Core Insights - The 2025 Guangdong-Hong Kong-Macao Greater Bay Area Cultural Industry Investment Conference focused on the integration of film and technology, aiming to explore innovative paths and investment opportunities in the film technology sector [1][25] Group 1: Event Structure - The event consisted of two main segments: thematic discussions and project roadshows, analyzing cutting-edge trends in film technology and showcasing quality industry projects [3] Group 2: Thematic Discussions - Xia Xiaohui, Executive President of Ying Universe Group, shared insights on the innovative paths and commercial value construction of micro-short dramas within the Ying Universe ecosystem [7] - Gong Jiajun, Senior Vice President of Zhuobo Group, discussed how AI technology can empower digital cultural asset trading and global content dissemination, emphasizing the need for a new infrastructure platform to handle the explosive growth of digital content [9] Group 3: Project Presentations - Zheng Yue, head of the investment production center at Guangzhou Happy Time Film Group, introduced projects like "Point to Stop" and adaptations of classic IPs such as "A Chinese Ghost Story" and "The Killer" [12] - Yuan Feng, Chairman and President of Shanghai Fushuo Film and Television Culture, highlighted the rapid growth of internet animation users, reaching 490 million in 2023, with the core user base at 120 million, and projected the Chinese animation industry to exceed 300 billion yuan in total output value by 2024 [16] - Nie Huajun, Chairman and Founder of Shenzhen Rocktech Visual Effects Technology, noted that the derivative sales of "Nezha: Birth of the Demon Child" are expected to surpass 100 billion yuan in 2025, identifying digital IP-centric cultural tourism projects as a blue ocean market [20] Group 4: Industry Collaboration - Guests from various companies, including Hangzhou Yanyan Jiemu Digital Technology and Huoyue Media, showcased innovative and market-potential film technology projects from multiple dimensions such as film production, special effects technology, and digital media [23] - A panel of investment experts provided feedback and guidance on the roadshow projects, facilitating efficient connections between project teams and capital [25]

在电影板块，他指出欢乐时光集团聚焦中小成本喜剧电影，具备四重优势：一是"喜剧+"类型作品市场 潜力大、票房上限高；二是成本可控，资源集中用于内容制作；三是题材内容稳健，立项及审查流程更 为顺畅；四是以公司深厚的喜剧创作基因为基础，形成行业壁垒，实现资源高效整合。 针对剧集开发，郑越强调以打造头部内容为目标，在保护自有IP价值的同时追求更高回报。公司将优质 IP视为内容护城河，注重挖掘经过市场验证的IP在多领域的开发潜力。同时，积极与平台方开展前期合 作，共同投入项目开发，既保障作品质量，也为后续发行奠定基础。 在点评环节，金沙江弘禹合伙人兰云就"香港电影翻拍剧如何吸引00后年轻观众"进行提问。郑越结合自 身经历回应称，公司注意到年轻观众对经典老片的回溯趋势，认为经过时间检验的作品具有持久魅力， 价值能够跨越时代，具备持续吸引新一代观众的潜力。 （原标题：欢乐时光影业郑越："喜剧+"电影潜力大，中剧瞄准经典港片翻拍） 南方财经见习记者郭莎 广州报道 11月27日，2025粤港澳大湾区文化产业投资大会影视科技路演专场在广州黄埔国际会议中心成功举办。 广州欢乐时光影业集团公司投资制作中心负责人郑越在路演中表示，公司 ...