作者 马秀秀 杨楚瑜 "喜爱音乐是人类的天性。"德国华裔小提琴家朱熙萌近日在接受中新社记者专访时表示，不同国家的音 乐各具特色，但人们对音乐的情感体验相通。即便没有语言或文化背景，听众依然可以通过旋律产生共 鸣。他希望借助音乐，在中外文化间架起一座交流桥梁。 近日在意中理事基金会和克拉斯传媒举办的第二十届"中国奖"颁奖典礼上，朱熙萌获颁意大利中国理事 基金会特别金狮奖。该奖项旨在表彰在文化、体育、娱乐及社会领域为促进意大利与中国关系作出杰出 贡献的人士。朱熙萌坦言，这一奖项对他而言意义非凡。"我非常喜欢中国和意大利，也很高兴能通过 音乐将两国的观众联系在一起。" 当地时间12月3日，朱熙萌在意中理事基金会和克拉斯传媒举办的第二十届"中国奖"颁奖典礼上，获颁 意大利中国理事基金会特别金狮奖。(受访者供图) 中新社柏林12月30日电 题：德国华裔小提琴家朱熙萌：用音乐架起中外文化交流桥梁 2023年10月，朱熙萌在意大利热那亚举行的第57届帕格尼尼国际小提琴比赛中摘得一等奖，并同时获得 最佳帕格尼尼协奏曲演绎奖。作为近年来备受关注的青年小提琴演奏家，他的演出足迹遍及欧亚，曾与 安东尼奥·帕帕诺、约翰·艾略特·加迪 ...

Core Viewpoint - The Hong Kong String Orchestra recently held a concert titled "From Madame Butterfly to Liang Zhu" in Rome, marking the beginning of its tour in Italy, which attracted around 600 attendees from both Chinese and Italian political, business, and cultural sectors [1][3]. Group 1: Concert Details - The concert took place at the Sinopoli Music Hall in Rome and coincided with the 55th anniversary of diplomatic relations between China and Italy [1]. - The performance featured a mix of works, including "Echoes of Hong Kong Film Classics" and "Chinese Folk Song Suite" in the first half, followed by selections from Puccini's opera "Madame Butterfly" and the violin concerto "Liang Zhu" in the second half [1][3]. - The string version of "Liang Zhu" made its debut in Italy, resonating strongly with the audience [1]. Group 2: Audience Reception - The concert concluded with multiple encores, including Morricone's "Cinema Paradiso" theme, "My Sun," and "I Love You, China," creating a lively atmosphere [3]. - Some Italian audience members spontaneously sang along to "My Sun," further strengthening the cultural ties between China and Italy [3]. - Italian artists and media praised the performance, with a violinist from the Santa Cecilia Conservatory commenting on the orchestra's clean and nuanced playing [3]. Group 3: Cultural Exchange - Prior to the concert, the orchestra visited the Chinese Embassy in Italy for artistic exchanges with embassy staff, Chinese students, and representatives of the Chinese community [5]. - The orchestra plans to continue its tour in Florence on November 13, aiming to showcase the charm of Chinese culture through music and enhance cultural exchanges for the 55th anniversary of diplomatic relations [5].

Core Insights - Violinist Joshua Bell has been active in the music scene for nearly 40 years, showcasing versatility across classical, modern, film, and popular music genres [1] - Bell's upcoming performances in Shanghai as part of the 24th China Shanghai International Arts Festival will feature two distinct classical music concerts with conductor Alan Gilbert and the NDR Elbphilharmonic Orchestra [1] - He emphasizes the importance of personal expression in music interpretation, arguing against standardization and advocating for individuality [1] Performance Insights - The tour's final stop in Shanghai is particularly meaningful for Bell, as it allows for a unique experience of growth and refinement in performances across different cities [3] - Bell expresses a deep appreciation for Brahms' violin concerto, noting its complexity and the nuanced approach required for its interpretation [5][6] - He has a personal connection to the works of Saint-Saëns, highlighting the challenges and beauty in performing pieces specifically composed for legendary soloists [7][8] Collaboration and Interpretation - Bell values the collaborative process in chamber music, where friendly debates with fellow musicians enhance the interpretative experience [10] - His dual role as a soloist and conductor allows him to deepen his understanding of the music, fostering a more profound connection with the orchestra [11][12] Cultural Exchange - Bell's exploration of the piece "Liang Zhu" reflects his commitment to cultural exchange, as he collaborates with Chinese instruments while maintaining his unique interpretative style [13][14] - He acknowledges the subjective nature of music interpretation, advocating for diverse renditions of the same piece [14] Observations on Competitions and Trends - Bell shares mixed feelings about music competitions, noting that they often fail to capture the essence of individual musicality [15] - He observes a trend towards standardization in contemporary performances, contrasting it with the more personalized styles of past generations [20]

Core Insights - The article highlights the transformative experience of a ballet dancer, Albert Gordon, who found a new artistic beginning in Hong Kong after moving from London and the US [3]. Group 1: Artistic Development - Albert Gordon experienced a significant turning point in his career while performing with the Hong Kong Ballet, particularly in the production "The Great Gatsby," which enhanced his skills through its emphasis on partner work and performance [3]. - His role in the classic ballet "Don Quixote" marked a milestone as it was one of the dream roles for ballet dancers, showcasing his growth in the art form [3]. Group 2: Cultural Integration - The dancer expressed admiration for Hong Kong's rich culinary culture, noting the variety of dining options available, which contributed to his overall enjoyment of life in the city [3]. - The vibrant artistic atmosphere in Hong Kong allowed him to engage with performers from around the world, broadening his understanding of various art forms, including Chinese and Asian arts [3]. Group 3: Audience Reception - The reception of Western ballet in Hong Kong has been enthusiastic, with audiences showing genuine appreciation for performances, which enhances the experience for artists [3]. - Participation in the global premiere of "The Butterfly Lovers," which blends Chinese culture with ballet and modern dance, was highlighted as a significant honor for the dancer [3]. Group 4: Personal Connection - After five years in Hong Kong, Albert Gordon has fully integrated into the city, expressing a deep love for its people and culture, which has provided him with a platform to showcase his talents [3].

Core Points - The Philadelphia Orchestra performed a rearranged version of the famous Chinese piece "Butterfly Lovers" (《梁祝》) at the Liangzhu Ancient City Ruins Park in Hangzhou on October 14 [2][6][10] Group 1 - Members of the Philadelphia Orchestra participated in the performance, including violinist Marc Rovetti, violist Marvin Moon, and cellist Alex Veltman [4][6][10] - The performance took place in various locations within the Liangzhu Ancient City Ruins Park, including the pool area and the small Mo Jiao Mountain [6][8][10] - The event was part of the third Liangzhu Forum series activities, highlighting cultural exchange [2][6]

Core Viewpoint - The article highlights the journey of Chinese-American erhu musician Chen Jiebing, emphasizing her efforts to popularize the erhu in the United States through collaboration and improvisation, while also sharing her personal experiences and challenges in adapting to a different musical culture [1][2][3][4][5]. Group 1: Background and Early Career - Chen Jiebing was born in Shanghai in the 1960s and began learning the erhu at the age of five, later studying at the Shanghai Conservatory of Music [1]. - She became the first performer of the erhu concerto "Butterfly Lovers" and gained recognition for her ability to express complex melodies using the erhu [1][2]. Group 2: Transition to the United States - In 1989, Chen moved to the United States to study music theory, facing cultural and market challenges in promoting the erhu [2]. - She found success by collaborating with the Buffalo Symphony Orchestra and explaining the erhu's significance in relatable terms to American audiences [2]. Group 3: Musical Exploration and Improvisation - Over ten years, Chen explored various musical styles and collaborated with different musicians, leading to the formation of the "Cross-Cultural Journey" band [3]. - She faced challenges with improvisation, a key element in jazz, and adapted her performance style to engage more with the audience [3][4]. Group 4: Recognition and Teaching - In 1996, Chen's album with American and Indian musicians was nominated for a Grammy Award, showcasing her unique improvisational style [4]. - The erhu is increasingly recognized in the U.S., with Chen frequently invited to perform with symphony orchestras and teach interested audiences about the instrument [4][5].

Core Viewpoint - The key to contemporary drama dissemination lies in "empathy," emphasizing the importance of emotional connection in theatrical performances and cross-cultural understanding [3][9]. Group 1: Differences Between Eastern and Western Drama - Eastern and Western dramas exhibit significant differences in values and performance systems, rooted in philosophical foundations: the West emphasizes "individual conflict and social critique," while the East focuses on "overall harmony and expressive representation" [5][6]. - The "mask theory" training method proposed for East Asian actors suggests that Eastern performers tend to maintain a level of concealment in their expressions, while Western performances are characterized by emotional openness [5][6]. Group 2: Cultural Exchange and Collaboration - There is a deep cultural foundation shared between Chinese and Korean dramas, yet they also display notable differences in teaching methods and thematic expressions [6][11]. - Recommendations for enhancing collaboration between China and Korea in drama and arts education include strengthening cultural exchanges between universities and participating in international drama festivals [11][14]. Group 3: The Role of Technology in Drama - The digital age presents more opportunities than challenges for the drama field, as students increasingly view drama as a means of emotional expression despite the prevalence of digital screens [13][14]. - Concerns about artificial intelligence replacing human actors have been addressed, with a consensus that the core of drama remains the emotional expression of "human" experiences [14].

Core Viewpoint - The China National Grand Theatre Orchestra successfully performed in Edinburgh, marking its first European tour in 15 years, showcasing Chinese culture and music to international audiences [1][2][3] Group 1: Performance Highlights - The orchestra's concert on August 6 attracted approximately 2,000 attendees, featuring works by Chinese composer Chen Qigang and international classics such as Ravel's "Piano Concerto in G" [1] - The second half of the concert included Saint-Saëns' "Symphony No. 3" with organ, receiving enthusiastic applause from the audience [2] - The orchestra's performance of Bizet's "Carmen" overture heightened the excitement in the venue [2] Group 2: Cultural Exchange and Impact - The orchestra aims to bring Chinese art and culture to Europe, allowing local audiences to experience "the warm and passionate Chinese sentiment" [1] - The Vice President of the National Grand Theatre expressed pride in showcasing the achievements of contemporary Chinese symphonic music on a prominent European stage [2] - The orchestra's European tour is supported by the Bank of China and the Chinese People's Association for Friendship with Foreign Countries, continuing until August 15, with additional performances planned in Spain and Germany [3] Group 3: Future Engagements - The orchestra plans to strengthen cultural exchanges and collaborations with international art institutions, promoting mutual understanding between different civilizations [3] - The Deputy Mayor of Edinburgh welcomed the orchestra's presence and invited them for future performances, indicating a positive reception and potential for ongoing cultural dialogue [2]

Core Points - The event "Great Beauty Unspoken," a Chinese classical dance performance, was held in Timișoara, Romania, to celebrate the "International Day of Civilizational Dialogue" [1][2] - The performance showcased the essence of Chinese culture, integrating elements from Confucianism, Taoism, calligraphy, opera, and martial arts, highlighting its significance in cultural exchange between China and Romania [1] - The event was attended by over 600 people, including local officials, Chinese diplomats, and community members, emphasizing the importance of cultural ties [1][2] Group 1 - The performance was presented by the Classical Dance Department of Beijing Dance Academy, featuring diverse themes and forms such as "Stepping Song," "Tang Imprint," "Butterfly Lovers," "Qin Wang Dots Soldiers," "Flying Sky," "Thousand-Hand Guanyin," and "Yellow River" [2] - Timișoara's Mayor Dominic Fritz expressed his delight in hosting the event, hoping it would enhance understanding of Chinese history and culture among the audience [2] - The event received strong support from the Bucharest Chinese Cultural Center, the Romanian Cultural and Artistic Promotion Association, and China Moutai [2]

Group 1 - The concert titled "Chinese-Brazilian Friendship Aria" was held at the Carlos Gomes Municipal Theater in Rio de Janeiro, showcasing a blend of Chinese and Brazilian music [1][3][6] - The Central Opera House of China performed classic Western opera selections and Chinese ethnic works, highlighting the artistic fusion between the two cultures [3][6] - The event was attended by notable figures including Chinese diplomats and local Brazilian officials, emphasizing the cultural collaboration between China and Brazil [1][6] Group 2 - The performance featured renowned pieces such as "The Butterfly Lovers" and "I Love You, China," which resonated deeply with the audience, leading to a standing ovation [3][6] - Brazilian soprano Marília Vargas expressed her admiration for Chinese music, describing it as a profound treasure worth exploring [3][6] - The concert aimed to strengthen the cultural ties between China and Brazil, with hopes of fostering deeper cooperation in music and dance [6][8]