Core Viewpoint - The article highlights the transformation of traditional Jiaodong willow weaving from a rural craft into a fashionable international product, driven by innovation and market demand [1]. Group 1: Historical Context and Evolution - Willow weaving has a long history in the Jiaodong region of Shandong, initially serving as a side job for locals during farming off-seasons [2]. - The craft saw a revival in the 1990s when a florist's demand for willow flower baskets inspired artisans like Yu Jizhi to innovate and create new products such as small flower baskets and pet baskets [2]. Group 2: Craftsmanship and Techniques - The quality of willow weaving relies heavily on material selection, with specific local varieties like "Dahongtou" and "Bailiutiao" being preferred for their durability [4]. - Various weaving techniques are employed for different purposes, such as flat weaving for fruit trays and twisting techniques for handles, showcasing the complexity of the craft [4]. Group 3: Market Expansion and Community Impact - Yu Jizhi's willow products have gained popularity not only in domestic supermarkets but also in international markets through cross-border e-commerce, particularly appealing to European consumers [6]. - The craft has fostered community development, with Yu Jizhi establishing willow weaving classes that have engaged over 60 villagers, and plans to form a cooperative to create a complete industry chain from cultivation to sales [6].

Core Viewpoint - The article highlights the cultural significance and artistic innovation of dragon boat making in Ronggui, Shunde District, Guangdong, particularly as the Dragon Boat Festival approaches, showcasing both traditional craftsmanship and modern artistic interpretations [1][4][15]. Group 1: Cultural Significance - The dragon boats in Ronggui are primarily made from Kundan wood, which allows them to be preserved in river mud for durability [3]. - The vibrant colors and decorations of the dragon boats are a key feature, with the community coming together to celebrate and compete in beauty during the festival [4][15]. Group 2: Artistic Innovation - Yang Jinghe, a notable figure in the dragon boat decoration industry, has created a signature piece featuring a unique purple and pink color scheme, inspired by three female figures [7][8]. - The workshop led by Liang Haiying, who inherited the craft from his father, combines traditional techniques with innovative designs, producing dynamic dragon boat models where over 90% of the figures and decorations are movable [10][16]. Group 3: Intergenerational Craftsmanship - The article emphasizes the collaboration between young artisans and older craftsmen, showcasing a blend of innovation and tradition in the dragon boat making process [11][15]. - The legacy of craftsmanship is evident in the works of 104-year-old Ming Bo and 69-year-old Hai Shu, who have both contributed significantly to the mechanical aspects of dragon boat models [16].