Deadline

Search documents
AMC Entertainment Narrows Q2 Loss, Revenue Jumps As Box Office Recovers
Deadline· 2025-08-11 14:19
Core Insights - AMC Entertainment, the largest theater chain in the U.S. and globally, reported improved financials in the June quarter, driven by a recovering box office and strong performance in both AMC and Odeon in Europe [1][4] Financial Performance - Revenues increased by 35% to $1.4 billion, while net loss narrowed to $4.7 million from $32.8 million [2] - Adjusted EBITDA rose to $189 million compared to $38 million [2] - Net cash from operating activities turned positive at $138.4 million from a negative $34.6 million, and free cash flow reached $89 million compared to negative $79 million the previous year [3] Stock Performance - Shares increased by 6% following the financial results, with a premarket rise of up to 12% [3] Operational Metrics - Admissions revenue per patron exceeded $12 for the first time, reaching $12.14, while consolidated food and beverage revenue per guest rose to $7.95 [5] - Consolidated revenue per patron hit $22.26, indicating strong consumer interest in AMC and Odeon as attractive entertainment options [5] Strategic Initiatives - The company has taken steps to strengthen its balance sheet, addressing 2026 debt maturities by extending them to 2029 [5] - CEO Adam Aron emphasized the importance of these initiatives in positioning the company for continued growth, particularly anticipated in late 2025 and into 2026 [5] Enhancements and Innovations - AMC is focusing on advanced technologies such as state-of-the-art laser projection, improved seating, and expanded food and beverage options [6] - The chain is increasing the rollout of premium formats like Imax, Dolby Cinema, and Laser-equipped screens, with auditoriums operating at nearly three times the occupancy of regular ones [6]
Despite Q2 Results Showing Linear TV Struggles, AMC Networks CFO Says Company Is “Very Different” From Rivals Spinning Off Cable Assets
Deadline· 2025-08-08 14:26
Core Viewpoint - AMC Networks is facing ongoing challenges in the cable network industry but does not plan to sell or spin off its assets like some competitors [1][2]. Company Performance - AMC Networks reported a revenue decline to $600 million from $625.9 million year-over-year, despite exceeding analysts' forecasts [5]. - The company experienced an 18% year-over-year decline in advertising revenue, totaling $123 million, attributed to linear ratings declines and lower marketplace pricing [10]. - Affiliate revenue decreased by 12% to $151 million, due to basic subscriber declines and contractual rate decreases [9]. - Streaming revenue increased by 12% year-over-year to $169 million, with a slight increase in subscribers to 10.4 million [9]. Financial Outlook - The company anticipates strong cash flow, projecting it to reach $250 million this year [4]. - Despite a 6% drop in shares initially, the stock later rose by 21% on above-average trading volume, although it has fallen more than 25% year-to-date [4]. Strategic Positioning - AMC Networks differentiates itself from competitors like Versant and Warner Bros. Discovery by emphasizing its streaming business, which is expected to comprise the majority of revenue by 2025 [2]. - The CFO highlighted the company's diverse assets, including a studio and a robust streaming portfolio, which work synergistically [6]. - The Dolan family's control over AMC Networks suggests motivations beyond purely financial considerations, as the company is a smaller part of a larger empire that includes valuable assets like Madison Square Garden [7].
As AMC Networks Embraces AI, CEO Kristin Dolan Stresses It Is “Technology Play”, Not IP Surrender
Deadline· 2025-08-08 13:43
Core Insights - AMC Networks is actively pursuing AI integration through a partnership with Runway, emphasizing that this initiative is a technology play rather than a threat to intellectual property or creative partnerships [1][3] - The entertainment industry is navigating the complexities of AI adoption amid union sensitivities, with AMC Networks being more open about its AI strategies compared to other media companies [2] Group 1: AI Integration and Strategy - The partnership with Runway aims to enhance creative processes, allowing teams to visualize ideas and reduce costs in production, particularly in post-production for the 30 to 50 episodes produced annually [3][4] - AMC Networks positions itself as an early adopter of AI technologies, leveraging them to support showrunners and improve the ideation process [3][4] Group 2: Industry Context and Reactions - The use of AI in Hollywood has been contentious, especially following the 2023 strikes, with companies like Disney and NBCUniversal taking legal action against AI firms for alleged misuse of proprietary content [2] - Proponents of AI argue that it can enhance the quality of films and series while also creating new job opportunities, despite concerns about job displacement [1][2]
Lionsgate Boss Jon Feltheimer Says M&A Deal Is “Probably Gonna Happen” Down The Road
Deadline· 2025-08-08 00:14
Core Viewpoint - The CEO of Lionsgate, Jon Feltheimer, indicated a potential for strategic transactions following the split from Starz, highlighting the company's understanding of its earnings power and the need for scale in the industry [1][2]. Group 1: Strategic Transactions and M&A Opportunities - Feltheimer acknowledged the possibility of a strategic transaction in the future, emphasizing that the separation from Starz was intended to create optionality for both entities [2]. - There has been speculation regarding interest from Legendary and other companies in Lionsgate, although recent news suggests that any potential deal may be more focused on co-production rather than a full merger [3]. Group 2: Library Ownership and Revenue Generation - Lionsgate reported that its library generated nearly $1 billion in revenue over the past 12 months, largely due to the success of the John Wick franchise [3]. - Feltheimer clarified that the company owns most of its library, having invested $20 billion in production over 25 years, with 29 out of the top 30 titles being owned by Lionsgate [3][4]. - The company controls and distributes 20,000 episodes of television globally and manages significant portions of its film revenue through self-distribution and licensing [3][4]. Group 3: Licensing and Risk Mitigation - Lionsgate employs a risk mitigation model for international rights, opting to license rather than sell, which allows for revenue overages from third-party partners [3]. - The company maintains control over 75% of the top 20 franchises in its licensing agreements, ensuring strong future revenue streams from its library [4].
‘Ballerina' May Have Been A Box Office Miss, But It Pushed Lionsgate's Library Revenue Close To $1B In The June Quarter
Deadline· 2025-08-07 20:32
Core Insights - The release of the John Wick spinoff Ballerina, despite being a box office misfire, generated significant interest in the franchise, contributing to Lionsgate's library revenue nearing $1 billion over the past 12 months [1] Financial Performance - Library revenue increased by 12% to $989 million over the trailing 12 months, marking the third consecutive quarterly record for this metric [2] - Total revenue for the company was $555.9 million, slightly above Wall Street analysts' consensus forecast, but the loss per share of 32 cents was wider than expected [2] Division Performance - The motion picture division generated $267.3 million in revenue, a decline from $349.6 million in the same period last year [3] - The television unit performed better, with revenue rising to $288.5 million from $241.1 million [3] Profitability - Profit from the television segment more than doubled from $10.7 million in the previous year to $26 million this year, while movie profits significantly decreased to $2.4 million from $85.2 million [4] Strategic Outlook - The CEO indicated that the company is in a transitional year post-separation from Starz and is taking steps to return to solid growth by fiscal 2027, with plans for three major film releases and a doubling of scripted television series deliveries next year [5]
Paramount Sets Pay For Top Executives As Merger Closes
Deadline· 2025-08-07 15:47
Executive Compensation - The new Paramount has established employment contracts for its executive team, including chairman-CEO David Ellison and President Jeff Shell, with five-year contracts featuring an annual base salary of $3.5 million, a target bonus of $1.5 million, and a one-time restricted stock grant valued at $75 million each [1] - Andrew Brandon-Gordon, EVP, Chief Strategy Officer and Chief Operating Officer, will receive a base salary of $2.8 million, a target bonus of $1.2 million, and a one-time restricted stock award valued at $60 million [2] Severance Payments - Outgoing Paramount Global executives Brian Robbins and Chris McCarthy will receive severance payouts, with previous SEC filings indicating payments totaling $18.3 million for McCarthy and $18.6 million for Robbins upon termination and other events [2] - The trio of George Cheeks, McCarthy, and Robbins collectively earned $22.2 million, $19.5 million, and $19.6 million, respectively, for the previous year [3] Merger Completion - The merger between Paramount and Skydance has officially closed, marking a significant transition for the company [3]
Warner Bros. Targeting 12-14 Theatrical Releases Annually Across Key Labels
Deadline· 2025-08-07 12:52
Core Insights - Warner Bros. Discovery (WBD) aims to release 12-14 films annually across its key labels, including Warner Bros. Pictures, DC Studios, New Line Cinema, and Warner Bros. Animation, following a successful second quarter at the box office [1][4] Group 1: Financial Performance - WBD's Motion Picture Group has generated over $3 billion in global box office revenue year-to-date, with more than $2 billion coming from four films released in the second quarter [3] - The company anticipates $2.4 billion in total Studios profit for 2025, aiming for a $3 billion target [4] Group 2: Strategic Initiatives - The recent success is attributed to a deliberate rebuilding and transformation strategy executed over the last three years since Discovery acquired Warner Media, focusing on a more analytical green lighting process and systematic marketing strategies [5][6] - The film studio has reorganized its marketing and distribution teams into a globally integrated model to enhance coordination across territories, which has led to some layoffs [6] Group 3: Upcoming Releases and Management - Upcoming releases include 1-2 Warner Bros. Pictures tentpoles, 1-2 DC Studios films, 3-4 New Line Cinema releases, and 1-2 WB Animation titles, along with a select number of moderately budgeted original films [2] - The DC Studios film "Superman" opened to $220 million globally, marking the strongest opening for DC Studios since 2022, with James Gunn managing a more cohesive and strategic approach to the DC universe [7]
Sony Pictures Sees Profit Jump In June Quarter On TV Series Deliveries; Theatrical Takes A Hit
Deadline· 2025-08-07 03:58
Group 1 - Sony Pictures experienced a 76% increase in operating profit for the June quarter, reaching $129 million, with revenue growing 4% to $2.3 billion [1] - The growth in revenue was primarily driven by an increase in series deliveries in Television Productions, which saw revenue rise to $841 million from $607 million the previous year [1] - The softer theatrical release slate year-on-year contributed to the decline in theatrical revenue, which fell to $132 million from $322 million [2] Group 2 - The decline in theatrical revenue was attributed to competition from films such as Bad Boys: Ride or Die in the previous year, impacting the performance of titles like 28 Years Later and Karate Kids: Legends [2]
Paramount Co-CEO Brian Robbins' Exit Memo Praises Staff During “Major Industry Evolution”, Talks Why Theatrical Matters & “Bittersweet” Transition
Deadline· 2025-08-06 21:15
Core Insights - Brian Robbins has officially departed from his roles as co-CEO of Paramount Global and President and CEO of Paramount Pictures and Nickelodeon, marking the end of a significant tenure that began in 2017 [1][9] Company Performance - During Robbins' leadership, Paramount Pictures achieved 17 No. 1 box office releases, including six in 2022, contributing to one of the studio's most successful years, highlighted by "Top Gun: Maverick," which grossed nearly $1.5 billion globally [1][12] - The studio expanded its franchises, including "Sonic the Hedgehog," "A Quiet Place," "Mission: Impossible," and "Teenage Mutant Ninja Turtles," with the latter two generating over $2.5 billion in consumer products revenue in 2023 [1][12] Production and Development - Robbins' administration secured production deals with notable filmmakers and talent, including John Krasinski, Ryan Reynolds, and Damien Chazelle, enhancing the studio's creative output [2] - Upcoming projects include a variety of films such as "A Quiet Place Part III," "Teenage Mutant Ninja Turtles: Mutant Mayhem" sequel, and a biopic of Evel Knievel starring Leonardo DiCaprio [4][5] Nickelodeon Achievements - At Nickelodeon, Robbins oversaw the successful anniversaries of "SpongeBob SquarePants" and "Dora the Explorer," while expanding the franchise with new shows and films [7][13] - The network innovated its relationship with sports, introducing AR-driven NFL broadcasts and achieving significant engagement with younger audiences during major sporting events [8][13] Future Outlook - The company is positioned for continued success with a strong pipeline of projects and leadership transition, as Robbins expressed confidence in the incoming team from Skydance [14]
TKO Group Posts Record Numbers At WWE And UFC In Better-Than-Expected Q2 Report
Deadline· 2025-08-06 20:18
Group 1 - TKO Group Holdings reported a 10% increase in total revenue for Q2, reaching $1.3 billion, surpassing analysts' expectations of $1.27 billion [1] - Diluted earnings per share rose to $1.17, up from 72 cents in the same quarter last year, exceeding the analyst target of $1.09 [1] - WWE revenue increased by $99.4 million to $556.2 million, while UFC revenue grew by $21.5 million to $415.9 million [2] Group 2 - The WWE's Wrestlemania event in April set multiple records for global viewership, contributing significantly to revenue growth [2] - TKO announced a new rights deal with ESPN for 10 annual "premium live events," generating $1.6 billion, a substantial increase from the $900 million deal with NBCUniversal in 2020 [4] - TKO is increasing its 2025 revenue guidance to a range of $4.63 billion to $4.69 billion, with adjusted EBITDA projected between $1.54 billion and $1.56 billion [5]