Core Viewpoint - The newly passed "Regulations on the Protection, Inheritance, and Development of the Ansai Waist Drum" aims to provide a comprehensive legal framework for the preservation and promotion of this traditional art form, emphasizing both protection and innovation [1][2]. Group 1: Legal Framework - The regulations consist of 21 articles covering protection scope, government responsibilities, inheritance and development, and support measures, establishing a systematic legal basis for the Ansai Waist Drum [2]. - The regulations emphasize "living inheritance" rather than mere preservation, encouraging innovation while safeguarding traditional techniques and instruments [2]. Group 2: Cultural Significance - The Ansai Waist Drum has a history dating back over 2000 years to the Qin and Han dynasties, originally serving military purposes before evolving into a vital cultural expression for celebrations and rituals [1]. - Recognized as a national intangible cultural heritage in 2006, the Ansai Waist Drum has undergone significant evolution, developing a unique artistic style over time [1]. Group 3: Implementation and Community Engagement - The regulations aim to integrate the Ansai Waist Drum into contemporary life by promoting its presence in schools and communities, fostering talent development, and encouraging the passing down of skills from masters to apprentices [2]. - The goal is to ensure that the art form is actively practiced and appreciated, with plans for performances and regular training sessions to be legally protected [2].

Core Viewpoint - The "2025 Intangible Cultural Heritage Video Creation Conference" aims to revitalize and promote China's intangible cultural heritage through video storytelling, leveraging the power of social media platforms to reach a wider audience and engage younger generations [1][3][4]. Group 1: Conference Overview - The conference, held in Wuyuan, Jiangxi, features performances of various intangible cultural heritage forms, including the Anse Waist Drum and Huangmei Opera, showcasing the rich cultural diversity of China [1][10]. - It is the first collaboration event between intangible cultural heritage inheritors and content creators across multiple platforms, focusing on creating a new ecosystem for heritage dissemination [1][3]. Group 2: Video as a Medium - Video is highlighted as a dynamic and effective medium for storytelling, capable of transcending geographical and temporal limitations, thus bringing intangible cultural heritage to life [3][6]. - The rise of short videos and documentaries is reshaping the pathways of heritage transmission, allowing for immersive and engaging narratives [3][4]. Group 3: Youth Engagement - The "Youth Intangible Cultural Heritage Video Creation Nurturing Action" was launched to support young creators and heritage inheritors, providing them with resources and platforms for collaboration [4][7]. - A total of 214 intangible cultural heritage inheritors and 98 young creators have been selected for this initiative, which aims to bridge the gap between traditional heritage and modern video creation [4][7]. Group 4: Cultural Performances - The opening ceremony featured a variety of performances that highlighted the contemporary vitality of traditional arts, including a fusion of traditional martial arts and modern stage techniques [10][12]. - The event also included a "Five Good" intangible cultural heritage market, showcasing traditional food, music, crafts, and performances from across the country [18][19]. Group 5: Future Initiatives - The conference will continue with master classes and forums focusing on the transmission and development of intangible cultural heritage in the digital media age, fostering collaboration between heritage inheritors and video creators [19][21]. - The goal is to gather social forces to promote the innovative dissemination of traditional culture, ensuring its relevance and accessibility to future generations [19].