Core Viewpoint - The 2026 upgraded version of the dance drama "Chang Hen Ge" has premiered in Xi'an, attracting nearly 10,000 viewers on its opening night, emphasizing the integration of cutting-edge technology and Tang Dynasty aesthetics for an immersive cultural experience [2][4]. Group 1: Upgraded Experience - The upgrade focuses on creating a comprehensive and immersive viewing experience, with adjustments to the audience seating layout to enhance visibility and comfort [4]. - A new CNC lighting system has been introduced to render the night scenery of Lishan and the palace atmosphere with higher precision, enhancing the poetic ambiance [4]. - The stage machinery has been precisely upgraded to allow seamless scene transitions, while the choreography has been refined to preserve the essence of Tang dance while exploring new emotional and narrative dimensions [5]. Group 2: Audience Engagement - To enhance audience participation, a pre-show interactive segment titled "Meeting at the Start" has been designed, featuring a Tang Dynasty-themed float parade to energize the atmosphere [7]. - NPCs representing Tang Dynasty characters interact with visitors, recreating the lively atmosphere of Chang'an's streets, encouraging guests to take photos [7]. - Large screen interactive quizzes are used to convey knowledge about Tang culture, transforming waiting time into a cultural experience [7]. Group 3: Emotional Connection - The performance included customized star lamps for the audience, which were synchronized to light up at the end of the show, creating a romantic scene that resonates with the starry sky of Lishan [10]. - This unique experience extends the emotional connection of the performance, enhancing the overall impact on the audience [10]. Group 4: Future Vision - The company aims to continue embedding cultural roots while leveraging technology and creative expression to innovate content and upgrade experiences, promoting cultural exchange through the stage [12]. - The goal is to revitalize the millennia-old cultural heritage in the modern era and contribute to the integration of cultural tourism and cultural outreach [12].

新华社澳门1月30日电 题：当"演戏会"遇到"水舞间"——多元文化映照多彩澳门 新华社记者宋晨、齐菲、郭雨祺 30日，澳门文化中心综合剧院，澳门特别行政区政府举行2025年度勋章、奖章和奖状颁授仪式。 春节过后，妈阁水陆演戏会即将开启妈祖诞期筹备活动。很多工作，已是会里年轻一代在挑大梁。"妈祖信俗传到我这辈，已是家中第四代 了。"演戏会理事刘嘉琪回忆，从小时记事起，便跟随父辈来妈阁庙看戏，与这份传承结下不解之缘。 授勋名单里，获授文化功绩勋章的澳门妈阁水陆演戏会，与获授旅游功绩勋章的《水舞间》汇演团队，一个是香火、唱腔与锣鼓共鸣的信仰传 承，一个是水效、光电与舞蹈交织的现代汇演。它们在表彰名单上并肩而立、各自精彩，同时像一幅文化拼图里的两枚插片，紧密相连、不可分 割。 "两个团体同获勋章，清晰而有力地展现出澳门文化的相容性、层叠性与多元性，构成了澳门文化特质最生动、最浓缩的写照。"文化功绩勋章获 得者、澳门理工大学人文及社会科学学院院长林发钦这样评价。 百年回响与当代奇观 这是2025年5月7日拍摄的《水舞间》汇演。新华社发（张金加 摄） 每年农历三月廿三日妈祖诞期间，妈阁水陆演戏会都会在妈阁庙前地搭盖戏棚， ...

2006年，肖倩迎来了艺术生涯的高光时刻，她的《柔术·女子造型》一举摘得中国文化艺术政府奖文华 表演奖，《梅颂转毯》《柔术造型》分别荣获荣毅仁基金会杂技艺术奖一等奖、三等奖。多年来，肖倩 的演艺足迹遍布韩国、德国等国家和地区，累计演出超3600场次，用精湛技艺架起了中外文化交流的桥 梁。 当选遵义市演艺集团工会副主席后，肖倩在为干部职工做好福利保障的同时，积极拓展文化服务范围， 开展艺术培训、赛事展演，创新推出脱口秀、儿童科技秀、相声等大众喜闻乐见的表演形式，让文化服 务更接地气、更具活力。 "文化要想真正走出去，必须做好文化传承，而文化传承不能墨守成规，需要勇闯新路。"多年的从业经 历让肖倩深知，国有文化企业面临着资源配置不足、市场冲击加剧等难题。在肖倩的积极参与和不懈努 力下，遵义演艺集团深挖本地红色历史文化与民俗民间文化资源，将杂技艺术与地域特色深度融合，仅 用2个多月便完成17个杂技节目的复排工作，创排出大型杂技秀《绮境》。自2024年7月首演以来，《绮 境》在5个月内演出115场，接待观众约7万人，成为宣传贵州灵山秀水与发展巨变的文化名片。 肖倩（左）在指导学员学习杂技技巧。 在贵州遵义的杂技艺术圈 ...

Group 1 - The National Grand Theatre will host various performances including "Sherlock Holmes" from February 5-8, and "The Orchids" from February 11-13 [3] - The Beijing People's Art Theatre will present "Under the Red Flag" from February 7-10 and "I Love Peach Blossom" from February 11-15 [3] - The Tianjin People's Art Theatre will perform "Thunderstorm" on February 13 at the Beijing Exhibition Hall Theatre [3] Group 2 - The "Spring Awakening" concert featuring Lü Jia and Zhu Ximeng with the National Grand Theatre Orchestra will take place on February 6-7 [3] - The 22nd Beijing Spring Concert will feature Tan Li Hua, Ding Yi, Jiang Da Wei, and the China Film Orchestra on February 10 at the Great Hall of the People [3] - The "Eternal Love" piano concert by Richard Clayderman is scheduled for February 14 at the Beijing Exhibition Hall Theatre [3] Group 3 - The Beijing Opera will present "Tea House" special edition on February 21 at the Beijing Exhibition Hall Theatre [6] - The Northern Kunqu Theatre will perform "Heavenly Official Bestows Fortune" from February 17-21 at Zhengyi Temple Theatre [6] - The Beijing Hebei Bangzi Theatre will present "Judge Bao Sells the Executioner" on February 21 at the Beijing People's Theatre [6] Group 4 - The National Grand Theatre will host the opera "Orchid Flower" from February 5-8 [8] - The Central Ballet will perform "Dream of the Red Chamber" on February 7-8 at the Tianqiao Theatre [8] - The Shanghai Ballet will present "Swan Lake" from February 19-22 at the National Grand Theatre [8] Group 5 - The Beijing Children's Art Theatre will present the children's play "The Motherland in Time" on February 8 at the Nanluoguxiang Theatre [10] - The fifth "Rehearing Classics" New Year Drum Performance by the Beijing Quyi Troupe will take place on February 10 at the East Map Theatre [10] - The China Children's Art Theatre will present the mythological stage series "Journey to the West" (Part Two) from February 19-23 and 28 at the China Children's Theatre [10]

（来源：劳动午报） 转自：劳动午报 记者近日从北京市文化和旅游局了解到，"十四五"时期，首都文化领域发展成效显著，在品质、规模、 创新上均实现重大突破，交出亮眼答卷。 □本报记者 盛丽 全国文化中心建设成效显著 北京市文化和旅游局出台建设"演艺之都"三年行动实施方案、推动演艺高质量发展支持办法等政策措 施，艺术创作成果丰硕，实现文华大奖"五连冠"、群星奖连续20年届届获奖。在全国率先推出大型营业 性演出活动"一件事"审批服务改革。2023年、2024年、2025年，全市营业性演出场次、观众、票房持续 新高；2025年举办营业性演出超6万场，吸引观众超1400万人次。"十四五"期间演艺市场能级实现跨越 式提升，演出场次和收入较"十三五"期末翻一番，彰显了首都演艺产业的强劲活力与巨大潜力。 北京市在全国率先实现全市域建成公共文化服务体系示范区。建成四级公共文化设施7176个，基本实现 全覆盖。北京城市副中心三大文化设施建成开放，累计接待量超过1000万人次。 北京在全国省级层面率先出台《急需保护的非遗项目认定和保护办法》。构建国家级、市级、区级三级 名录体系，拥有13项联合国非遗项目。创新举办两届"北京国际非遗周 ...

中国青年报客户端讯（中青报·中青网记者 沈杰群）日前，由江苏省苏州文投集团和禾戏剧出品制作、 北京保利剧院管理有限公司联合出品的舞剧《牡丹亭》，在北京保利剧院连演4场，并完成该剧的第70 场演出。 《牡丹 舞剧《牡丹亭》由青年舞蹈艺术家黎星与青年编导黄佳园联袂执导，由舞者胡婕、罗昱文、李倩、黄慧 慧、王盛熙等主演。作品根据明代剧作家汤显祖写就的五⼗五出传奇剧本《牡丹亭还魂记》改编，在尊 重原著的基础上，以当代视⻆解读传统经典，提炼出杜丽娘、柳梦梅、春⾹、花神、陈最良、判官六个 核⼼⻆⾊，讲述了南安太守之⼥杜丽娘与岭南书⽣柳梦梅超越⽣死的爱情故事。 亭》剧照。张曦丹/摄 "舍弃戏文，仅用动作去表达，是创作过程中最大难点，考验主创功力。"导演黎星介绍，团队耗时20个 月创排，在尊重原著精髓基础上，于叙事、舞美、角色等方面进行了大刀阔斧的创新。 《牡丹 亭》剧照。唐凌/摄 此外，该剧对于原著主题"情不知所起，一往而深"的独特表达，深深触动着当下观众。自首演以来，该 剧已21城巡演66场，近七成是35岁以下的年轻观众——这正印证了"古韵国风成为年轻人眼中'顶流审 美'"的时代趋向。主创团队通过大胆的改编，践行将传统与 ...

记者：陈琴 麻占江 一审：肖勇 1月30日，2026开年首场村戏盛宴来袭，"贵州村戏·乡当好耍"第二季第八期在印江土家族苗族自治县文昌广场精彩上演，印江携手东莞寮步、黄江与施秉、 东莞石排同台竞演，带来一场民族文化与多元风情交融的视听盛宴。 舞台上，《土家摆手震山谷》尽显土家豪情，《侗歌声声唱给党》传递侗寨温情，《电音醒狮》《潮玩新春》更将传统民俗与新潮玩法创意结合，非遗技艺 与跨界表演轮番登场。这场村戏以擂台赛形式点燃现场氛围，村民自编自演的节目满含乡土韵味，也让黔粤文化碰撞出别样火花，为文旅融合发展写下生动 注脚。 nd 時勝 戏 费州 利 pit ls 施展 麻兒 ! ther and strong and 印汇 寂寞 联合表现 K CAR BARAN 1-2 U级改局 提出健康 9915 二审：罗蕾 三审：文波 ...

距离春节还有十多天，武汉年味渐浓。花市里，看花选花的市民摩肩接踵；各大商超，购物打年货的市民络绎不绝；武汉国际会展中 心正在举办"迎春年货大集暨首届武汉圆子节"，展区汇聚了本土农产品及全省特产，市民可一站式购齐春节年货；2026年大余湾第三届新 春庙会在阵阵锣鼓与欢笑声中温暖启幕，这座拥有650余年历史的明清古村落，再一次以张灯结彩的姿态，迎接八方来客…… 黄鹤楼 《AI在黄鹤楼》演出现场，"李白"在黄鹤楼前吟诗。 武商MALL生活馆 循礼门花市 临近新春佳节，双休日武汉各大商超里购物打年货的市民络绎不绝。 市民在循礼门花市看花选花，年宵花俏销。 武汉国际会展中心 黄陂大余湾 武汉国际会展中心举办"迎春年货大集暨首届武汉圆子节"，吸引市民品尝购买。 该剧的突破在于实现文化与科技的"化合反应"：AI作为深度叙事引擎，通过视觉化情感分析界面让观众从历史"旁观者"变为情感"共情 者"；国家级非遗"古彩戏法"成为叙事语言，"化纸为蝶"隐喻李白灵感，"双扇合一"诠释知音主题；270度环绕舞台、全息渲染等技术重现 盛唐市井与长江烟波，实现"进入历史"的沉浸式体验。 作为人民网"梦幻灵境"品牌孵化的第二部AI展演作品，该剧 ...

Core Viewpoint - The revival of classic plays such as "The White-Haired Girl" and "Camel Xiangzi" by young performers has sparked a wave of enthusiasm among audiences, particularly attracting a large number of young viewers to theaters [1] Group 1: Value of Classic Play Revivals - The core value of reviving classic plays lies in nurturing young artistic talent through a "pass on and help" approach, allowing young actors to challenge iconic roles, which serves as a deep training in artistic tradition [1] - This "education through drama" model provides a rapid growth platform for young actors and injects fresh vitality into the industry [1] Group 2: Audience Engagement and Cultural Identity - The popularity of classic play revivals reflects contemporary youth's deep recognition of excellent traditional culture, indicating that young people are not alienated from tradition but are eager to find new ways to engage with it [1] - When young audiences are moved by the stories on stage, they are essentially completing a cultural quest for roots and identity, which broadens the audience base for classic art and enhances the aesthetic literacy of young people [1] Group 3: Transmission of Traditional Culture - The successful practice of reviving classic plays serves as a vivid example for the transmission of traditional culture, demonstrating that the vitality of tradition comes from both adherence to core values and expressions that resonate with the times [1] - The process requires both the heartfelt teaching from predecessors and the courageous acceptance of the baton by the youth, highlighting the importance of intergenerational collaboration in cultural transmission [1]

Core Viewpoint - The dance drama "Peony Pavilion," produced by Suzhou Cultural Investment Group and He Drama, presents a modern interpretation of the classic Chinese tale, focusing on themes of love and life through a purely physical expression without dialogue [1][3]. Group 1: Production and Themes - The drama is based on Tang Xianzu's "Peony Pavilion" and centers on six key characters, exploring a love story that transcends life and death [3]. - The narrative is divided into two parts: "Dream Scroll," depicting Du Liniang's journey of self-discovery, and "Picture Scroll," illustrating Liu Mengmei's unwavering pursuit of love [3]. Group 2: Artistic Innovation - The production challenges traditional forms by relying solely on dance to convey emotions, integrating contemporary dance elements while respecting the original text [3][5]. - The stage design features a 3.5-meter mirror extension platform named "Peony Pavilion," enhancing audience engagement and emotional interaction [5]. Group 3: Visual and Emotional Elements - The visual aesthetics are characterized by simplicity, with a focus on the emotional depth conveyed through minimalistic costumes and set design [5]. - The choreography effectively uses pauses to enhance emotional resonance, creating powerful visual moments that reflect the characters' inner struggles and connections [7]. Group 4: Deeper Exploration - The drama goes beyond a mere love story, using symbols like mirrors and flowers to delve into themes of self-identity and the value of life [7]. - The recurring mirror scenes symbolize Du Liniang's yearning for freedom, while the red flower represents the awakening of individual will and natural vitality [7].