Conflict Themes**: The conflict between father and son exists on both ethical and artistic levels, with differing understandings of the inheritance of Tang school art and the current state of Peking opera. The work metaphorically addresses the fragility of human life and questions the future of ancient art forms [1]. - **Emotional Depth**: The father-son relationship encapsulates the richness of traditional culture, grounding the grand theme of the development and inheritance of opera in genuine and simple emotions. However, the carefully designed relationship lacks fully developed character portrayals, leading to a hurried narrative that neglects the psychological changes of the characters during the events [1].

Core Insights - Joseph Graves, a renowned American playwright, has significantly impacted the theater scene in China since moving there in 2002, blending Western classics with Chinese theatrical traditions [2][3][5]. Group 1: Career Development - Graves founded the Foreign Drama and Film Research Institute at Peking University in 2004, aiming to create professional theatrical works and bridge cultural exchanges between Chinese and Western theater [5]. - Over his tenure at Peking University, Graves directed over 50 professional plays, including many Western classics that premiered in China, and guided more than 40 student productions [6]. Group 2: Educational Impact - The courses designed by Graves are intended to provide students from various disciplines with unique theatrical experiences, enhancing their creativity and engagement in their primary fields of study [6][8]. - Many of Graves' students have pursued careers in theater, becoming professional actors, playwrights, and directors, while others have excelled in diverse fields such as law, medicine, and history [8]. Group 3: Company Initiatives - In 2012, Graves co-founded "Seven Acts of Life," focusing on introducing and producing Chinese versions of classic Western musicals, with notable works including "The Lion King" and "Matilda" [9][10]. - The company has produced numerous musicals, performing in over 50 cities and reaching millions of audiences, while also offering children's musical theater courses [9][10]. Group 4: Future Projects - Graves continues to engage in theater, directing new productions and performing, with upcoming tours for his solo play "A One-Man Shakespeare" and a new work "A One-Man Iliad" set to debut at the International Solo Theater Festival [10][11].

Core Insights - The autumn international theater season is entering its third year, featuring 54 performances from 10 productions across Belgium, Germany, France, Japan, Belarus, and China at the YOUNG Theater from October to December [1] - The German Schaubühne Theater returns with two acclaimed productions, "Richard III" and "Michel Kohlhaas," set to premiere in Shanghai on October 31 and November 7, respectively [1] - "Richard III," directed by Thomas Ostermeier, reinterprets Shakespeare's classic with a focus on political intrigue and human desires, featuring renowned German actor Lars Eidinger in the title role [1][3] Production Details - "Michel Kohlhaas" is co-created by Simon McBurney and Annabel Arden, adapted from Heinrich von Kleist's novel, telling the story of a horse dealer seeking justice [3] - The YOUNG Theater enhances the audience experience through pre-show discussions, creative dialogues, and collaborations with local businesses during the autumn international theater season [3] - A discussion on November 5 will feature Thomas Ostermeier and Meng Jinghui, focusing on the creative concepts behind "Richard III" and the balance between tradition and experimentation in contemporary Chinese theater [3]

Core Points - The World Theatre Education Alliance (WTEA) drama invitation exhibition was held in Guilin from October 24 to 26, featuring performances from six drama schools from China, Georgia, Greece, Russia, the United States, and the United Kingdom [1] - The theme of the performances revolved around "dreams" and "love," showcasing diverse storytelling through various theatrical styles [1] Group 1 - The Central Academy of Drama presented an original play titled "Zhuang Zhou's Dream of the Butterfly," which utilized shadow puppetry, traditional opera elements, and choral recitation to create an Eastern aesthetic [1] - Other notable performances included "Orpheus and Eurydice" from the Athens Academy of Music and Drama, "A Midsummer Night's Dream" from the London Academy of Music and Dramatic Art, and "154 Ways to Say I Love You" from the University of Central Florida [1] Group 2 - Local audiences expressed their excitement and appreciation for the high-quality performances, with a resident highlighting the affordability of ticket prices and the desire for more such events in the future [2] - The festival has become a significant cultural event, attracting both local and international talent, enhancing the artistic experience for the community [2]

Core Viewpoint - The "Banana Drama" studio has successfully fostered a theatrical alliance among several universities in Harbin, promoting original drama and engaging the local community through events like the Ice City Spring Drama Festival [3][12]. Group 1: Formation and Development - The "Banana Drama" studio was established in 2020 by Jiao Wenbo, a doctoral student at Harbin Engineering University, aiming to enhance the local theatrical environment by uniting various university drama clubs [3][7]. - The studio has successfully organized two editions of the Ice City Spring Drama Festival, showcasing original works and increasing public engagement with drama [3][12]. Group 2: Community Engagement - The studio conducts script reading sessions as a primary method for drama promotion, attracting participants from various professional backgrounds, including doctors and lawyers [10][11]. - The first Ice City Spring Drama Festival featured over 80 university students presenting 10 original plays, indicating a growing interest in theatrical activities among the youth [12][13]. Group 3: Impact on Participants - Participants, including students from engineering backgrounds, have reported finding inspiration and motivation through their involvement in drama, leading some to consider pursuing further studies in theater [13]. - Community members, including professionals from various sectors, have expressed that participation in drama activities serves as a valuable form of stress relief and a new perspective on life [14][15].

Core Insights - The cultural industry, particularly in drama, is not a quick-profit sector, emphasizing the importance of long-term commitment and sustainable development [1][2] - The recent 19th China Drama Festival serves as a reflection of the potential for integrating content with market dynamics, highlighting the need for authentic Chinese theatrical works that resonate with contemporary audiences [1][2] Group 1: Content and Market Integration - The core competitiveness of drama lies in its content, which must respect traditional aesthetics while adapting to modern expressions [1] - Innovation in content should respond to market demands and capture contemporary trends, indicating that artists must balance artistic pursuit with market awareness [2] - A healthy market ecosystem is essential for the circulation of quality content, as it ensures that even the best works can reach audiences effectively [2] Group 2: Long-term Viability and Industry Collaboration - Artistic works require time for validation and must be nurtured by the market to sustain their vitality [2] - The industry must collaboratively build and maintain a positive market ecosystem, focusing on effective promotion of quality content and development of talent [2] - The cycle of project initiation and completion should evolve beyond mere accolades, recognizing that even failures can provide valuable insights for future endeavors [2]

Core Viewpoint - The cultural industry, particularly in the realm of drama, is not a quick-profit sector, and its transmission and development require a long-term commitment to both content production and market ecology [1][2]. Group 1: Content and Market Integration - The core competitiveness of drama lies in its content, which must respect traditional aesthetics while adapting to contemporary expressions [1]. - Innovation in content should respond to market demands and capture current trends, emphasizing the need for artists to understand both the market and artistic pursuits [2]. - A healthy market ecosystem is essential for the circulation of quality content, as it ensures that even the best works can reach audiences [2]. Group 2: Long-term Commitment and Industry Development - The recent 19th China Drama Festival showcased the potential for integrating content with market needs, highlighting the direction for future efforts [1]. - Successful long-term operations, such as the over 350 performances of the Yue Opera "New Dragon Gate Inn," demonstrate the vitality of drama when nurtured over time [2]. - The industry must collaboratively build and maintain a positive market ecosystem, focusing on the promotion of quality content and the development of talent [2].

Core Points - The World University Drama Festival 2025 officially opened on October 20, featuring student representatives from various countries, emphasizing the theme "Dream" and "Love" [1][2] - The festival aims to enhance cultural dialogue and diversity through drama education, with 16 prestigious drama schools from different countries participating [1][2] - The host, Central Academy of Drama, presented the play "Zhuang Zhou's Dream," which reflects Chinese philosophical wisdom and aims to promote Chinese culture internationally [2][3] Group 1 - The festival will run from October 20 to 22, with results announced on October 24 during the Guilin Arts Festival [1] - The participating international institutions include notable drama schools from the UK, USA, Russia, Greece, and Georgia [2] - The play "Zhuang Zhou's Dream" is supported by a team recognized by the Ministry of Education for its innovative contributions to philosophy and social sciences [2][3] Group 2 - The festival's theme focuses on the universal concepts of love and dreams, aiming to express the human spirit through artistic works [4] - The Central Academy of Drama seeks to foster international friendships and cultural exchange through this platform [3][4] - The festival is part of a broader initiative to promote drama education and cultural exchange, particularly through the collaboration with local government and cultural departments [3]

第24届中国上海国际艺术节于10月17日至11月27日举行，粤港澳大湾区文化周暨"其命惟新——广东美 术百年大展"作为其中重要组成部分，于10月18日在上海美术馆（中华艺术宫）隆重开幕。 开幕式上，广州粤剧院带来的大型新编古装粤剧《双绣缘》选段亮相，赢得现场阵阵掌声。一级演员、 中国戏剧梅花奖得主、广州市文联兼职副主席、广州市戏剧家协会主席李嘉宜作为《双绣缘》的主演之 一，在现场对南方财经记者表示，上海是文化重地，不仅拥有众多本地观众，还吸引着更多新群体观 众，更面向全球受众。她认为粤剧来到上海十分契合其特质，广东的开放包容与锐意创新，与中国上海 国际艺术节的精神不谋而合。此次她参演的粤剧《双绣缘》，以粤剧表演形式展现精致细腻的广绣，将 两项非遗元素巧妙融合，呈现出"美美与共"的艺术效果。 （原标题：中国戏剧梅花奖得主李嘉宜：上海为粤剧提供了国际化舞台） 南方财经 21世纪经济报道记者 施诗 上海报道 ...