中新网吉林9月15日电 题：星石为媒：海外华媒吉林观"石"记 中新网记者 苍雁 石洪宇 吉林市陨石博物馆内，天外来客静卧于辉光之中。韩翃平凝视着玻璃展柜中黑褐色的巨石，希望能感受 到来自宇宙的信息。 近日，来自十余个国家和地区的海外华文媒体代表，专程到此参观1976年落下的"吉林一号"陨石。 该陨石是目前世界上最大的石陨石，重1770公斤。1976年3月8日，吉林地区发生一场陨石雨，共回收较 大陨石138块。"吉林一号"陨石落地时产生的震波，被地震台站记录，相当于1.7级地震，为科研提供了 重要数据。 吉林市博物馆(吉林市陨石博物馆)馆长牛成接受中新网记者采访介绍，建馆以来，馆方已与多家科研机 构建立合作。"陨石被视为'宇宙使者'，是全人类的科学遗产。" 海外华媒在参观吉林一号陨石。 苍雁 摄 科研合作之外，吉林陨石也在国际文化交流中发挥作用。据介绍，吉林市陨石博物馆先后接待了来自30 多个国家和地区的游客，该馆也收藏了来自阿根廷、乍得、墨西哥、俄罗斯等国的陨石标本，丰富了馆 藏与研究资源。 来源：中国新闻网 编辑：万可义 广告等商务合作，请点击这里 本文为转载内容，授权事宜请联系原著作权人 中新经纬版权所有 ...

Core Viewpoint - The dragon boat racing event has officially debuted as a competition at the 2025 Chengdu World University Games, highlighting its significance as a traditional Chinese sport and cultural activity [6][31]. Group 1: Event Overview - The dragon boat racing competition took place at Xinglong Lake, Chengdu, featuring the 8-person open group 200-meter semifinals on August 9, 2025 [4][6]. - This event marks the first time dragon boat racing is included as an official competition in the World University Games [6]. Group 2: Cultural Significance - Dragon boat racing is rooted in Chinese folk traditions and is recognized as an important cultural identifier for the Chinese nation, serving as a vital link for international cultural exchange [15]. - The earliest depictions of dragon boat racing can be traced back over 2000 years, evidenced by artifacts such as the "Feathered Human Dragon Boat Pattern Bronze Axe" discovered in Ningbo, Zhejiang [8][10]. Group 3: Global Reach - The traditional sport of dragon boat racing is increasingly gaining international recognition, with events held globally around the time of the Chinese Dragon Boat Festival [25]. - Various countries, including Italy, Russia, and Canada, have hosted dragon boat races, allowing foreign audiences to engage with Chinese culture [27][29].

Group 1 - The Hong Kong Palace Museum's new exhibition "Treasures of the Mughal Empire - A Selection from the Victoria and Albert Museum" officially opened to the public on August 6, showcasing over 100 pieces of art from the Mughal Empire's golden age, highlighting the artistic exchanges between China and the Mughal court [1][2] - The exhibition is a collaboration between the Hong Kong Palace Museum and the Victoria and Albert Museum, featuring a diverse range of exhibits including paintings, jewelry, architectural components, weapons, textiles, and ceramics [1] - This exhibition is the only stop in Asia for this theme, building on a similar exhibition held in London from late 2024 to early 2025, and aims to enrich the historical narrative of the Mughal Empire by incorporating multimedia interactive installations and elements relevant to Hong Kong [1][2] Group 2 - The exhibition is part of a significant collaboration between the Hong Kong Palace Museum and the Victoria and Albert Museum, formalized through a memorandum of understanding during the Hong Kong International Cultural Summit Forum in 2024 [2] - The exhibition will run until February 23, 2026, providing a unique opportunity for audiences to explore the international art and culture of the Mughal court [2]

Core Viewpoint - The 2025 South Country Book Festival will be held from August 15 to 19, with the theme "Book Fragrance Bay Area, Meeting the World, Sharing the Future" [2][4]. Group 1: Event Structure and Features - The festival will adopt a "1+1+N" exhibition model, consisting of one offline main venue, one online cloud venue, and multiple themed sub-venues [3][4]. - The main venue will feature four themed exhibition halls: "Reading the World," "Reading Life," "Reading the Future," and "Reading Guangzhou," along with various international and regional pavilions [8][9][10]. Group 2: Cultural Focus and Activities - The festival aims to promote the international dissemination of Chinese traditional culture and the interpretation of China's modernization path, featuring significant publications and multilingual editions of key works [12][13]. - A variety of cultural activities will be held, including photography, illustration, and picture book exhibitions, to create an international cultural exchange platform [17][18]. Group 3: Community Engagement and Accessibility - The festival will extend its reach by setting up sub-venues in bookstores, cultural spaces, and rural areas, promoting the "Seven Advances" reading initiative to enhance community engagement [19][21][22]. - Transportation hubs like metro and high-speed rail stations will also host sub-venues to ensure widespread participation [27][28]. Group 4: Notable Guests and Forums - The festival will feature prominent guests such as Liang Xiaosheng, Kang Zheng, and international authors, hosting book sharing sessions and discussions [29][30][31]. - Various forums will be organized, focusing on the future of publishing and cultural industry upgrades, including the "Intelligent Future: Technology Reshaping the Publishing Ecosystem" forum [32][34].

Core Insights - The Jiangnan Branch of the China Film Archive has become a cultural landmark in the Yangtze River Delta, attracting significant audience engagement and regional consumption through its film-related activities [1][3]. Group 1: Cultural Exchange and International Collaboration - The Jiangnan Branch serves as a platform for international cultural exchange, hosting 18 international themed screenings featuring 136 films from 12 countries over the past year [2]. - The branch has successfully integrated international film resources, enhancing its cultural offerings and attracting diplomatic attention during events [2]. Group 2: Innovative Programming and Local Integration - The branch has launched 12 thematic art exhibitions that blend film culture with traditional Suzhou culture, showcasing local flavors and art forms [3]. - The venue has become a multi-functional cultural and tourism hub, significantly boosting local dining and entertainment consumption [3]. Group 3: Community Engagement and Audience Development - The Jiangnan Branch has established a unique community of 6,000 film enthusiasts, with 85% of its audience aged between 18 and 35, fostering a participatory culture [4][5]. - The venue encourages audience interaction and creativity, allowing fans to share their own materials and experiences, thus transforming them from mere consumers to active contributors in the film culture [5].

Group 1 - The theme of the Pingshan exhibition area at the current Cultural Expo is "Art Box," focusing on the core concept of "Infinite Possibilities, Infinite Excitement," utilizing innovative design techniques such as "folded narrative" and "dynamic growth" to transform Pingshan's cultural, sports, and tourism resources into an interactive creative space [1] - The exhibition will feature a visual representation of "Pingshan Drama's Healthy Growth" and provide an immersive experience for visitors, showcasing the unique characteristics of Pingshan's cultural and creative industries [1] - International cooperation is highlighted, with a memorandum of friendship signed between Pingshan District and the eighth district of Rome, Italy, marking a new phase in cultural and artistic collaboration [1] Group 2 - The Pingshan exhibition area is divided into three core sections: urban promotion, cultural and sports tourism investment projects, and cultural and technology enterprise displays, showcasing five major cultural tourism consumption scenarios [2] - Three thematic investment promotion meetings will be held to explain measures for promoting cultural, sports, and tourism consumption, along with the introduction of 15 investment projects [2] - The newly added Pingshan Cultural Cluster will serve as a sub-venue for the first time, featuring creative experience activities and offering commemorative gifts to participants [2] Group 3 - The 2025 Shenzhen Cultural Expo Art Season has commenced, focusing on Sino-Russian cultural exchanges, with performances from the Moscow Bolshoi Ballet and other high-quality productions planned [3]