陈素英创作中 他们的收获 2025年10月，北京大学第二十二届国际文化节展厅里，人来人往。一幅幅色彩浓烈、线条质朴的画作 前，不断有人停下脚步，细细端详。画里没有惊人的景致，没有宏大叙事，只有朴素线条和热情的色彩 勾勒出的灶台、菜地、老屋、鸡鸭、乡亲们的笑脸。 "年轻时忙着种地、养娃，哪有时间想画画哟。"她笑着说。 人群中，一位头发花白的老人有些拘谨，却又掩不住笑意。她叫陈素英，今年74岁，来自重庆市忠县磨 子土家族乡。几年前，她还只是一个在田地里忙活的普通农妇，如今却带着自己的画作，站在了北京大 学的展厅里。 "像做梦一样。"她轻声说。 一支画笔 连起乡土与世界 陈素英是此次受邀参展的10位农民画家之一。她的12幅作品，描绘的都是当地老百姓最熟悉的日常：灶 台上的腊肉、田埂边的玉米、院子里追逐的小狗、热闹的土家年夜饭…… "画的都是我们村里的事，没啥稀奇。"她总这样说。 但正是这些最普通的场景，打动了评审专家。北京大学文化传承与创新研究院艺术总监宋亮评价："她 的画有泥土的气息，有生活的温度，是一种从土地里长出来的艺术。" 陈素英并非科班出身，71岁那年，她才第一次真正拿起画笔。此前，她的人生几乎都在土地和 ...

农民画，是扎根黑土地的绚丽艺术之花。它以质朴的笔触、炽热的情感和饱满的色彩，生动描绘着田野 乡间的风物人情，记录着生生不息的劳动创造。从沈阳苏家屯的浑厚朴实，到大连庄河的明快鲜活；从 鞍山岫岩的拙朴天真，到本溪桓仁的灵秀生动……辽宁各地的"民间文化艺术之乡"与创作者，如一颗颗 璀璨的明珠，串联起一幅特色鲜明、光彩夺目的民间艺术星图。 本次展出的百余件作品，既承载着对传统技艺的坚守与传承，也展现出在题材、语言与形式上不断探索 的创新活力。画面中，既有春种秋收、渔获满舱的劳动颂歌，也有节庆民俗、乡风乡韵的欢腾场景；既 有青山绿水、田园家园的诗意描绘，更展现了新时代乡村振兴路上人们热切的期盼与奋进的足迹。这些 作品不仅是现实生活的艺术映照，更是涌动在当代乡村肌理中的生动文化实践。 转自：沈阳日报 本报讯（沈阳日报、沈报全媒体记者盖云飞）"绘梦田园·多彩辽宁"——辽宁省"民间文化艺术之乡"农 民画作品展，日前在沈阳美术馆开展。本次展览由沈阳市文化旅游和广播电视局主办，沈阳市公共文化 服务中心（沈阳市文化演艺中心）承办，展览将于2026年1月23日结束。 （来源：沈阳日报） ...

（来源：新华日报） 南京金牛湖茉莉花音乐节。（通讯员供图） □ 本报记者 李凯 通讯员 陆轩 12月19日下午，南京地铁永初路站内，步履匆匆的都市上班族们突然放慢了脚步，驻足在通道久久不愿 离去：一幅幅色彩绚烂的田野秋收图、孩童嬉闹年画，传递出质朴热烈的乡土意趣，把人们深深吸引。 今年以来，六合区深化机制创新，提高文化供给精准度。建立省市资源联动机制，与省、市文联开展合 作共建，选聘9位来自戏曲、舞蹈、曲艺、非遗民俗等不同艺术领域的文艺骨干任"艺术村长"与9个重点 文艺村结对共建，4个市文联协会与5个社区（村）开展深度合作，打造农民画、民歌"名家工作室"，推 动文化服务从"大水漫灌"变为"精准滴灌"。建立跨部门工作会商机制，每季度推进，聚焦"茉莉花"文化 品牌建设培育14个项目。文化服务形成了"基层点单、部门派单、队伍接单、群众评单"闭环。 聚焦精品创作，增强区域文化影响力。舞蹈作品《矿道深处》获省五星工程奖第二名并入围国家群星奖 初赛；霞炜艺术团在"村歌嘹亮"2025江苏集中展演活动中斩获"江苏好声音"称号；农民画《农业现代 化》等5幅作品入展国家级活动，创作民歌合唱《咯噔咯噔幸福来》等新民歌作品越唱越响。 ...

Core Viewpoint - The exhibition "Dadi Huicai - 2025 Farmers' Painting Exhibition" showcases the current state of farmers' paintings, reflecting the vibrant rural culture and the spirit of the times, emphasizing the importance of cultural confidence and rural revitalization in China's modernization efforts [3][4][14]. Group 1: Exhibition Overview - The exhibition is themed "Rural Vitality · Spirit of the Times" and presents the creative status of farmers' paintings, illustrating a new picture of rural revitalization [3][14]. - It features a variety of artworks that connect different regions, allowing visitors to explore their hometown customs and lifestyles through the paintings [6][14]. - The exhibition includes a large animated projection of farmers' paintings, creating an immersive experience that highlights the joy and warmth of rural life [5][9]. Group 2: Cultural Significance - Farmers' paintings are rooted in the unique experiences and emotions of rural life, showcasing the deep connection between farmers and their land [5][17]. - The artworks reflect the rich folk customs of rural China, capturing various aspects of daily life, festivals, and traditional practices [5][6]. - The exhibition serves as a platform for expressing the aspirations and creativity of farmers, transforming them from subjects of representation to active creators of their narratives [17][19]. Group 3: Evolution of Farmers' Paintings - Farmers' paintings have evolved from their origins in the mid-20th century, gaining recognition and becoming a significant cultural symbol representing rural life [10][13]. - The genre has adapted to contemporary themes, documenting the changes in rural society and the impact of modernization on farmers' lives [13][14]. - The exhibition highlights the innovative use of materials and techniques in farmers' paintings, showcasing the diverse artistic expressions across different regions [14][19].

Group 1 - The article highlights the transformation of Xinjiang's rural areas, particularly focusing on the development of "characteristic villages" that contribute to rural revitalization [1][3] - The village of Xiaofenzi has seen significant changes since 2014, attracting artists and benefiting from government support, including 106 million RMB for infrastructure [3][4] - Local residents have started businesses such as homestays and agritourism, leading to increased income and improved quality of life [4][6] Group 2 - The "Earthenware Village" in Kashgar has leveraged its status as a deep poverty area to develop tourism based on its intangible cultural heritage, resulting in a new rural development model [6][7] - The village has become a tourist attraction, receiving over 400,000 visitors annually and creating more than 200 jobs [6][7] - By the end of 2020, Xinjiang achieved significant improvements in infrastructure and living standards, with rural residents' disposable income increasing by 12,551 RMB since 2012 [7]

Group 1 - The core event is the launch of Kunming's first "Tidal Market" in Chenggong District, aimed at innovating urban consumption scenarios and enhancing night economy [1][3][21] - The event, titled "Summer Fruit Fragrance · Colorful Chenggong," is organized by the Chenggong District Committee and government, running from July 18 to July 20 [3][21] - The market features a variety of local and Southeast Asian fruits, alongside cultural experiences such as traditional farmer painting, enhancing community engagement [7][9][14] Group 2 - The event includes interactive activities like fruit guessing games and live performances, creating an immersive experience for attendees [12][19] - A total of 30,000 yuan in night economy special consumption vouchers are distributed to stimulate consumer spending, applicable in various local businesses [16][21] - The initiative aims to integrate the "Tidal Market" concept with the night economy, promoting local culture and enhancing the attractiveness of Chenggong District [21][22]

Group 1 - The core idea emphasizes the importance of understanding grassroots cultural needs and adjusting cultural offerings accordingly to create engaging and relevant cultural experiences for rural communities [1][2][3] - The article highlights the challenges faced in curating performance programs that resonate with local audiences, illustrating the necessity of adapting content based on community preferences and feedback [1][2] - Successful cultural initiatives require a balance between supply and demand, ensuring that cultural products reflect the unique characteristics and preferences of the local population [2][3] Group 2 - The article discusses the significance of community involvement in cultural activities, advocating for a model where local residents play a central role in cultural creation and innovation [3] - It presents examples of successful grassroots cultural projects, such as village art centers, where local talents contribute to the cultural landscape, fostering a sense of ownership and engagement among community members [3] - The narrative suggests that a gradual and thoughtful approach to cultural development, akin to "slow cooking," is more effective than rapid, top-down cultural impositions [3]