2月11日晚，万盏花灯沿着运河次第绽放，2026东亚文化之都·苏州国际旅游年暨苏州新春活动在长 船湾青年码头运河剧场启幕，为全球游客呈现一场兼具国际范和江南韵的年味盛宴。 现场，"苏州海外星球号"一站式服务平台上线，为来苏外籍人士打造覆盖全场景的数字旅行指南， 并推出"双遗深度·雅致苏州""吴山揽韵·水韵苏州"等十条入境游精品线路。今年春节，抵达苏州周边城 市六大机场的飞机票和苏州九个火车站的火车票，均可作为惠游苏州的通行证，一纸票根即可解锁新春 福利。 作为此次活动的一大亮点，新春灯会打造"石路·潮玩""阊门·市井""运河·流光""虎丘·华彩"四大主题 片区，串联长船湾青年码头运河剧场、万象天地、石路上城门、北码头·民国风情街等八大灯彩点位， 将古城片区变成一座大型的无边界景区。走在街头巷尾，市民游客可以邂逅"来点艺术"系列巡演、舞狮 表演、木偶戏、花神巡游等近百场精彩演出。 ...

木偶有二三十个。木偶头部，精雕细刻，惟妙惟肖。来不及新添木偶，就用黏性极强的黄泥巴塑，干后 彩绘成生旦净末丑等角色，穿褶子，戴纱帽，老生还要戴上胡须。花旦木偶，如花似玉；妖魔鬼怪，青 面獠牙。包公的额头上有"月牙"图案，奸臣是大白脸三角眼。有一个小丑，念起白来，嘴唇可开可合， 舌头可伸可缩，逗人发笑。根据剧情，还配有白马、猴子等道具。木偶制作精巧，主杆置于木偶的后背 中部，掌握身子的前俯后仰；侧杆两根，分置两臂，掌握两臂及手的动态。 木偶戏是书面语的表达，乡亲们都习惯将木偶戏叫"菩佬戏"。父亲唱木偶戏，多在春节前后的农闲时 节，应生产队之邀上门表演，地点在大屋的堂轩。两盏高挂的汽灯，闪着白色的光焰，发出"嗞嗞"的响 声，把场内照得通亮。记得布台两边的对联是："有几件衣冠，任尔空心装大佬；无半点血色，亏他光 棍顶人头。"倒也耐人寻味。蓝色的幕布围成台口，观众在下堂轩观看。按照出场顺序，木偶依次挂在 围幕两边的铁丝上，随取随挂，得心应手。开场前,谈笑声，嗑瓜子声，嘈嘈切切。锣鼓一响，观众立 时安静下来，伸长脖子，争相观看。 父亲托木偶、演唱，文学老爹打锣帮腔儿。两人配合默契，丝丝入扣。我坐在围幕里，亲眼看见父亲双 ...

Core Viewpoint - The innovative performance of Sichuan opera by a "post-90s" actor, Quan Junhua, combines traditional face-changing techniques with modern pop culture, attracting a younger audience and revitalizing interest in this ancient art form [1]. Group 1: Innovation in Performance - Quan Junhua's performance features a blend of traditional face-changing and "Shamate" style, which has gone viral on social media, indicating a successful fusion of old and new [1]. - The creative process took only three days, with a week spent on technical adjustments to seamlessly transition between traditional masks and Shamate styles [3]. - The performance maintains traditional storytelling while introducing modern elements, ensuring that the essence of Sichuan opera is preserved [5]. Group 2: Audience Reception - The reception of the performance has been polarized, with some viewing it as a mockery of tradition, while others appreciate the innovation, as evidenced by the enthusiastic response from younger audiences [5]. - The theater has seen an increase in younger attendees, with children actively engaging and asking about the techniques used in the performance [8]. - The innovative approach has led to a broader audience base, moving beyond the traditional demographic of older viewers [8]. Group 3: Institutional Support and Future Plans - The Shuyi Theater supports innovation by providing costumes and props, and has established a mechanism for regular updates to performances [8]. - Future plans include the introduction of magic elements into the face-changing performances, further diversifying the offerings [8]. - The commitment to innovation while respecting tradition is seen as a way to keep intangible cultural heritage relevant and appealing to new generations [5].

Core Viewpoint - The article highlights the transformation of Xiaoyi City in Shanxi Province, focusing on its efforts to enhance tourism services and promote cultural tourism as a new path for local development [1][6]. Group 1: Tourism Development - Xiaoyi has received nearly 3,000 tourists since the launch of the "Ten Thousand People Travel Group" initiative [1] - The city aims to improve tourism service quality to facilitate its transition from a coal-based economy to a more diversified one [1][8] - During the "May Day" holiday, Xiaoyi hosted 134 events across various tourist attractions, welcoming over 700,000 visitors [9] Group 2: Cultural Integration - Local residents are actively participating in cultural tourism, creating a community atmosphere where everyone contributes to promoting local tourism [5][11] - The city has established a "rural stage" for performances, showcasing local arts such as Jin opera and traditional dances, enhancing the visitor experience [4][5] - Xiaoyi is focusing on integrating cultural heritage into tourism, allowing visitors to engage with traditional crafts like paper-cutting and tofu-making [12][16] Group 3: Infrastructure and Support - The local government is implementing measures to improve both hard and soft environments, including urban ecological enhancements and financial support for tourism businesses [7][10] - A special fund of 20 million yuan has been allocated to support the development of cultural tourism, with incentives for businesses that align with the city's tourism strategy [7] - The city is promoting overnight stays by encouraging visitors to experience local accommodations and dining, thereby boosting the local economy [7]

Core Viewpoint - The "2025 Intangible Cultural Heritage Video Creation Conference" aims to revitalize and promote China's intangible cultural heritage through video storytelling, leveraging the power of social media platforms to reach a wider audience and engage younger generations [1][3][4]. Group 1: Conference Overview - The conference, held in Wuyuan, Jiangxi, features performances of various intangible cultural heritage forms, including the Anse Waist Drum and Huangmei Opera, showcasing the rich cultural diversity of China [1][10]. - It is the first collaboration event between intangible cultural heritage inheritors and content creators across multiple platforms, focusing on creating a new ecosystem for heritage dissemination [1][3]. Group 2: Video as a Medium - Video is highlighted as a dynamic and effective medium for storytelling, capable of transcending geographical and temporal limitations, thus bringing intangible cultural heritage to life [3][6]. - The rise of short videos and documentaries is reshaping the pathways of heritage transmission, allowing for immersive and engaging narratives [3][4]. Group 3: Youth Engagement - The "Youth Intangible Cultural Heritage Video Creation Nurturing Action" was launched to support young creators and heritage inheritors, providing them with resources and platforms for collaboration [4][7]. - A total of 214 intangible cultural heritage inheritors and 98 young creators have been selected for this initiative, which aims to bridge the gap between traditional heritage and modern video creation [4][7]. Group 4: Cultural Performances - The opening ceremony featured a variety of performances that highlighted the contemporary vitality of traditional arts, including a fusion of traditional martial arts and modern stage techniques [10][12]. - The event also included a "Five Good" intangible cultural heritage market, showcasing traditional food, music, crafts, and performances from across the country [18][19]. Group 5: Future Initiatives - The conference will continue with master classes and forums focusing on the transmission and development of intangible cultural heritage in the digital media age, fostering collaboration between heritage inheritors and video creators [19][21]. - The goal is to gather social forces to promote the innovative dissemination of traditional culture, ensuring its relevance and accessibility to future generations [19].