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优酷制片人权香兰:以匠心对待创作,用新叙事与世界共鸣|专访
Sou Hu Cai Jing· 2025-07-30 11:46
Core Insights - The rise of short videos is compressing the market space for long videos, presenting a common challenge for global content creators [1][3] - The producer Qian Xianglan emphasizes that compelling stories are essential for resonating with global audiences, highlighting the importance of cultural confidence [3][4] Group 1: Industry Trends - Qian Xianglan participated as a judge in the 2025 International Emmy Awards, sharing insights with global creators about the impact of short dramas [3] - The success of Chinese dramas like "The First Frost" demonstrates the potential for Chinese content to resonate internationally, as evidenced by a Greek viewer's enthusiasm for the show [3][4] Group 2: Creative Strategies - To create stories that resonate globally, works must possess uniqueness, innovation, and emotional depth, as seen in the successful dramas "Newborn" and "Difficult to Please" [3][4] - The industry must embrace a craftsmanship spirit, as observed in the Korean film industry, which utilizes advanced technology and meticulous attention to detail [5] Group 3: Future Outlook - The rebranding of Alibaba's entertainment division to Whale Entertainment and the launch of "Youku Original" indicate a strategic focus on original content and nurturing young talent [6][8] - The internationalized team at Qian Xianglan's studio is well-equipped to create original works with global appeal, suggesting that Chinese productions may soon gain recognition at prestigious awards like the Emmys [8]
优爱腾芒(剧):国内打的火热,国外呢?
3 6 Ke· 2025-07-11 00:53
Group 1 - The summer season has initiated a competitive landscape among major streaming platforms in China, including iQIYI, Tencent Video, Youku, and Mango TV, each launching new series to attract viewers [1] - iQIYI has released series such as "Ling Jiang Xian" and "Shu Juan Yi Meng," while Tencent Video has responded with "Peach Blossom Reflecting the River" and "Sweep Drug Storm" [1] - The competition is not limited to domestic markets, as these platforms are expanding their reach globally, with significant growth in the export of Chinese dramas [3][4] Group 2 - The export value of Chinese dramas has seen substantial growth, reaching $8,274 million in 2022, a 45.6% increase from the previous year, and is expected to maintain a strong presence in the global market [3] - Over 40% of production companies are now collaborating directly with local media, while nearly 30% are using self-built international platforms to distribute content [3] - Tencent Video's WeTV has established a strong foothold in Southeast Asia, leveraging local partnerships and acquiring popular content to enhance its library [7][8] Group 3 - iQIYI has adopted a phased global strategy, initially acquiring exclusive rights to popular foreign content and then collaborating with local media for original productions [14] - Youku has focused on mature markets like Europe and North America, successfully distributing series like "White Night Chasing" and "The Longest Day in Chang'an" through platforms like Netflix [16] - Mango TV is exploring overseas markets primarily through variety shows, while gradually expanding its drama offerings [22] Group 4 - The content landscape is shifting from a focus on historical dramas to a more diverse range of genres, including contemporary and realistic themes, with 49% of exported dramas in 2023 being contemporary [25][27] - Platforms are increasingly investing in high-quality productions across various genres, with Tencent Video leveraging big IPs and high production values to create global hits [29][31] - iQIYI has developed a differentiated content matrix with various themed channels, successfully launching series that resonate with international audiences [33][35] Group 5 - The competition among platforms has evolved from simple content output to a more complex ecosystem involving platform development, technology integration, and cultural exchange [65] - The transition to a 3.0 phase signifies a shift towards collaborative ecosystem building, where platforms and content creators work together to enhance cultural influence globally [65]