慈溪后司岙窑址发掘现场。 陕西法门寺出土的秘色瓷净瓶。 电视剧《太平年》剧照。图据新华每日电讯 上林湖出土"贡窑"字款墓志罐。 浙江钱鏐墓出土秘色瓷夹耳罐。 "这是上林湖的秘色窑，一个瓶子的价钱，便能在临海县买下300亩水田。" 近期热播的电视剧《太平年》里名物众多，产自吴越、名扬天下的秘色瓷也被编剧写入剧中。 上林湖位于当时的余姚县，现属浙江省县级市慈溪，而临海县则是当时的台州州治所在地，如今浙江省 的县级市临海。 最新考古发现证明，能在临海换得300亩水田的秘色瓷，在吴越"纳土归宋"之后，在北宋中期，还曾在 临海再度复兴。 天青烟雨 "天青色等烟雨，而我在等你"，周杰伦《青花瓷》中的这句歌词，在不少古陶瓷研究者和收藏者看来， 其实是一个美丽的误会。真正能呈现"雨过天青"的釉色，应是青瓷。 中国是瓷器的故乡，而第一种成熟的瓷器就是青瓷。在东汉时期，位于浙东的越窑率先烧出了青瓷。越 窑以地处越国故地得名，起初以绍兴上虞的曹娥江两岸为中心，至唐代向东转移，也就是上林湖一带。 根据文献记载，从唐代晚期到北宋初年的近200年间里，越窑生产着一种顶级青瓷"秘色瓷"，作为贡 品。唐代诗人徐夤就曾写下这样的诗句："捩翠融 ...

海南华侨中学初一（12）班 周利桐 老人递过一块素胚，我学着他的样子轻柔慢捻，湿润的陶土带着烟火气钻进指缝。老师傅说："好瓷要 经得住烈火，就像咱们的文化，从窑火里烧出来，在岁月里磨得亮。"我想起周杰伦歌里"天青色等烟 雨"的词句，原来瓷的底色，是雨过天青的澄澈，也是中华文化沉淀千年的温润。当窑门开启的瞬间， 素胚在烈火中蜕变为莹润的青瓷，那些被高温烧出的裂纹，成了瓷最独特的记忆——就像我们的文化， 在历史的淬炼里带着不完美的痕迹，却愈发坚韧鲜活。 回到家中，我用那盏带着冰裂纹的瓷杯沏了茶。水汽氤氲里，瓷的温润与茶的清苦在舌尖交融。我忽然 懂得，传统从不是博物馆里的标本，它是老人掌心流转的泥坯，是窑火里焙烧的釉色，是我日常捧在手 里的一杯茶、一盏瓷。那些藏在瓷纹里的坚守，那些融在茶香里的传承，正是中华文化跨越千年依然鲜 活的密码。 华夏的文明，就像瓷盏里的茶，在岁月的浸泡中愈发醇厚。我们捧着这盏瓷，便捧着祖先的匠心；饮下 这杯茶，便饮下文化的根脉。愿我们都能做守窑人，让这瓷韵茶香，在新时代里继续温热，让传统中华 文化的光芒，永远照亮我们前行的路…… 泱泱中华，源远流长，承载悠悠文明；缕缕茶香，瓷面底色，书写灿 ...

Core Insights - The exhibition "Fuyun Ba Min: Book Fragrance Transmits Blessings - 2026 'Bamin Book Room'" is organized by the Provincial Culture and Tourism Department, focusing on "Fuk Culture" and promoting a multi-dimensional reading concept [1][2] - The event features five thematic exhibition areas: calligraphy, lacquer art, sculpture, ceramics, and paper-cutting, each showcasing different interpretations of "Fuk Culture" [1] - The exhibition will run until March 31 [3] Thematic Areas - The calligraphy area displays works by renowned local expert Chen Ji, illustrating various forms of the character "福" and embodying the spirit of "Longma" [1] - The lacquer art section features exquisite pieces such as Fuzhou's Taitai lacquer and floating lacquer art, highlighting the elegance of Min-style lacquer [1] - The sculpture area includes notable works made from Shoushan stone and Minnan brick carving, symbolizing good fortune [1] - The ceramics section showcases traditional items like Jian ware and Qing porcelain, representing the rich heritage of kiln fire blessings [1] - The paper-cutting area conveys auspicious patterns reflecting folk wishes for good fortune [1][2]

江苏出台首部省级陶瓷专项立法 护航宜兴陶瓷高质量发展 中新网南京1月22日电 (朱晓颖 孙权)21日下午，《江苏省保障和促进宜兴陶瓷高质量发展条例》(简称 《条例》)新闻发布会在宜兴举行。《条例》共设5章40条，聚焦文化保护传承、产业创新发展、服务保 障等核心领域作出规定，将于今年6月1日正式施行。 在文旅融合方面，《条例》进一步细化支持举措：规划建设陶瓷文化体验综合体，支持利用与宜兴陶瓷 文化相关的工业遗产等资源开发特色旅游项目、打造旅游衍生品，扶持陶瓷文创产业发展，引导社会力 量投资建设文创产业园，推动文化资源向发展优势转化。 新闻发布会现场。江苏省人大常委会供图 在创新驱动方面，《条例》聚焦陶瓷产业新质生产力培育，明确推进产业转型升级、完善产业链供应 链，重点发展新能源、节能环保等领域先进陶瓷产业，培育特色产业集群；支持科研平台建设与协同创 新，鼓励企业牵头攻关关键核心技术；推动产业数字化、国际化转型，支持企业"智改数转网联"、拓展 国际市场，通过兼并重组、挂牌上市等扩大经营规模、提高市场竞争力，强化地理标志保护、规范市场 秩序，营造公平发展环境。 在服务保障层面，《条例》明确了各级政府的职责，提出建立 ...

（来源：中华工商时报） 12月24日，花丝镶嵌技艺传承人高聪在用点翠工艺制作花丝镶嵌工艺品。近年来，浙江省慈溪市匡堰镇 通过打造艺术村落和文旅线路相融合，助力乡村特色产业和旅游业发展。为青瓷匠人、花丝镶嵌技艺传 承人、乡村咖啡主理人等提供创业支持，吸引特色工作室入驻，同时通过构建多层级、全覆盖的技能人 才培养体系，着力培养乡村产业特色人才，推动产业与人才的共同发展，助力乡村振兴。新华社记者徐 昱/摄 转自：中华工商时报 ...

Core Insights - The eighth China International Import Expo (CIIE) held in Shanghai from November 5 to 10 serves as a platform for Zhejiang to integrate its industrial development into global supply chains and enhance international cooperation [1][2] Group 1: International Cooperation and Investment - Zhejiang actively seeks to expand its international cooperation circle by engaging in diverse investment and procurement activities during the CIIE [1] - A total of 24 foreign suppliers from 14 countries signed procurement agreements with 20 Zhejiang import enterprises, amounting to approximately 14.5 billion RMB [4] - The signing event for international medical supplies saw participation from several Fortune 500 companies, with a total contract value reaching 9 billion RMB [5] Group 2: Digital Economy and Technology - The eighth Hongqiao International Forum featured a sub-forum on "Artificial Intelligence Driving Digital Economy Innovation," where 300 leading companies from Zhejiang's digital economy engaged in discussions with foreign enterprises [2] - Since the first CIIE, over 500 foreign companies have interacted with more than 1,500 Zhejiang enterprises through various matchmaking events [2] Group 3: Cultural Exchange and Promotion - Zhejiang showcased its cultural heritage through performances and exhibitions, highlighting traditional industries such as tea, silk, and traditional Chinese medicine [6] - The "Lingdong Zhejiang" cultural exchange area featured performances that emphasized Jiangnan's cultural charm, enhancing the province's international image [6] Group 4: Trade and Business Promotion Activities - During the CIIE, Zhejiang organized over 30 key activities focused on international procurement, investment promotion, and open cooperation, including 13 promotional events [7] - The province's "Thousand Investment Personnel Go to CIIE" initiative involved over 1,800 investment professionals to enhance investment attraction efforts [7] - Various trade matching events were held to connect global resources, including a focus on cross-border services and investment environment promotion from countries like Mexico and Uzbekistan [7][8]

Core Insights - The discovery of a well-preserved Eastern Han dynasty Yue kiln site in Cicheng Town, Ningbo, highlights the historical significance of the region in porcelain production [1][9] - The archaeological excavation, approved by the National Cultural Heritage Administration, was conducted to support the construction of the Tongsujiaying Railway, revealing a 22.5-meter-long dragon kiln [3][4] Group 1: Archaeological Findings - The dragon kiln at Guotangao site consists of three main parts: the kiln head, kiln bed, and kiln tail, with a large fire chamber measuring approximately 2.2 meters deep [4] - The kiln bed is elevated by about 1.2 meters compared to the fire chamber, facilitating airflow and enhancing temperature control during the firing process [4] - Various types of porcelain and kiln tools were unearthed, including daily-use items such as jars, pots, and basins, predominantly featuring green and black glazes with typical Eastern Han decorative patterns [6][9] Group 2: Historical Context - The Yue kiln tradition began in the Eastern Han period and continued until the Southern Song dynasty, initially centered in Shaoxing and later shifting to the Cixi area [9] - The Guotangao kiln site represents a transitional phase in the development of Yue kiln craftsmanship, providing crucial insights into the evolution of black-glazed porcelain [9]

Group 1 - The core viewpoint emphasizes the continuous cultural development in Zhejiang, transitioning from a cultural province to a culturally strong province over the past 20 years, driven by the implementation of the "Eight Projects" in cultural construction [1][12][15] - The public cultural service system in Zhejiang is increasingly refined, with initiatives like "shared grandmothers" volunteer service and community libraries enhancing local cultural engagement [2][4][7] - The focus has shifted from merely providing public cultural services to ensuring their quality, indicating a commitment to improving the overall cultural experience for residents [5][7] Group 2 - Zhejiang has established a comprehensive cultural heritage resource system, emphasizing the protection and promotion of historical and cultural sites, such as the Grand Canal and various intangible cultural heritage projects [9][11][15] - The province is actively promoting the creative transformation and innovative development of traditional culture, with significant investments in cultural industries, including digital culture and creative design [12][14][15] - The cultural industry in Zhejiang is thriving, with notable achievements in film, animation, and literature, contributing to the growth of cultural service trade and enhancing the province's cultural footprint globally [13][14]

Group 1 - The "Zhejiang Week" event at the 2025 Osaka Expo has commenced, showcasing Zhejiang's cultural heritage and innovation [1][2] - The exhibition features two main thematic areas: "The Source of Jiangnan, Continuation of Cultural Heritage" focusing on traditional crafts like celadon and silk, and "Innovative Craftsmanship, New Inheritance" highlighting product innovation and technological upgrades [1] - The exhibition atmosphere is vibrant, with numerous visitors admiring works from national and provincial intangible cultural heritage inheritors, showcasing the revival of traditional crafts [1] Group 2 - The display of non-heritage skills such as Song Dynasty tea ceremony and Hangzhou embroidery has garnered significant interest from attendees [2] - Over twenty innovative products from historical classic industries were showcased, blending cultural essence with modern aesthetics and market demands [2] - The exhibition aims to comprehensively present Zhejiang's achievements in the protection, inheritance, and innovative development of historical classic industries to the international community [2]

Group 1 - Zhu Ran was a notable general of the Eastern Wu during the Three Kingdoms period, known for his military achievements and close relationship with Sun Quan [2][4] - Zhu Ran's family background includes his adoptive father Zhu Zhi, who was a significant figure in the Eastern Wu, and his biological father Shi Chong [6] - The discovery of Zhu Ran's tomb was accidental during a warehouse expansion in 1984, leading to a significant archaeological excavation [9] Group 2 - The tomb of Zhu Ran is characterized by its large structure, consisting of a front and back chamber, with a total length of 9.1 meters and a depth of 3.6 meters [11] - Over 140 burial items were unearthed from Zhu Ran's tomb, including lacquered wooden artifacts, ceramics, and coins, indicating the wealth and status of the burial [15][20] - Notable artifacts include a lacquered tray depicting court life, which reflects the high craftsmanship of the period and serves as a historical narrative of the era [26] Group 3 - The tomb contained significant items such as wooden name cards and a lacquered case, which were used to denote the identity and status of the deceased [22][24] - The presence of a lacquered tray with a depiction of a royal banquet suggests the cultural practices and social hierarchies of the time [26][28] - The tomb's opulence, despite Zhu Ran's personal preference for simplicity, indicates the high regard in which he was held by Sun Quan and the Eastern Wu [28]