慈溪后司岙窑址发掘现场。 陕西法门寺出土的秘色瓷净瓶。 电视剧《太平年》剧照。图据新华每日电讯 上林湖出土"贡窑"字款墓志罐。 浙江钱鏐墓出土秘色瓷夹耳罐。 "这是上林湖的秘色窑，一个瓶子的价钱，便能在临海县买下300亩水田。" 近期热播的电视剧《太平年》里名物众多，产自吴越、名扬天下的秘色瓷也被编剧写入剧中。 上林湖位于当时的余姚县，现属浙江省县级市慈溪，而临海县则是当时的台州州治所在地，如今浙江省 的县级市临海。 最新考古发现证明，能在临海换得300亩水田的秘色瓷，在吴越"纳土归宋"之后，在北宋中期，还曾在 临海再度复兴。 天青烟雨 "天青色等烟雨，而我在等你"，周杰伦《青花瓷》中的这句歌词，在不少古陶瓷研究者和收藏者看来， 其实是一个美丽的误会。真正能呈现"雨过天青"的釉色，应是青瓷。 中国是瓷器的故乡，而第一种成熟的瓷器就是青瓷。在东汉时期，位于浙东的越窑率先烧出了青瓷。越 窑以地处越国故地得名，起初以绍兴上虞的曹娥江两岸为中心，至唐代向东转移，也就是上林湖一带。 根据文献记载，从唐代晚期到北宋初年的近200年间里，越窑生产着一种顶级青瓷"秘色瓷"，作为贡 品。唐代诗人徐夤就曾写下这样的诗句："捩翠融 ...

秘色瓷作为越窑艺术的巅峰，代表了一个时代工艺与审美的完美融合。秘色瓷的美学核心，在于摒弃繁 缛纹样，以造型的端庄气度与釉色的温润内敛取胜。其器型丰富多样，以碗、盘、钵、盏、盒等为主， 亦有执壶、瓶、罐、碟、盏托等。每种器物又有多种造型，皆在简约线条中蕴藏匠心。其釉质莹洁，光 泽柔和，观之如远山含黛，触之若春水微澜，充分契合了江南文化自唐以来所崇尚的雅致、含蓄的审美 气质。 为追求"如冰似玉、无水似水"的艺术效果，工匠们首创了瓷质匣钵以釉密封、单件装烧的极致工艺，确 保了釉色的纯净与完美。每一件器物，从拉坯修形到满釉封烧，皆不计工本、精益求精，体现了其作为 晚唐五代宫廷用瓷的专属性。 秘色瓷开创了以釉色与造型为核心的高端青瓷审美范式。其天青釉色与精细工艺，完成了对金银器韵味 的巧妙转化，不仅为后世汝窑、南宋官窑的"雨过天青"提供了美学源头，也深远影响了龙泉窑的粉青、 梅子青釉乃至高丽青瓷的审美取向。 为何在乱世中这抹天青能达到至臻至美之境？答案深植于吴越国独特的历史境遇。当五代十国战乱频仍 之际，偏安东南的吴越国在钱氏三代治下，70余年相对安定，为手工业的登峰造极提供了土壤。同时， 为在乱世中生存，吴越国力行纳 ...

作为晚唐五代至北宋初期专为官方烧制的顶级瓷器，秘色瓷既服务于吴越国王室的日常与礼制，亦作为 重要"国礼"大量进贡至中原。在吴越国钱氏王陵及贵族墓葬中，如吴越国开国之君钱鏐的父母钱宽、水 邱氏夫妇墓中，其子第二代国王钱元瓘及其夫人马氏康陵中，都出土了众多品质卓绝的秘色瓷，述说着 王室的奢华与内部的礼制规范。其作为贡品的踪迹，远播至中原王朝与北方辽境。北宋皇陵出土的云鹤 纹套盒、辽祖陵出土的龙凤纹大盘、陈国公主与驸马合葬墓出土的青瓷官字款盘、辽代贵族墓韩佚墓出 土的人物宴乐纹执壶与温碗等，皆被视为秘色瓷。它们共同勾勒出秘色瓷作为顶级商品与政治礼物所构 建的璀璨脉络。 这些秘色瓷由何处烧造？2017年浙江慈溪后司岙窑址的发掘，为这抹天青传奇找到了确切的产地。此次 发掘不仅确认该窑址是晚唐五代时期烧造秘色瓷的核心窑场，更以一系列关键证据建立了从生产到使用 的完整链条：除了造型和胎釉特征相符外，窑址出土的个别瓷质匣钵上清晰刻有"罗湖师秘色椀"字样； 窑址中的八棱净瓶残件，与法门寺地宫出土的八棱净瓶底款完全一致。这些发现，使秘色瓷生产与流通 的对应关系有了坚实的考古学支撑。 秘色瓷作为越窑艺术的巅峰，代表了一个时代工艺与 ...

近期热播的历史剧《太平年》,深入展现了五代末年至北宋初年时期,地处东南重镇的吴越国"纳土归 宋"、保境安民的重大抉择,生动诠释了和平统一的历史意义。 唐亡宋兴之间的五代十国,曾是我国历史上最纷乱动荡的时期之一,吴越国却是其中存续时间最久的政 权。从公元907年钱镠受封吴越国王,到公元978年钱俶(原名钱弘俶)将所辖十三州一军整体纳入宋朝版 图,70余年的时间里,吴越国历经三代五王之治,未遭兵燹祸乱,黎民安居乐业。从流传千百年的"上有天堂, 下有苏杭"谚语,到江浙地区深厚的文化底蕴,都可以追溯到吴越国的影响。回顾这段历史,仍然能给今人 以启迪。 □李伟元 筑塘伏海雄主业 陌上花开儿女情 吴越开国君主钱镠出身贫寒,早年曾以贩私盐为业。传说钱镠刚出生时有异象,父亲担心不祥,想把他扔进 井里淹死,祖母(一说邻家老妇)说情才留得性命,因此小名"婆留",在他的出生地临安至今尚有"婆留井"。 钱镠虽出自草莽,却颇有武艺谋略,在唐朝末年的乱世之中崭露头角,成为临安石镜镇将董昌偏将,征讨黄巢 军立功,屡获升迁。后来董昌谋反,钱镠奉诏平定,唐朝廷嘉其功,赐金书铁券。钱镠先后被唐封为镇海、镇 东节度使,越王,吴王,吴越王,统两浙之 ...

中新网杭州2月5日电(郭其钰)近日，随着历史题材剧《太平年》热播，五代十国时期那个保境安民的吴 越国，成为公众关注的文化热点。 浙江省社会科学院文化研究所副所长何勇强则关注吴越国时期的行政区划与地名更改。在其看来，老地 名背后承载了丰富的政治、文化、民俗信息，是吴越文化不可或缺的实物载体和记忆符号。 何勇强建议系统保护、挖掘与利用吴越国地名文化资源，建立"吴越国地名文化数据库"、策划推出"吴 越国地名寻踪之旅"特色线路等，让地名成为讲述杭州故事、连接古今情感的文化纽带。 推动吴越文化"活态传承" 吴越国于乱世中保持了近百年的和平与繁荣，其文化也得到了极大发展，具有鲜明的区域特征与时代特 色。 聚焦历史文化遗产的保护、研究与展示，浙江省杭州市政协围绕"加强研究传承传播 扩大吴越文化影响 力"召开专题协商会，助力吴越文化不断焕发生机。 位于杭州 市临安区的衣锦城遗址博物馆近日面向公众开放，游客在遗址之上游览。吴怡欣 摄 构建吴越遗迹立体叙事 吴越国时期是古代杭州社会经济发展的重要阶段之一，奠定了杭州城市的基本格局。目前，杭州辖区内 存留大量吴越国的遗迹，包括城市遗址、陵墓、寺院、塔幢、石窟等。 "这些遗迹展现了城 ...

Group 1: Archaeological Discoveries - The discovery of a complete salt production line from the Liangzhu culture, dating back 4,800 to 4,600 years, showcases advanced organization and management of handcraft production in ancient times [1] - The excavation of the capital city of the Yue Kingdom in Shaoxing, along with the discovery of official documents from the Han and Six Dynasties, provides critical evidence for understanding the administrative structure of the region [2] - The identification of a high-level sacrificial site, likely the national altar of the Yue Kingdom, reveals significant insights into the religious practices and societal structure of the time [3] Group 2: Ceramic Technology Advancements - The discovery of a large "super dragon kiln" from the Eastern Han period in Ningbo, which is the largest and steepest of its kind in Zhejiang, offers key samples for studying the transition of Chinese ceramics from primitive to mature stages [4] - The revival of the secret color porcelain during the Northern Song period at the Phoenix Mountain site indicates a significant technological resurgence and its role in maritime trade [5] Group 3: Architectural Insights - The excavation of the Shennita and the Song Six Tombs reveals ancient construction philosophies, emphasizing the integration of architecture with natural landscapes and practical site selection for royal tombs [6]

Core Viewpoint - The television series "Tai Ping Nian," set against the backdrop of "Na Tu Gui Song," has premiered and aims to deepen public understanding of the historical context and cultural significance of the Wu-Yue kingdom and its founder, Qian Liu [1][2]. Group 1: Cultural Significance - The series highlights the cultural heritage of Lin'an, showcasing three key cultural sites that embody the essence of Wu-Yue culture [1]. - The Wu-Yue Cultural Museum features exquisite artifacts such as secret color porcelain, reflecting the prosperous life and advanced craftsmanship of the Wu-Yue kingdom [1]. - The Yijincheng Ruins Museum allows visitors to experience the historical significance of the ancient Wu-Yue capital, evoking the grandeur of its past [1]. Group 2: Historical Context - The narrative traces back to the Five Dynasties and Ten Kingdoms period, focusing on Qian Liu's establishment of the Wu-Yue kingdom during a time of chaos [2]. - The last king of Wu-Yue, Qian Hongchu, chose to "Na Tu Gui Song," adhering to the principle of serving the central government and ensuring the welfare of his people, marking a significant transition from regional power to unity under the Song dynasty [2].

Core Insights - The article discusses the exploration of archaeological sites related to the Yue Kiln, a significant ancient porcelain production center in China, particularly in the region of Shanglin Lake, Zhejiang Province [1][2][6]. Group 1: Yue Kiln Overview - The Yue Kiln is recognized as one of the most famous ancient celadon kiln systems in China, primarily located in the area of Shanglin Lake, which was part of Mingzhou during the Tang Dynasty [2][3]. - The earliest porcelain in China was produced in the dragon kilns of this region during the Eastern Han period, and the Yue Kiln celadon represented the highest level of porcelain manufacturing until the Song Dynasty, influencing ceramic production in Egypt, Persia, Korea, and Japan [2][3]. Group 2: Archaeological Findings - Significant archaeological investigations have been conducted in the Shanglin Lake area since the 1930s, confirming it as the central production site for Yue Kiln celadon [3][4]. - Major excavations revealed numerous kiln sites, including the discovery of two kilns from the Tang and Song periods, with one Tang kiln measuring 41 meters in length and 3.2 meters in width [4][5]. - The findings from these excavations provide reliable physical evidence for the study of Yue Kiln culture, including its development from inception to decline [6][5]. Group 3: Characteristics of Yue Porcelain - Yue porcelain is characterized by its thin body, uniform glaze, and vibrant green color, with its origins tracing back to late Neolithic glazed pottery [7][9]. - The production techniques evolved over time, with the Tang Dynasty marking the peak of craftsmanship, where products became highly sought after and were considered luxury items alongside gold, silver, and silk [8][9]. Group 4: Historical Significance - The Shanglin Lake area is also recognized as the birthplace of "secret color" porcelain, which was highly praised for its beautiful glaze and exquisite designs during the Tang Dynasty [12][13]. - The term "secret color" refers to a specific glaze formula that produces a unique aesthetic effect, contributing to the prestige of Yue porcelain in the imperial court [12][15].