观众参观第十届中国北京国际美术双年展。郭俊锋摄（人民图片） 母与子（雕塑）绍坎·托列什（哈萨克斯坦）作 2026年伊始，北京迎来一场备受瞩目的国际艺术盛会——第十届中国北京国际美术双年展日前在北京展 览馆举办。本届双年展由中国文联、北京市委宣传部、中国美术家协会联合主办，汇聚近120个国家和 地区的近600件当代美术作品，聚焦和平发展、生态文明、科技伦理等话题，以视觉艺术语言讲述北京 故事、中国故事与世界故事。 同绘"共生"图景 "艺术是一扇窗，当我们打开它，看到的是一个五彩缤纷的世界。"中国美协分党组书记、驻会副主席屈 健说。在他看来，北京国际美术双年展就是一个"故事会"，通过艺术表达了各国人民对美好生活的向 往。 本届双年展以"共生"为主题，采用"主题展+特展+国别展"的结构。展出作品既有绘画、雕塑等传统艺术 形式，也包括数字、影像、装置、新媒体等当代艺术品类，类型丰富，规模空前，蔚为大观。 漫步展厅，一件件作品讲述着各国艺术家对"共生"的思考。 在"人智共生：数字艺术特展"中，50余位中外前沿艺术家以人工智能艺术、互动装置、沉浸影像、虚拟 现实艺术等形式，构建出一个多维度的"观念实验场"。特展因科技范儿 ...

Core Insights - The fourth season of the technology popular science variety show "BOE's Worry-Free Laboratory" has concluded, showcasing the intersection of technological innovation and cultural heritage through a unique format that combines Chinese landmarks with significant technological events [1][3] - The show has achieved a remarkable total exposure of over 479 million across all platforms, establishing itself as a benchmark case for technology companies in deepening brand value communication through public science education [1][3] Group 1: Show Performance and Reception - The program has been well-received, with a peak viewership rating of 35 in Beijing, ranking third nationally among similar broadcasts, and topping the cultural new rankings on Youku [3] - The content has sparked widespread praise and interaction on social media, effectively bridging the communication gap between technology and the public [3] Group 2: Innovative Presentation and Cultural Integration - The show employs a narrative strategy of "landmarks as scrolls, technology as pen," allowing cutting-edge technology to interact with traditional Chinese culture in historical settings [4] - Guests from various industries, including Hisense, Vivo, and Geely, participated as "technology enablers," discussing the deeper logic and industrial value of technological innovation [4] Group 3: Corporate Mission and Future Direction - BOE positions itself as a significant player in the global Internet of Things innovation field, committed to popularizing scientific knowledge and promoting technological benefits for the public [5][6] - The program serves as a vital bridge connecting the company's innovative achievements with social value, exploring a feasible path for value sharing through high-level technology popularization [6]

Core Insights - The Chinese art market has emerged as a significant player globally, achieving a transaction volume of $4.792 billion and capturing 38% of the global market share, despite a 23% decline in global pure art auction sales [1][14][17] Group 1: Market Development - The rise of the art collection trend in China is attributed to the rapid economic growth and increasing disposable income since the reform and opening-up period, leading to a shift in consumer focus towards cultural and spiritual investments [1][17] - The art market has evolved from a niche interest among a few collectors to a widespread phenomenon involving various age groups, including the younger generations who engage with contemporary and digital art [2][4][6][7] Group 2: Cultural and Economic Factors - China's rich cultural heritage, with thousands of years of civilization, provides a unique and abundant source of artistic treasures, which is a competitive advantage over other countries [14] - The growing collector base, estimated at nearly 100 million people, supports the vibrant trading environment in the art market [14][15] Group 3: Market Trends and Innovations - The concept of "art assetization" gained traction in 2017, transforming art from mere collectibles to valuable financial assets, with instances of artworks being used as collateral for loans [11][13] - The introduction of art investment products by banks and trust companies has democratized access to art investment, allowing more individuals to participate in the market [15] Group 4: Future Outlook - The future of the Chinese art market appears promising, with expectations of continued growth driven by economic stability and increasing cultural consumption among residents [17][18] - The involvement of younger generations and advancements in digital technology are likely to enhance the accessibility and appeal of art transactions, potentially leading to an even more dynamic market in the next thirty years [18]

Core Viewpoint - Jiangsu Province is focusing on high-quality development of its cultural tourism industry through a three-year action plan, aiming to enhance product supply, expand consumer services, and optimize the market environment [1][2][4][6] Group 1: Action Plan Overview - The action plan includes six major actions and 22 key tasks to promote the cultural tourism industry [1] - Key actions involve improving product supply, expanding consumer services, and optimizing the market environment [1][6] Group 2: Leveraging Events for Tourism - The "Su Super" football league has attracted significant attendance and online viewership, with 149.4 million people attending matches and 13.3 billion online views [2] - The action plan proposes themed travel routes and creative products to convert sports event traffic into tourism revenue [2] Group 3: Museum and Night Tourism - Popular museums have seen a 25% increase in night-time consumption, prompting the plan to encourage extended hours and new night tourism projects [3] - The goal is to reach 150 million annual visitors to registered museums by 2027 [3] Group 4: Infrastructure and Technology - The plan emphasizes the development of cultural and ecological tourism corridors and the integration of modern technology in the tourism sector [4] - It encourages the creation of smart tourism experiences and supports technological advancements in the industry [4] Group 5: Industry Cluster Development - The action plan aims to cultivate high-quality cultural tourism enterprises and promote the growth of digital cultural companies, targeting over 3,000 digital cultural enterprises by 2027 [6] - The plan also seeks to establish national and provincial cultural and tourism industry demonstration zones [6] Group 6: Institutional Mechanisms - The plan proposes innovative mechanisms for public service enhancement and financial support for tourism enterprises [7] - It emphasizes the need for coordinated development of cultural tourism within the broader economic framework of the province [7]