近几年，中国大众文化呈现出"更新换代"的趋势：一方面，传统文艺形式缺乏活力，另一方面，诸如游戏、网络文学、短视频、短剧等新兴文艺形式迅速 发展。 本文是对改革开放五十年来中国大众文化演进的梳理与界说，勾勒出一条改开初期的思想解放一路勾连到当前多元纷繁的文化生态，为理解当代中国文化 图景提供了历时性框架。 文章认为，改革开放以来，中国大众文化经历的三个时代与两次转折。80年代前中期文化行业虽由传统官方媒体和文化精英主导，但大众的文化诉求仍能 获得体制内和知识界的回应。90年代以来，随着激进市场化进程开启，大众文化也加速市场化和产业化，新富阶层和中产阶级逐渐控制了文化生产，大众 真实的文化需求被压抑，但他们对中产阶级化的文化产业的抵抗始终潜藏在水面以下。进入新世纪后，随着（移动）互联网的崛起，资本与行业精英的文 化垄断开始松动，大众不再是沉默的受众，开始更主动地参与文化生产与表达，草根力量和新文化形态由此勃发。作者认为，一种更具自主性、扎根民间 并展现出世界性抱负的新大众文化正在孕育之中，它可能为我们想象一种超越现有格局的新文明提供宝贵的感性资源与创造动能。 三个时代与三种大众文化 大众文化，"文化"上的特征易于 ...

Group 1 - The "South Sky Gate Plan" has gained significant attention among aviation technology enthusiasts, as it aims to construct a futuristic air combat system based on China's current aviation technology [1] - The plan is not merely a conceptual idea but is seen as a tangible future technology driver, reflecting the historical connection between scientific achievements and science fiction [1] - The essence of science fiction lies in its ability to boldly speculate on technological advancements and their impacts on humanity, providing inspiration and direction for technological innovation [1] Group 2 - China's technological innovation is increasingly reliant on the imaginative power of science fiction, especially as the country transitions from following to leading in key technology sectors [2] - The rapid development of China's science fiction industry has produced high-quality works, with the industry expected to generate over 100 billion yuan in revenue in 2023 and 2024 [2] - There is a belief that the integration of science fiction into the technological innovation process will foster mutual promotion between China's technological advancements and its science fiction industry [2]

以下文章来源于网易数读 ，作者网易数读 网易数读 . 网易旗下栏目，用数据说话。 上座率就像过山车。 作者 | 萝卜切片 来源 I 网易数读 （ID：datablog163） 如今，花几十块钱走进电影院，得到的不光是电影，还会附赠一场人类迷惑行为大赏。 灯光才灭，沉浸式观影感还没来，零食袋的窸窣声、邻座对剧情的议论声、突兀的手机 亮光就先让人出了戏。 真 正 上 演 的 电 影 ， 也 常 让 人 怀 疑 在 开 玩 笑 ： 现 实 题 材 片 ， 让 人 怀 疑 编 剧 没 吃 过 五 谷 杂 粮；喜剧片的笑点，全透支在预告片里了；更别提爱情片，尴尬到让人抠出三室一厅。 即便是被誉为十年来口碑最佳的 2 0 25 年暑期档，也没能完全拉回被糟糕体验劝退的观 众，多部大片票房不及预期，预测数据一再下调。 电影院在扩张，可观众在锐减 2 0 25 年，杀疯了的红黄蓝外卖大战，漫天撒券，疯狂补贴，把羊毛送上门给人薅。有人 说 00 后终于赶上一波时代红利。但其实，砸钱换市场这套打法，电影行业早在十年前 就玩过。 把时间倒退回 2014 年，猫眼、淘票票入局，用票补把电影票价打到个位数。最夸张的 时候，《变形金刚 ...

Group 1 - The 2025 Galaxy Science Fiction Conference, themed "Enjoying the Future Before It Arrives," is taking place from September 19 to 21, marking the first international science fiction event in Sichuan after the 2023 Chengdu World Science Fiction Conference [1][3] - The conference aims to establish a science fiction industry ecosystem in Sichuan, promoting the integration of cultural and technological innovation, and enhancing the province's status as a stronghold for the science fiction industry [3][5] - The event features nearly 300 guests from ten countries and regions, including prominent figures in the science fiction community, showcasing the growth of Chinese science fiction from a "plateau" to a "peak" [1][8] Group 2 - The conference launched the "Galaxy Plan," aimed at supporting young science fiction creators, and established the "Chinese Science Fiction Going Global Promotion Alliance" to facilitate international outreach for Chinese science fiction [5][6] - A total of nine significant contracts were signed during the event, with a total investment exceeding 1 billion yuan, focusing on various aspects of the science fiction industry, including digital publishing and cultural tourism [6][11] - The conference introduced a "permanent guest" system, enhancing its international profile by inviting notable authors and industry representatives from around the world to discuss cross-cultural communication and the development of science fiction IP [8][10] Group 3 - The conference features immersive experiences, including author signing events, exhibitions, and film screenings, designed to engage audiences in the science fiction narrative [10][11] - The event aims to leverage Chengdu's innovative resources and technology industry to create rich application scenarios and imaginative spaces for future industrial development [13]

Group 1 - The cinema industry is expanding, but audience attendance is sharply declining, with a significant drop in box office revenue compared to pre-pandemic levels [5][9][10] - In 2024, the total box office revenue was only 425 billion yuan, a decrease of one-third from 2019, despite having 1.3 million cinemas and 81,000 screens [9][10] - The annual attendance rate for cinemas fell to a historical low of 5.7% in 2024, indicating that a typical screening may have only five to six viewers in a hundred-seat theater [12] Group 2 - The film industry has relied heavily on major holiday periods and blockbuster films for revenue, with holiday box office accounting for over 70% of total revenue since 2022 [20][21] - The Spring Festival box office has become the dominant force, with the 2018 Spring Festival achieving a record of 5.771 billion yuan in just seven days [22] - However, the success of blockbuster films is not guaranteed, as evidenced by recent films that failed to perform despite strong marketing and star power [37] Group 3 - The average ticket price in first-tier cities reached 49.6 yuan by August 2025, a 16% increase since 2014, while prices in lower-tier cities have also risen significantly [47] - The average age of moviegoers has increased from 27.7 years in 2021 to 32.5 years in 2025, indicating a shift in the demographic of cinema audiences [50] - For many young people, going to the cinema is no longer a social necessity or a standard date option, but rather one of many entertainment choices [51]

Core Insights - The increasing popularity of Chinese audiovisual works, such as films and TV dramas, among international audiences highlights the cultural allure of contemporary China [4][5][9] - Foreign influencers and students express their admiration for Chinese culture through engagement with various media, leading to deeper cultural connections [5][9][14] Group 1: Cultural Engagement - International audiences, including foreign bloggers and students, are drawn to Chinese dramas like "Empresses in the Palace," which serve as gateways to understanding traditional Chinese culture [5][8] - The exploration of Chinese history and language through media has become a significant aspect of cultural exchange, with individuals sharing their experiences and insights on social platforms [8][9] Group 2: Impact of Chinese Variety Shows - Chinese variety shows have gained traction among foreign viewers, providing a window into contemporary Chinese pop culture and societal issues [9][10] - The diverse formats and themes of these shows resonate with audiences, fostering discussions and connections across cultural boundaries [10][12] Group 3: Film Appreciation - The rise of Chinese cinema, including notable films and the emergence of female directors, showcases the industry's growth and diversity [14][15] - Understanding the subtleties of Chinese films, such as cultural references and narrative techniques, enhances the viewing experience for international audiences [15][16]

Core Viewpoint - The article discusses the differences between the Chinese and Korean film industries, emphasizing how Korea has successfully established a strong cultural identity through its film and television productions, while China struggles with the prevalence of low-quality films [5][6]. Group 1: Chinese Film Characteristics - Chinese quality films often embody a "grassroots spirit" and a narrative of "common struggle," focusing on characters who transcend personal desires for greater ideals [5][8]. - The evolution of Chinese protagonists reflects a shift from socialist realism to a more complex portrayal of characters who embody self-overcoming and collective ideals, contrasting with Western narratives that often feature larger-than-life heroes [10][11]. Group 2: Korean Film Industry Insights - The Korean film industry has established a symbiotic relationship with the government, which actively supports and funds small production companies, creating a robust ecosystem for film production [18]. - The success of Korean dramas has led to a cultural phenomenon where learning the Korean language has become popular in Europe, showcasing the strategic value of the film industry in national branding [17][18]. Group 3: Cultural and Economic Implications - The article highlights the need for a "negotiated decoding" relationship between creators and audiences, which is currently lacking in the Chinese film industry, leading to a general skepticism towards new releases [19]. - The discussion includes the role of capital in the film industry, noting that while capital can drive production, it also complicates the relationship between artistic integrity and commercial success [24][23]. Group 4: Future Directions - There is a call for a cultural reconstruction that emphasizes shared values and community, suggesting that the film industry should focus on creating narratives that resonate with the everyday experiences of the audience [27]. - The potential for new forms of storytelling and audience engagement through digital platforms and user-generated content is recognized as a transformative force in the industry [22][27].

Core Viewpoint - The discussion highlights the distinction between Chinese and Western narratives in film and television, emphasizing the emergence of "larger-than-life" characters in Chinese media that embody collective struggle and grassroots qualities, contrasting with the individualistic heroes often found in Western narratives [1][4][5]. Group 1: Chinese Film and Television Characteristics - Chinese quality films have consistently produced works that combine artistic and ideological depth, such as "Soldier Assault" and "Mountain Sea Love," which reflect a unique Chinese narrative style characterized by grassroots themes and collective struggle [2][3]. - The portrayal of "larger-than-life" characters in Chinese media often involves self-overcoming individuals who prioritize grand ideals over personal desires, making them resonate deeply with audiences amid a sea of individualism [5][6]. Group 2: Cultural and Strategic Insights - The interview discusses the strategic value of film and television in shaping national identity and cultural narratives, drawing parallels with the success of Korean dramas in promoting cultural elements and language abroad [13][14]. - The need for a "negotiated decoding" relationship between creators and audiences is emphasized, suggesting that a collaborative approach could enhance the quality and reception of Chinese media [16][21]. Group 3: Market Dynamics and Capital Influence - The role of capital in the film industry is complex, as it can both support and hinder the production of quality content, with a call for a more nuanced understanding of capital's influence on cultural production [20][21]. - The emergence of non-professional directors and creators in the film industry reflects a shift towards a more democratized and diverse creative landscape, challenging traditional notions of professionalism [18][19]. Group 4: Traditional Culture and Modern Narratives - The integration of traditional cultural elements in contemporary media is critiqued, with concerns that many productions merely use these elements for commercial purposes rather than genuine cultural revival [22][24]. - The importance of rebuilding a cultural community that fosters shared values and responsibilities is highlighted, suggesting that a collective approach could enhance the impact of traditional narratives in modern storytelling [25].

Group 1 - The core viewpoint is that the prosperity of science fiction in China reflects the country's modernization and has both visible industrial value and significant intangible spiritual value [1][2][3] - The rapid development of Chinese science fiction over the past decade has led to a cultural phenomenon, with increased publication, discussions in various media, and significant achievements in cultural exports [1][2] - The rise of science fiction is linked to China's unique modernization process, which has created a conducive environment for cultural development and a strong demand for science fiction [2][3] Group 2 - Science fiction holds substantial industrial value, with nearly two-thirds of the top 50 highest-grossing films globally being in the science fiction and fantasy genres, indicating its economic impact [3] - The influence of science fiction extends beyond direct economic benefits, as it shapes people's worldviews and values through immersive cultural products [3][4] - Science fiction plays a crucial role in alleviating technological anxiety by providing narratives that help society cope with the uncertainties brought by technological advancements [4][5] Group 3 - Science fiction serves as an important medium for cultural inheritance and innovation, allowing traditional culture to be creatively transformed and transmitted through new storytelling methods [5][6] - The integration of science fiction with traditional Chinese cultural elements, as seen in works like "The Wandering Earth," exemplifies how it can reflect and promote national values [6] - The development of science fiction culture aligns with national goals to foster a vibrant cultural landscape that supports the rejuvenation of the Chinese nation [6]

Core Viewpoint - The report emphasizes the importance of cultural subjectivity as a foundation for China's modernization path, highlighting its role in maintaining national identity and stability in a changing global landscape [1][2][4]. Group 1: Cultural Subjectivity and Its Role - Cultural subjectivity activates the vitality of culture, enhancing its leading, cohesive, shaping, and radiating powers, showcasing deep cultural heritage and contemporary value [2]. - The report asserts that cultural subjectivity is essential for a nation to maintain its historical memory and spiritual core, which are crucial for national identity and stability [1][4]. Group 2: Historical Context of Chinese Culture - Chinese culture has a long history characterized by significant evolution, from ancient agricultural origins to the integration of diverse ethnic cultures, contributing to human civilization [3][4]. - Despite historical challenges, Chinese culture has consistently maintained its subjectivity, demonstrating resilience and innovation in the face of modernization [4]. Group 3: Cultural Leadership and Development - The Chinese Communist Party emphasizes cultural leadership, fostering a socialist ideology that shapes societal values and behaviors, thus driving economic and social development [5][6]. - The integration of material and spiritual civilization is highlighted, with examples of cultural practices in cities like Suzhou contributing to both cultural richness and economic strength [6]. Group 4: Enhancing Cohesion and Identity - Strengthening cultural subjectivity fosters a strong sense of national identity and unity among the Chinese people, promoting collective goals and patriotism [7]. - The report illustrates how shared cultural values and historical memories contribute to a cohesive national community, essential for achieving national rejuvenation [7]. Group 5: Cultural Innovation and Modernization - The report discusses the transformation of traditional culture into modern expressions, such as digital arts and cultural industries, driving economic growth and cultural evolution [8]. - The emergence of new cultural industries reflects the integration of culture with technology and innovation, creating new economic opportunities [8]. Group 6: Global Cultural Influence - China's Belt and Road Initiative is framed as a "civilization road," enhancing cultural exchanges and international cooperation across various sectors [9][10]. - The report highlights China's efforts in international cultural communication, aiming to present a positive image of China and promote mutual understanding globally [10]. Group 7: Lessons for Global South Countries - The report suggests that developing countries should establish their cultural subjectivity to navigate modernization, learning from China's experience in balancing tradition and modernity [11][12]. - China's approach to modernization, which respects cultural uniqueness while engaging with global advancements, serves as a model for other nations seeking their paths [12][13].