Core Viewpoint - The film "Girl," directed by Shu Qi, has received critical acclaim but has underperformed at the box office since its release on November 1, with a total revenue of 4.16 million yuan by November 10 [1][3]. Group 1: Film Overview - "Girl" is Shu Qi's directorial debut, which she also wrote, and it has been recognized at prestigious film festivals, including the Venice International Film Festival and the Busan International Film Festival, where it won the Best Director award [1][2]. - The film's narrative is set in late 1980s Taiwan, focusing on the life of Lin Xiaoli, who endures a violent and oppressive family environment, reflecting themes of childhood trauma and domestic violence [3][4]. Group 2: Personal Connection and Themes - Shu Qi draws parallels between Lin Xiaoli's experiences and her own childhood, highlighting the impact of familial violence and the cycle of trauma [3][4]. - The film explores complex mother-daughter relationships, emphasizing understanding over resentment, and presents a nuanced view of the challenges faced by women in traditional roles [6][7]. Group 3: Artistic Direction and Reception - The film has been praised for its emotional depth and artistic quality, with a strong behind-the-scenes team contributing to its success [10]. - Critics have noted the film's ability to resonate with universal themes of human experience, despite its heavy subject matter, and it encourages viewers to find hope amidst despair [10][11].

Group 1 - The articles highlight the dedication and passion of journalists in their pursuit of truth and storytelling, emphasizing the importance of their work in society [1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] - Various journalists share personal experiences that illustrate the challenges and rewards of their profession, including live reporting, in-depth interviews, and the emotional impact of their stories [2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] - The narratives reflect a commitment to social responsibility, with journalists aiming to drive change and raise awareness about important issues through their reporting [6][10][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] Group 2 - The articles emphasize the evolving nature of journalism, with many reporters adapting to new technologies and platforms, such as live streaming and social media [19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] - There is a focus on the emotional and human aspects of reporting, showcasing how journalists connect with their subjects and the impact of their stories on audiences [2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] - The importance of storytelling in journalism is highlighted, with many journalists expressing their belief that the most compelling stories often come from everyday experiences and ordinary people [28][29][30][31][32][33][34][35][36][37]

Group 1 - The web drama "Wife is Good" is produced by multiple companies, including Beijing Junyi Film and Television Production Co., Ltd. and Migu Digital Media Co., Ltd., and has generated significant industry attention since its preparation phase [1][7] - The series is based on the Migu signed novel "Goodbye Lover: Contract Expired, Substitute Can't Escape," and aims to explore themes of female empowerment and personal growth within a family context [1][7] - The production team is experienced, with Zhang Yang as the producer and Liu Aidong as the director, featuring a mix of emerging and established talents [1][4] Group 2 - The narrative focuses on a female protagonist, Su Li, who, as a journalist, navigates the complexities of a wealthy family while also experiencing personal growth and challenges in her career [5][7] - The show aims to present a balanced portrayal of women's struggles in both family and workplace settings, addressing issues such as PUA (psychological manipulation) and the journey from resilience to awakening [5][7] - Migu is committed to developing high-quality content and has established a comprehensive industry model that includes script incubation, quality production, and extensive distribution [7][8] Group 3 - The production of "Wife is Good" has entered an intensive filming phase, with expectations for the series to premiere in the first half of 2026 [8]

Core Viewpoint - The book "Can We Still Be Family?" by two Japanese women from "non-traditional families" explores themes of family, intimate relationships, love, marriage, and female growth through their candid dialogues [1][3]. Group 1: Authors and Background - The book features conversations between actress and writer Yayako Uchida and neuroscientist Nobuko Nakano, who share their unique and challenging family backgrounds [1][3]. - Yayako Uchida, daughter of the late actress Kiki Kirin, grew up in a celebrity family marked by her parents' separation before her birth and her father's tumultuous lifestyle [1][4]. - Nobuko Nakano experienced a cold and communicative relationship with her parents, leading to her early independence [1][3]. Group 2: Themes of Relationships - The dialogues reflect on their experiences with family and marriage, revealing the complexities of their relationships and the impact of their upbringing [3][4]. - Uchida married at 19 and had three children, but faced significant differences with her husband, while Nakano's marriage involved a "weekend couple" and child-free lifestyle [3][4]. - The book emphasizes the importance of communication in relationships, contrasting it with the silence that can lead to deeper issues [11]. Group 3: Insights on Parenting and Family Dynamics - The authors discuss the challenges of parenting, highlighting the potential for becoming "toxic parents" due to immaturity and lack of preparation [10][12]. - Nakano notes that the separation between parents and children is a painful yet necessary part of growth, while Uchida reflects on the void left by her parents' passing [9][10]. - The book predicts that by 2024, half of the Japanese population may choose not to marry, reflecting changing societal norms around family and relationships [10][13]. Group 4: Cultural Reflections - The book has resonated with readers in Japan, who find common ground in the authors' experiences, suggesting that non-traditional family backgrounds do not preclude a fulfilling life [13]. - The discussions also touch on societal expectations and the evolving nature of marriage, with younger generations approaching relationships with caution [12][13].