Core Viewpoint - The articles highlight the importance of art and literature in reflecting and shaping the spirit of the times, emphasizing the support and encouragement provided by General Secretary Xi Jinping to artists and cultural workers in China [1][5][20]. Group 1: Xi Jinping's Engagement with Artists - Xi Jinping has shown a strong commitment to the arts, engaging with artists and acknowledging their contributions to cultural development [1][5]. - In a letter to eight film artists, Xi praised their dedication and the memorable characters they created, reinforcing the idea that art serves the people [3][5]. - During the National Medal and Honorary Title Award Ceremony, Xi presented the "People's Artist" title to actress Tian Hua, encouraging her and others to continue creating works that resonate with the spirit of the times [5][20]. Group 2: Recognition of Artistic Contributions - The articles detail various instances where Xi Jinping recognized the contributions of prominent artists, such as the awarding of the "July 1 Medal" to actor Lan Tianye, highlighting his lifelong dedication to the performing arts [7][8]. - Xi's remarks on the performances of artists like Li Xuejian and the importance of their roles in portraying historical figures reflect a deep appreciation for the impact of art on society [18][20]. - The emphasis on moral integrity and artistic excellence is a recurring theme in Xi's messages to artists, urging them to uphold high standards in their work [8][20]. Group 3: Cultural Development and National Identity - The articles underscore the role of artists in promoting traditional culture and moral values, with Xi Jinping encouraging them to contribute to the construction of a culturally strong nation [20]. - The commitment of artists like You Benchang and Niu Ben to the Communist Party and their artistic endeavors illustrates the intertwining of cultural identity and national pride [12][15]. - Xi's vision for a vibrant cultural landscape is rooted in the belief that the pursuit of truth, goodness, and beauty will ensure the long-term health and hope of the Chinese nation [20].

Core Viewpoint - The article highlights the dedication and artistry of veteran actors in the Chinese film and television industry, emphasizing their commitment to authentic performances and their connection to the audience and society [1][2][3]. Group 1: Artistic Dedication - Veteran actors, referred to as "old bones," exemplify a deep commitment to their craft, often going to great lengths to portray their characters authentically, as seen with Qin Yi and Wu Yanzhi [2]. - The article illustrates how these actors' life experiences enrich their performances, making their characters relatable and credible [1][2]. Group 2: Social Responsibility - Many veteran actors actively participate in charitable events and community support, demonstrating their commitment to giving back to society, as shown by Tian Hua and Niu Ben [2]. - The actors' focus on serving the public and maintaining a connection with the audience is a key reason for their respect and admiration [2][3]. Group 3: Moral Integrity - The concept of "德艺双馨" (virtue and art both shining) is emphasized, highlighting the importance of moral character alongside artistic talent in the industry [3]. - The article stresses that the legacy of these actors is built on their dedication to both their art and their ethical responsibilities to the audience and society [3].

Core Viewpoint - The article highlights the life and contributions of Tian Hua, a 97-year-old artist honored as a "People's Artist," emphasizing her dedication to art and the people throughout her 80-year career [3][8]. Group 1: Background and Early Life - Tian Hua was born in 1928 in a poor farming family in Tang County, Hebei, during a smallpox outbreak, leading to her being named "Tianhua" [3][4]. - Her mother passed away due to overwork and illness, leaving Tian Hua with a deep sense of loss and a desire to understand her family's history [3][4]. Group 2: Artistic Journey - In 1939, at the age of 11, Tian Hua joined the Anti-Japanese Drama Troupe, where she was encouraged to adopt the stage name "Tian Hua" [5]. - The troupe faced harsh conditions, performing in various locations while engaging in guerrilla warfare against Japanese forces [6][7]. Group 3: Impact of War on Art - Tian Hua's performances often took place in front of soldiers, some of whom later died in battle, creating a profound emotional connection between her art and the experiences of the audience [6][7]. - She recalls a particularly memorable performance where she sang to soldiers in a cave, providing them with emotional support during dire circumstances [7]. Group 4: Legacy and Philosophy - Tian Hua believes that the title "People's Artist" belongs not just to her but to the Anti-Japanese Drama Troupe and all artists dedicated to serving the people [8]. - Her commitment to the arts is rooted in her experiences during the war, and she emphasizes the importance of being grounded in the lives of the people to keep art vibrant and relevant [8].

Core Viewpoint - The article emphasizes the significant role of theater and art in uniting the Chinese people during the Anti-Japanese War, showcasing how various performances inspired collective action and national consciousness [5][8][12]. Group 1: Historical Context - The Anti-Japanese War prompted a surge in theatrical productions, with street plays and operas becoming vital tools for mobilizing public sentiment against invaders [6][7]. - Notable works like "The White-Haired Girl" and "Defending Lugou Bridge" resonated deeply with audiences, reflecting the struggles and aspirations of the people during wartime [6][9]. Group 2: The Role of Art and Theater - Theater served as a battlefield, with performances acting as weapons to inspire and galvanize the masses, fostering a sense of unity and shared purpose [13][14]. - The creative output from institutions like the Lu Xun Academy of Arts (鲁艺) was characterized by a focus on real-life experiences, capturing the essence of the people's struggles and triumphs [11][12]. Group 3: Impact on Society - The emotional connection established through performances led to increased participation in the war effort, with audiences feeling compelled to act in solidarity with the characters portrayed on stage [13][14]. - The portrayal of ordinary individuals as heroes in plays helped to elevate the collective spirit, encouraging a sense of agency among the populace [12][15]. Group 4: Legacy and Reflection - The legacy of wartime theater continues to resonate, with modern adaptations and performances honoring the spirit of resistance and the sacrifices made during the Anti-Japanese War [16][18]. - The article underscores the importance of remembering and celebrating these artistic contributions as a means of preserving national identity and collective memory [16][19].

Core Viewpoint - The article highlights the cultural resistance and the role of art and literature during the Anti-Japanese War, emphasizing how these elements galvanized the Chinese people to unite against foreign aggression and maintain their national spirit [1][3][9]. Group 1: Historical Context - In 1939, composer Xian Xinghai created the "Yellow River Cantata" in Yan'an, which became a powerful anthem for the Chinese people during the Anti-Japanese War, symbolizing their struggle and resilience [1][3]. - The Anti-Japanese War was characterized as a comprehensive conflict involving military, political, economic, and cultural dimensions, with the Japanese invaders aiming to dominate not only territory but also the cultural and spiritual aspects of the Chinese people [3][5]. Group 2: Cultural Impact - The Japanese invaders attempted to impose cultural control through language education, forcing Chinese citizens to learn Japanese, which was part of their broader strategy to undermine Chinese culture [7][9]. - Cultural destruction was a significant part of the Japanese strategy, as evidenced by the bombing of major cultural institutions and universities, which aimed to eradicate knowledge and education among the Chinese populace [5][9]. Group 3: Role of the Communist Party - The Communist Party of China (CPC) played a crucial role in cultural resistance, advocating for a comprehensive political mobilization to engage the masses in the war effort through accessible forms of communication such as pamphlets, newspapers, and performances [11][21]. - Mao Zedong emphasized the importance of literature and art serving the people, particularly the working class, which guided the cultural initiatives during the war [13][19]. Group 4: Grassroots Mobilization - Various cultural activities were initiated in the Anti-Japanese bases, such as literacy campaigns and performances that educated and motivated the populace, leading to a significant increase in literacy rates and political awareness among the people [15][21]. - The creation of songs like "Unity is Strength" became rallying cries for the masses, illustrating the power of music and art in fostering a collective spirit against the invaders [19][21]. Group 5: Media and Communication - The establishment of media outlets like the "Dazhong Daily" and the Xinhua Broadcasting Station in Yan'an facilitated the dissemination of anti-Japanese propaganda, effectively mobilizing public sentiment and support for the war effort [25][27]. - The integration of various forms of media and cultural production created a robust framework for cultural resistance, showcasing the CPC's leadership in both military and cultural fronts during the Anti-Japanese War [27].

Core Viewpoint - The article highlights the emotional return of actress Tian Hua to the Changchun Film Studio, marking the 80th anniversary of the studio, and reflects on her significant contributions to Chinese cinema and her enduring connection to the Communist Party [1][2][4]. Group 1: Tian Hua's Career and Achievements - Tian Hua began her revolutionary artistic career at the age of 12 and gained fame at 22 for her role in the film "White Haired Girl" [1]. - Over her career, she starred in 19 films, including classics such as "White Haired Girl," "Floral Moon," and "Daughter of the Party," solidifying her status as a prominent figure in Chinese cinema [2][3]. - She received numerous accolades, including the title of "People's Artist" and "National Outstanding Contributor to Film Art" [1]. Group 2: Personal Life and Legacy - Tian Hua's personal life includes a marriage to Su Fan, with whom she has three children and multiple grandchildren [2]. - Despite facing family tragedies in recent years, she maintains a positive outlook and continues to engage with her artistic roots [3]. - During her recent visit to Changchun, she expressed her commitment to the Party and her belief in the vitality of young filmmakers, emphasizing the importance of passing on the "cradle spirit" of Chinese cinema [4].

Core Viewpoint - The article highlights the deep connection between art and the lives of the people, emphasizing the importance of personal experience in artistic creation, as demonstrated by the renowned artist Tian Hua during the 20th Changchun Film Festival and the 80th anniversary of the Changchun Film Studio [1][4]. Group 1: Tian Hua's Artistic Journey - Tian Hua attributes her transformation from a regular military art troupe member to a famous movie star to the film "White Haired Girl," which resonated with audiences and showcased her talent [2]. - The film "Daughter of the Party," released in 1958, marked a significant milestone in Tian Hua's career, receiving critical acclaim for her portrayal of the character Li Yumei, which was noted for its profound emotional impact [2]. Group 2: Connection to People's Lives - Tian Hua emphasizes that the essence of literature and art is derived from the rich experiences of people's lives, which serve as an inexhaustible source of creativity [4]. - To authentically portray a character from Hainan Island in the film "Blue Sea and Red Heart," Tian Hua immersed herself in local culture by learning to swim, fish, and navigate, reflecting her commitment to embodying the character's spirit [4].

Group 1 - The article emphasizes the cultural revitalization and historical significance of Northeast China, highlighting the integration of history and modernity in the region's development [2][6][14] - The archaeological findings at the Yuanbao Mountain site are noted as significant for understanding the late Red Mountain culture and the origins of Chinese ritual civilization [6][18] - The preservation and restoration efforts at historical sites like the Shenyang Palace Museum are aimed at maintaining cultural heritage while allowing public engagement with traditional craftsmanship [8][10] Group 2 - The revitalization of historical districts in cities like Harbin and Dalian showcases a blend of cultural preservation and modern consumer experiences, attracting significant tourist traffic [10][33] - The Long Spring Water Culture Ecological Park in Changchun reflects a commitment to integrating historical memory into contemporary urban life, enhancing community engagement [14][30] - The promotion of traditional cultural performances, such as the Ulan Muqir in Inner Mongolia, illustrates the importance of grassroots cultural transmission and community involvement [22][28] Group 3 - The establishment of the Northeast Liberation War Martyrs Information Query System at the Liaoshen Battle Memorial Hall represents a modern approach to honoring historical figures and preserving their legacies [18] - The growth of tourism in regions like Mohe, with a significant increase in visitor numbers, highlights the economic potential of cultural and ecological tourism [26][24] - The integration of technology in cultural events, such as VR experiences at traditional festivals, demonstrates innovation in cultural engagement and tourism [28][30]

Group 1 - The Northeast region of China is experiencing a cultural renaissance, driven by Xi Jinping's cultural thought, which is fostering a strong spirit for the comprehensive revitalization of the area [4][5][25] - The region's rich history, including the Red Mountain culture and the Anti-Japanese War, is being highlighted through various cultural and historical initiatives [4][19] - Archaeological discoveries, such as the Yuantao Mountain site, are shedding light on the late Red Mountain culture and its significance in understanding the origins of Chinese ceremonial civilization [7][19] Group 2 - The Shenyang Palace Museum is undergoing restoration projects to preserve its historical architecture, with a focus on maintaining the original state of cultural relics [9][19] - Harbin's Central Avenue and the Baroque historical cultural district are revitalizing old buildings while enhancing the quality of life for residents through infrastructure improvements [12][14] - The Long Spring Water Culture Ecological Park in Changchun integrates historical memory into modern life, showcasing the city's industrial heritage [16][19] Group 3 - The Jilin Yang Jingyu Cadre Academy is utilizing immersive teaching methods to instill revolutionary spirit among participants, emphasizing the importance of historical memory [17] - The Liaoshen Campaign Memorial Hall has established a digital database for martyrs of the Northeast Liberation War, enhancing public engagement with historical remembrance [19] - The Iman Kan cultural heritage is being revitalized through modern interpretations, appealing to younger generations and ensuring the continuation of ethnic traditions [21][24] Group 4 - The tourism sector in the Northeast is thriving, with unique attractions like the Arctic Village in Mohe drawing significant visitor numbers, contributing to local economies [27][29] - The "Nadam Festival" in Inner Mongolia is evolving into a summer-long celebration, attracting tourists and enhancing cultural experiences [30][32] - The revitalization of historical districts, such as Dalian's East Gate Street, is creating new consumer hotspots while preserving cultural heritage [35][37]

Group 1 - The Beijing Opera House is presenting a modern Peking opera titled "Wildfire Spring Breeze Fighting Ancient City" at the Chang'an Grand Theatre from August 1 to 3 and 5 [2] - The National Symphony Orchestra will perform a concert titled "Melody in My Heart" at the National Grand Theatre on August 1 [7] - The National Peking Opera Company will stage the modern Peking opera "Wisdom Takes the Tiger Mountain" at the National Grand Theatre on August 1 and 2 [7] Group 2 - The Chinese Coal Mine Art Troupe will present "The Warm Taste" at the Beijing Poly Theatre from August 1 to 3 [10] - The Beijing People's Art Theatre will perform "Camel Xiangzi" at the Capital Theatre from August 1 to 3 [10] - The Happy Mahua Theatre will stage "This Guy is Not Bad" at the Geological Hall Theatre from August 1 to 3 and 5 to 10 [10] Group 3 - The Northern Kunqu Opera Theatre will perform "Lankeshan" at the Beijing Tianqiao Arts Center on August 2 [14] - The Northern Kunqu Opera Theatre will also present "Changsheng Hall" on August 5 [14] - The Beijing National Orchestra will hold a concert titled "Victory Light" at the Beijing Arts Center on August 23 [7][14] Group 4 - The Italian MIC Company will present the original Italian musical "Divine Comedy" at the Century Theatre from August 1 to 3 [19] - The Shanghai Opera House will perform the opera "Dream of Hua Lu" at the National Grand Theatre on August 9 and 10 [17] - The Yunnan Yang Liping Cultural Communication Co., Ltd. will stage the dance drama "Pingtan Reflection" at the Chaoyang Theatre on August 16 and 17 [17]