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张维为《这就是中国》第314期:“运河之都”兴盛的文化密码
Guan Cha Zhe Wang· 2026-01-09 06:47
千百年来,大运河穿越历史的烟云日夜奔流,恰如中华文化生生不息,奔涌向前,早已成为中华民族长 盛不衰的重要文化载体。 淮安因淮河而生,因运河而兴,既是南北水运的枢纽,也是东西交通的桥梁,完整见证了邗沟、隋唐大 运河、京杭大运河三段波澜壮阔的文明进程。 今天,我想请大家一起走进淮安,解码这座"运河之都"的文化基因,感受千年水脉在新时代绽放的蓬勃 生机。 淮安的枢纽基因,早在2500年前已经深深植根。《左传》记载"吴城邗,沟通江淮",中国大运河的前身 邗沟的开凿,首次联通了江淮水系,让淮安一跃成为"沿于江海,达于淮泗"重要的交通要冲,赢得 了"交通灌溉之利,甲于全国"的美誉。 大运河是长盛不衰的中华民族文化的重要载体。读懂大运河能帮助我们读懂中国,而淮安作为大运河重 要的枢纽城市,也是读懂运河文化、读懂中国文化的重要窗口。 在东方卫视于2025年12月29日播出的《这就是中国》中,复旦大学中国研究院院长张维为教授与淮安市 大运河文化研究中心办公室主任、中国史博士李想,共同开启一场运河文化之旅。 《这就是中国》第314期 李想: 各位观众朋友,大家好。非常荣幸能有这样的机会,向大家推介运河之都,江苏淮安。 隋唐大运河 ...
聚焦首批江苏省急需保护非遗代表性项目,江苏非遗“种子计划”启航
Yang Zi Wan Bao Wang· 2025-09-30 13:14
Core Points - The article discusses the implementation of the "Seed Plan" for the protection and training of intangible cultural heritage (ICH) talents in Jiangsu Province, focusing on urgent representative projects from 2025 to 2028 [1][3] - The plan involves a three-year vocational training program at Jiangsu Provincial Drama School, specifically targeting traditional performing arts and music [1][5] Group 1: Program Details - The program will enroll 25 students, with 15 in theatrical performance and 10 in theatrical music [5] - The first batch of projects includes seven traditional art forms: puppet theater, children's drama, Huaihong opera, Yangzhou Daoqing, Hongkou silk string music, Yangzhou folk songs, and Nanjing storytelling [2][5] - The program is supported by various organizations, including Jiangsu Performing Arts Group and local cultural offices [2][5] Group 2: Significance and Goals - The initiative aims to create a new path for the transmission of ICH by integrating government resources, social forces, and professional institutions [5] - The establishment of the training base marks a significant step in the innovative practice of ICH protection in Jiangsu [5] - The growth of these "ICH seeds" is expected to revitalize endangered traditional arts and contribute to the cultural development of the province [5]
一张节目单,为何变来变去(金台随笔)
Ren Min Ri Bao· 2025-04-22 21:52
Group 1 - The core idea emphasizes the importance of understanding grassroots cultural needs and adjusting cultural offerings accordingly to create engaging and relevant cultural experiences for rural communities [1][2][3] - The article highlights the challenges faced in curating performance programs that resonate with local audiences, illustrating the necessity of adapting content based on community preferences and feedback [1][2] - Successful cultural initiatives require a balance between supply and demand, ensuring that cultural products reflect the unique characteristics and preferences of the local population [2][3] Group 2 - The article discusses the significance of community involvement in cultural activities, advocating for a model where local residents play a central role in cultural creation and innovation [3] - It presents examples of successful grassroots cultural projects, such as village art centers, where local talents contribute to the cultural landscape, fostering a sense of ownership and engagement among community members [3] - The narrative suggests that a gradual and thoughtful approach to cultural development, akin to "slow cooking," is more effective than rapid, top-down cultural impositions [3]