"地球是人类的摇篮，但人类不可能永远生活在摇篮中"——现代宇宙航行学奠基人、俄罗斯航天之父齐 奥尔科夫斯基这句名言，一直激励着人类探索浩瀚宇宙的勇气。也正是在这样的鼓舞下，苏联首部科幻 电影《火星女王艾莉塔》就选择了太空题材。上映于1924年的这部黑白默片根据阿·托尔斯泰的同名小 说改编，讲述苏联工程师罗塞在接收到一条神秘火星信息后，与革命者一同乘坐自制宇宙飞船前往火 星，营救火星女王艾莉塔及其人民。影片中首次尝试将小说里描绘的火星场景现实化，在当时被称赞 为"充满了想象力"。此后苏联又在1936年上映的《宇宙旅行记》中大胆设想了"苏联在1946年载人登陆 月球的尝试"。 如果说这些早期太空题材的电影更类似太空歌剧、缺乏足够的科学背景支撑，那么在1957年苏联成功发 射人类历史上第一颗人造地球卫星"斯普特尼克1号"后，苏联太空题材的电影就开始朝着硬科幻方向发 展，其中又以1957年拍摄的《通向星际的道路》最为出名。该片以苏联火箭专家科罗廖夫为原型，前半 段描绘了一名苏联火箭爱好者成长为苏联航天计划总设计师的历程，后半段则精准地预言了人类逐步征 服太空的宏伟蓝图，包括将宇航员送入近地轨道、载人登月、建立大型轨道 ...

Group 1 - The core theme of the articles revolves around the significance of imagination in science fiction, particularly in the works of Liu Cixin and the impact of his novel "The Three-Body Problem" on the genre [1][2][3] - Liu Cixin's emphasis on imagination as a driving force in his creative process highlights the importance of visionary thinking in science fiction literature [1][2] - The evolution of science fiction comics is discussed, showcasing how they serve to visualize concepts that are often beyond the average person's imagination, thus enhancing the reader's experience [4][5][6] Group 2 - The history of science fiction comics dates back to the early 20th century, gaining popularity in the mid-20th century with notable works that challenged readers' perceptions of reality [7][8] - The emergence of Chinese science fiction comics is marked by the efforts of artists like Wu Qingsong, who brought European comic influences back to China, contributing to the development of all-age comics in the domestic market [8][9] - The adaptation of "The Three-Body Problem" into a graphic novel format represents a significant step in making Liu Cixin's work accessible to a broader audience, combining literary depth with visual storytelling [12][13] Group 3 - The graphic novel adaptation of "The Three-Body Problem" aims to maintain the original's narrative complexity while presenting it in a visually engaging manner, thus appealing to both existing fans and new readers [12][14] - Character development in the graphic novel is crucial, with efforts made to capture the essence of key figures from the original story, enhancing reader connection to the narrative [14][15] - The graphic novel serves as a bridge for readers to experience the vast universe of "The Three-Body Problem," effectively translating imaginative concepts into visual representations [15]