中新网北京10月9日电 题：美国华人陈洁冰：让二胡"即兴"起来 多年来，陈洁冰走遍了美国很多城市和乡村，与不同音乐人合作，还组建了"跨文化之旅"乐队，完 成了很多音乐上的"碰撞"。在她看来，最大的挑战在于即兴演奏。 "二胡只有两根弦，想要覆盖小提琴四根弦的音域太难，用两把琴轮流拉能弥补这样的问题。高胡 音色尖锐清脆，二胡音色相对浑厚，用它们分别演绎祝英台和梁山伯，很有感染力。"陈洁冰说。 1988年，二胡协奏曲《梁祝》在上海音乐厅上演。在西方交响乐的伴奏下，陈洁冰将这段凄美爱情 故事娓娓道来，收获了很多观众的掌声。她也因为这次演出，发行了多张唱片。 1989年，陈洁冰选择到美国纽约州立大学水牛城分校学习音乐理论，寻找更多音乐发展的可能。她 说说，美国民众从没见过二胡，当时在美国演奏东方乐器基本没有市场，再加上文化差异、语言不同， 很多时候特别迷茫。 一次偶然的机会，学校老师看到陈洁冰演奏《梁祝》的视频。在他的介绍下，陈洁冰获得与水牛城 交响乐团合作的机会。陈洁冰说，她会把二胡形象解释为"两根弦的小提琴"，也会在独奏时告诉观众 《梁祝》与"罗密欧与朱丽叶"的故事类似。"我发现用他们容易理解的方式说明，不论是乐手 ...

Core Viewpoint - The key to contemporary drama dissemination lies in "empathy," emphasizing the importance of emotional connection in theatrical performances and cross-cultural understanding [3][9]. Group 1: Differences Between Eastern and Western Drama - Eastern and Western dramas exhibit significant differences in values and performance systems, rooted in philosophical foundations: the West emphasizes "individual conflict and social critique," while the East focuses on "overall harmony and expressive representation" [5][6]. - The "mask theory" training method proposed for East Asian actors suggests that Eastern performers tend to maintain a level of concealment in their expressions, while Western performances are characterized by emotional openness [5][6]. Group 2: Cultural Exchange and Collaboration - There is a deep cultural foundation shared between Chinese and Korean dramas, yet they also display notable differences in teaching methods and thematic expressions [6][11]. - Recommendations for enhancing collaboration between China and Korea in drama and arts education include strengthening cultural exchanges between universities and participating in international drama festivals [11][14]. Group 3: The Role of Technology in Drama - The digital age presents more opportunities than challenges for the drama field, as students increasingly view drama as a means of emotional expression despite the prevalence of digital screens [13][14]. - Concerns about artificial intelligence replacing human actors have been addressed, with a consensus that the core of drama remains the emotional expression of "human" experiences [14].

Core Viewpoint - The China National Grand Theatre Orchestra successfully performed in Edinburgh, marking its first European tour in 15 years, showcasing Chinese culture and music to international audiences [1][2][3] Group 1: Performance Highlights - The orchestra's concert on August 6 attracted approximately 2,000 attendees, featuring works by Chinese composer Chen Qigang and international classics such as Ravel's "Piano Concerto in G" [1] - The second half of the concert included Saint-Saëns' "Symphony No. 3" with organ, receiving enthusiastic applause from the audience [2] - The orchestra's performance of Bizet's "Carmen" overture heightened the excitement in the venue [2] Group 2: Cultural Exchange and Impact - The orchestra aims to bring Chinese art and culture to Europe, allowing local audiences to experience "the warm and passionate Chinese sentiment" [1] - The Vice President of the National Grand Theatre expressed pride in showcasing the achievements of contemporary Chinese symphonic music on a prominent European stage [2] - The orchestra's European tour is supported by the Bank of China and the Chinese People's Association for Friendship with Foreign Countries, continuing until August 15, with additional performances planned in Spain and Germany [3] Group 3: Future Engagements - The orchestra plans to strengthen cultural exchanges and collaborations with international art institutions, promoting mutual understanding between different civilizations [3] - The Deputy Mayor of Edinburgh welcomed the orchestra's presence and invited them for future performances, indicating a positive reception and potential for ongoing cultural dialogue [2]

Core Points - The event "Great Beauty Unspoken," a Chinese classical dance performance, was held in Timișoara, Romania, to celebrate the "International Day of Civilizational Dialogue" [1][2] - The performance showcased the essence of Chinese culture, integrating elements from Confucianism, Taoism, calligraphy, opera, and martial arts, highlighting its significance in cultural exchange between China and Romania [1] - The event was attended by over 600 people, including local officials, Chinese diplomats, and community members, emphasizing the importance of cultural ties [1][2] Group 1 - The performance was presented by the Classical Dance Department of Beijing Dance Academy, featuring diverse themes and forms such as "Stepping Song," "Tang Imprint," "Butterfly Lovers," "Qin Wang Dots Soldiers," "Flying Sky," "Thousand-Hand Guanyin," and "Yellow River" [2] - Timișoara's Mayor Dominic Fritz expressed his delight in hosting the event, hoping it would enhance understanding of Chinese history and culture among the audience [2] - The event received strong support from the Bucharest Chinese Cultural Center, the Romanian Cultural and Artistic Promotion Association, and China Moutai [2]

Group 1 - The concert titled "Chinese-Brazilian Friendship Aria" was held at the Carlos Gomes Municipal Theater in Rio de Janeiro, showcasing a blend of Chinese and Brazilian music [1][3][6] - The Central Opera House of China performed classic Western opera selections and Chinese ethnic works, highlighting the artistic fusion between the two cultures [3][6] - The event was attended by notable figures including Chinese diplomats and local Brazilian officials, emphasizing the cultural collaboration between China and Brazil [1][6] Group 2 - The performance featured renowned pieces such as "The Butterfly Lovers" and "I Love You, China," which resonated deeply with the audience, leading to a standing ovation [3][6] - Brazilian soprano Marília Vargas expressed her admiration for Chinese music, describing it as a profound treasure worth exploring [3][6] - The concert aimed to strengthen the cultural ties between China and Brazil, with hopes of fostering deeper cooperation in music and dance [6][8]