Group 1 - The core viewpoint emphasizes the continuous cultural development in Zhejiang, transitioning from a cultural province to a culturally strong province over the past 20 years, driven by the implementation of the "Eight Projects" in cultural construction [1][12][15] - The public cultural service system in Zhejiang is increasingly refined, with initiatives like "shared grandmothers" volunteer service and community libraries enhancing local cultural engagement [2][4][7] - The focus has shifted from merely providing public cultural services to ensuring their quality, indicating a commitment to improving the overall cultural experience for residents [5][7] Group 2 - Zhejiang has established a comprehensive cultural heritage resource system, emphasizing the protection and promotion of historical and cultural sites, such as the Grand Canal and various intangible cultural heritage projects [9][11][15] - The province is actively promoting the creative transformation and innovative development of traditional culture, with significant investments in cultural industries, including digital culture and creative design [12][14][15] - The cultural industry in Zhejiang is thriving, with notable achievements in film, animation, and literature, contributing to the growth of cultural service trade and enhancing the province's cultural footprint globally [13][14]

Group 1 - The "Zhejiang Week" event at the 2025 Osaka Expo has commenced, showcasing Zhejiang's cultural heritage and innovation [1][2] - The exhibition features two main thematic areas: "The Source of Jiangnan, Continuation of Cultural Heritage" focusing on traditional crafts like celadon and silk, and "Innovative Craftsmanship, New Inheritance" highlighting product innovation and technological upgrades [1] - The exhibition atmosphere is vibrant, with numerous visitors admiring works from national and provincial intangible cultural heritage inheritors, showcasing the revival of traditional crafts [1] Group 2 - The display of non-heritage skills such as Song Dynasty tea ceremony and Hangzhou embroidery has garnered significant interest from attendees [2] - Over twenty innovative products from historical classic industries were showcased, blending cultural essence with modern aesthetics and market demands [2] - The exhibition aims to comprehensively present Zhejiang's achievements in the protection, inheritance, and innovative development of historical classic industries to the international community [2]

Group 1 - Zhu Ran was a notable general of the Eastern Wu during the Three Kingdoms period, known for his military achievements and close relationship with Sun Quan [2][4] - Zhu Ran's family background includes his adoptive father Zhu Zhi, who was a significant figure in the Eastern Wu, and his biological father Shi Chong [6] - The discovery of Zhu Ran's tomb was accidental during a warehouse expansion in 1984, leading to a significant archaeological excavation [9] Group 2 - The tomb of Zhu Ran is characterized by its large structure, consisting of a front and back chamber, with a total length of 9.1 meters and a depth of 3.6 meters [11] - Over 140 burial items were unearthed from Zhu Ran's tomb, including lacquered wooden artifacts, ceramics, and coins, indicating the wealth and status of the burial [15][20] - Notable artifacts include a lacquered tray depicting court life, which reflects the high craftsmanship of the period and serves as a historical narrative of the era [26] Group 3 - The tomb contained significant items such as wooden name cards and a lacquered case, which were used to denote the identity and status of the deceased [22][24] - The presence of a lacquered tray with a depiction of a royal banquet suggests the cultural practices and social hierarchies of the time [26][28] - The tomb's opulence, despite Zhu Ran's personal preference for simplicity, indicates the high regard in which he was held by Sun Quan and the Eastern Wu [28]

Core Viewpoint - The "Tian Gong Kai Wu" themed exhibition at the London Craft Week showcases the beauty of traditional Chinese craftsmanship combined with modern design, emphasizing the creative transformation and innovative development of Chinese arts and crafts [1][2][4]. Group 1: Exhibition Overview - The exhibition opened on May 12, 2025, at the Royal Mint in London, supported by the Chinese Embassy in the UK and the London Craft Week organizing committee [1]. - Over 140 guests from various sectors including art, culture, academia, business, and media attended the opening ceremony, marking the official launch of the Chinese pavilion [1]. - The exhibition features 120 pieces of work that illustrate the evolution of Chinese craftsmanship from traditional classics to contemporary expressions, organized into three units: contemporary masterpieces, ethnic craftsmanship, and tea culture [6][9]. Group 2: Cultural Significance - The exhibition aims to promote deep exchanges between the Chinese and British craft sectors, fostering creative inspiration and enhancing mutual understanding and friendship [2]. - The event highlights the importance of protecting and innovating traditional crafts in China, which have unique aesthetics developed over thousands of years [2]. - The exhibition is seen as a "civilization torch" for cultural exchange between China and the UK, revitalizing traditional craftsmanship through modern design language [6]. Group 3: Historical Context - London Craft Week has been held annually since 2015, becoming one of the most significant cultural events for craftsmanship globally, featuring designers, brands, galleries, and artisans from around the world [9]. - China has participated in the event for 11 consecutive years, with this year's exhibition running from May 12 to May 18, including various lectures, experiences, and interactive activities [9].