黄荭最初就是被法语书名吸引，之后是那个动人的关于已逝幸福的怀旧故事。"正如潘多拉魔盒的隐 喻，作者让-保罗·杜波瓦在冷静而反讽地揭示世界的残酷与荒诞之后，仍为我们保留了一缕希望与温情 的微光。"中文译名《每个人》更简洁、更含蓄，更容易让每个读者在这本书中找到自己的影子，产生 共情。 日前，黄荭接受本报记者专访，讲述她与法国文学及文学翻译的故事。 傅雷翻译出版奖 颁奖现场 "获得傅雷翻译出版奖，不仅仅是对我的译作《每个人》的肯定，更是我30年来热爱法国文学、坚持文 学翻译的最好见证。"2025年11月，在获得第十七届傅雷翻译出版奖文学类奖项后，南京大学法语系教 授黄荭这样说。 《每个人》译自法国2019年龚古尔奖获奖作品，法语原版书的书名为《并非每个人都以同样的方式栖居 于世》，直译是"每个人生活在世界上的方式都不同"，这是主人公保罗的父亲经常挂在嘴边的一句话， 也可以译得更像谚语："人生在世，各有各的活法。" 从文学爱好者到杜拉斯研究专家 作为苏教版、作家版、译林版和立体书《小王子》的中文译者，黄荭从小的阅读兴趣就很广泛，属于见 到什么书都会随手拿起来翻翻的那种。"毕竟上世纪80年代在浙西南群山围绕的小镇上， ...

Core Insights - The event "Wind Moves, Shadows Change - Sino-French Film Dialogue" featured renowned French director Jean-Jacques Annaud and Chinese director Wu Ershan discussing cross-cultural creation, industry collaboration, and nurturing new generations of filmmakers [1][3][9] Group 1: Cross-Cultural Narrative - Jean-Jacques Annaud emphasized that the essence of film transcends language, relying on visual storytelling to convey emotions and ideas that resonate universally [3][5] - Wu Ershan agreed, stating that the common emotional experiences among people outweigh their differences, highlighting the emotional needs of audiences worldwide [3][5] Group 2: Sino-French Film Industry Collaboration - Annaud cited "Wolf Totem" as a successful example of Sino-French collaboration, noting the shared cultural heritage and pride in identity among both nations [5][6] - Wu Ershan shared insights from the production of "Fengshen," which involved a diverse team from 21 countries, enhancing the creative process through varied perspectives [6][8] - Both directors expressed optimism for future collaborations, with Annaud mentioning dedicated film festivals in France for Chinese creators [6][8] Group 3: Nurturing New Generations of Filmmakers - Annaud and Wu Ershan, both experienced in advertising before directing, highlighted the importance of practical experience in film education [8][9] - The French film system, particularly the support from the CNC, serves as a model for nurturing young filmmakers in China, balancing artistic freedom with industry development [8] - Both directors encouraged young filmmakers to practice and collaborate, emphasizing the need for mutual respect and love within creative partnerships [8][9]