《隐者山河》首先讲的是一个人，一个立于天地之间的人的心灵史，他真诚纯粹地对待世界、对待作品、对待自己的内心。尤其是当他猝然痛 文/晨星 "一意孤行，走回自己的世界。"这是纪录片《隐者山河》海报上的一句话，也是影片的精神内核。这是一部关于作曲家陈其钢的传记电影，前 后跟拍长达7年，正在上映。 影片所要叙述的远不止音乐人生，更深切地表达了陈其钢对艺术和生死的哲学思考，以归隐、肖像、迁徙、躬耕、如戏六个乐章串起一个音乐 家的心灵史。全片音乐深邃苍凉，人深情坚韧，生命孤独尊贵，自然静谧幽远，构成纪录片的叙事底色。 音乐不仅展示了他作为作曲家的成就，也映射了他不同人生阶段的心境。 协奏曲《二黄》《万年欢》《悲喜同源》《逝去的时光》展现了陈其钢高超的技法与东西方文化的融合。片中也有郎朗等钢琴家对这些作品的 精彩演绎。 失爱子陈雨黎（车祸去世，年仅29岁）后，如何重新建立他与他人、与世界、与自然之间的关系，诚实地面对孤独是人这个生命体的母题。片 中，他在巴黎的街头笑着说："德彪西的墓碑，还不如雨黎的墓"，之后是长久的沉默。 其次，作为一个音乐家，陈其钢从中国走向法国巴黎求学，走向世界，有幸成为法国梅西安（二十世纪最伟大的作 ...

《过后世界》、《 Hidden Landscapes 郭旭锋 导演作品 作者/晨星 "一意孤行，走回自己的世界。"这是纪录片《隐者山河》海报上的一句话，也是影片的精神内核。这是一部关于作曲家陈其钢 的传记电影，前后跟拍长达7年，正在上映。 其次，作为一个音乐家，陈其钢从中国走向法国巴黎求学，走向世界，有幸成为法国梅西安（二十世纪最伟大的作曲家之一） 的弟子，成为代表中国的世界知名作曲家，成为2008年北京奥运会的音乐总监，《我和你》的词曲作者，他的生命曾如此盛大 地绽放。 但他又是一个病人，肺癌病人。疾病是重要的隐喻。片中，他戴着呼吸器，游离在生死之间。从丧子之痛、病痛再到选择隐入 山村，他从盛大回归寂静，从外部世界回归内心，隐到丽水遂昌小山村里的躬耕书院，寻找在中国哲学意义上的一个心灵安放 地，却又饱含热情地开创免费作曲工作坊，培养青年一代的作曲家。片中，深蓝的天幕下，远山如黛，星空点点，湖面宽阔， 黑夜的小山村里，躬耕书院的窗棂透出暖光和钢琴声，陈其钢和他的弟子们传出欢声笑语。 当然，贯穿始终的是他的音乐。《隐者山河》的音乐不是背景音乐，而是影片的"灵魂"和"叙事"。 影片的配乐全部采用了陈其钢的音乐作品 ...

（来源：上观新闻） 你也许不知道陈其钢的名字，但一定听过他的《我和你》。这位曾经的北京奥运会开幕式音乐总监，获 得过多项重量级国际音乐大奖和法国"文学与艺术骑士勋章"，被视为东西方文化交流的使者，盛名之 下，却选择隐居山野。打动人心的音乐背后究竟隐藏着怎样的心灵，又为何做出如此选择？带着好奇与 敬畏，青年导演郭旭锋走近陈其钢，历时七年摄制，最终用传记电影《隐者山河》，邀请观众一起踏上 艺术家"忙世人之所闲，闲世人之所忙"的独特精神之旅，并在俯仰天地与生死叩问之间一同反观自身。 如是我闻 彼时郭旭锋只是抱着试试看的心态发出邮件，没有想到陈其钢这样的音乐大家居然接受了他的拍摄邀 请。导演给自己的工作室取名"如是纪录"，"如是"也是他秉持的纪录片创作理念。在跟随陈其钢拍摄的 过程中，他始终保持距离默默观察记录，成片影像风格沉稳内敛，剪辑亦不刻意制造戏剧冲突，只是如 其见闻、静水深流地描绘着陈其钢的精神画像。对于一位成就斐然的严肃音乐家，郭旭锋没有渲染其职 业生涯中的高光时刻，而是更关注日常生活里的陈其钢，影片由"寻访隐者"和"大师自陈"两条叙述线展 开。 全片打破了传统传记电影的线性叙述结构，恰似一首和谐深邃的多声 ...

《隐者山河》想要讲述的，是光环之下的故事。 正在全国艺联专线上映的传记电影《隐者山河》，将观众的目光再度引向那位曾以《我和你》感动世界，如今隐 居浙江山林的作曲家陈其钢。 在大多数人的记忆中，陈其钢是北京奥运会开幕式音乐总监，曾为《归来》《山楂树之恋》《金陵十三钗》等影 片谱写配乐。在这些广为人知的成就之前，作为旅法作曲家，陈其钢的作品早已蜚声国际，屡获殊荣。 《隐者山河》想要讲述的，是光环之下的故事。它关于一个深邃、纯粹而真实的人，和他伤痕累累却始终赤诚的 灵魂。 一封邮件开启的记录 2018年，导演郭旭锋向隐居山村的陈其钢发出了一封邮件。此前二人素未谋面，那个邮箱地址，是郭旭锋在网络 上辗转打捞到的。 那一年，郭旭锋感到年轻人当中存在一种普遍的迷茫，他自己也身处其中。由此希望从那些在专业领域取得卓著 成就的前辈身上，寻得一些关于人生与创作的指引。"我曾有过短暂的作曲梦，"郭旭锋说，"在音乐领域，我第一 个想到的就是陈其钢。他是一个特立独行、有棱角的人。" 邮件里他写道，希望分享陈其钢的思想与人生故事，给年轻人一些启发。他同时提到，自己无意歌颂，只是如实 记录，尽可能真实、自然地呈现一切。这封陌生人的来信， ...

Core Viewpoint - The National Centre for the Performing Arts Orchestra successfully concluded its first European tour with a performance at the Elbphilharmonie in Hamburg, showcasing Chinese cultural confidence and promoting international cultural exchange [1][2]. Group 1: Performance Highlights - The concert at Elbphilharmonie on August 15 was attended by over 2,000 spectators, marking a successful end to the orchestra's European tour [1]. - The program included works inspired by Chinese traditional culture, such as Chen Qigang's "Five Elements," and featured pieces by Prokofiev and Ravel, highlighting the orchestra's versatility and talent [1][2]. - The audience's enthusiastic response included a prolonged applause, leading to an encore performance of Bizet's "Carmen" overture, enhancing the concert's atmosphere [1]. Group 2: Tour Significance - The orchestra's tour from August 6 to 15 included performances in the UK, Spain, and Germany, participating in major arts festivals like the Edinburgh International Festival and the Elbphilharmonie Summer Festival [2]. - This tour aligns with the upcoming 50th anniversary of China-EU diplomatic relations in 2025, reflecting the National Centre for the Performing Arts' commitment to cultural exchange and cooperation [2]. - The initiative aims to showcase the prosperity of contemporary Chinese culture on international stages, fostering a positive image of China as a credible and admirable nation [2].

Core Viewpoint - The China National Grand Theatre Orchestra successfully performed in Edinburgh, marking its first European tour in 15 years, showcasing Chinese culture and music to international audiences [1][2][3] Group 1: Performance Highlights - The orchestra's concert on August 6 attracted approximately 2,000 attendees, featuring works by Chinese composer Chen Qigang and international classics such as Ravel's "Piano Concerto in G" [1] - The second half of the concert included Saint-Saëns' "Symphony No. 3" with organ, receiving enthusiastic applause from the audience [2] - The orchestra's performance of Bizet's "Carmen" overture heightened the excitement in the venue [2] Group 2: Cultural Exchange and Impact - The orchestra aims to bring Chinese art and culture to Europe, allowing local audiences to experience "the warm and passionate Chinese sentiment" [1] - The Vice President of the National Grand Theatre expressed pride in showcasing the achievements of contemporary Chinese symphonic music on a prominent European stage [2] - The orchestra's European tour is supported by the Bank of China and the Chinese People's Association for Friendship with Foreign Countries, continuing until August 15, with additional performances planned in Spain and Germany [3] Group 3: Future Engagements - The orchestra plans to strengthen cultural exchanges and collaborations with international art institutions, promoting mutual understanding between different civilizations [3] - The Deputy Mayor of Edinburgh welcomed the orchestra's presence and invited them for future performances, indicating a positive reception and potential for ongoing cultural dialogue [2]

Core Viewpoint - The documentary "In the Mountains and Rivers" showcases the creative career and artistic pursuits of renowned Chinese composer Chen Qigang, highlighting his ideals and contributions to music [1][3]. Group 1: Documentary Overview - "In the Mountains and Rivers" premiered at the Shanghai International Film Festival, featuring director Guo Xufeng and producer Yuan Xiaoshuai [1]. - The documentary took seven years to film, covering multiple countries including China, France, the UK, and Australia, and interviewed over ten internationally recognized musicians and arts managers [3][4]. Group 2: Structure and Content - The film has a runtime of 115 minutes and is divided into six "movements": Retreat, Portrait, Migration, Creation, Cultivation, and Drama, reflecting Chen's life and artistic journey [4]. - The first, fifth, and sixth movements focus on Chen's recent life in Lishui, Zhejiang Province, where he engages in discussions about his experiences and creative philosophy [4]. - The middle three movements utilize audiovisual materials and intimate footage to recreate Chen's musical career, detailing his education in France and the significant works he has created over the years [6]. Group 3: Artistic Philosophy and Impact - Chen Qigang is portrayed as an artist who prioritizes personal expression over commercial appeal, emphasizing the importance of staying true to oneself in the creative process [7]. - The documentary includes references to a previous film that showcased the individuality of contemporary Chinese composers, illustrating the integration of Chinese music with global influences [7][8]. - Chen's music is recognized for its distinctiveness, with international musicians noting that his compositions can be identified within seconds of listening [8]. Group 4: Personal Journey and Themes - The documentary explores Chen's emotional journey, particularly following the loss of his son, which deepened his understanding of life and art [9]. - The production team is currently seeking opportunities to release the documentary in theaters, aiming to reach a wider audience of film and music enthusiasts [10].