剧集故事始于那不勒斯一个被时光遗忘的贫瘠街区，莉拉与埃莱娜自幼在这里相伴成长，面对贫困、暴 力和固化的父权社会，两人以截然不同的方式试图冲破命运的牢笼。前两集如同一段双重奏的序章，铺 开了她们贯穿一生的逃离与追寻。 1月2日下午，由意大利导演萨维里奥·科斯坦佐执导的《我的天才女友》剧集版在上海美术馆完成其在 上海的首次特别放映。本次活动以公益放映的形式播放了剧集《我的天才女友》第一季的前两集，更特 邀国际策展人马可·穆勒及剧集导演萨维里奥·科斯坦佐、威尼斯影后阿尔芭·洛瓦赫亲临现场，与观众面 对面进行了长达一小时的映后深度交流。 《我的天才女友》是埃莱娜·费兰特风靡世界的"那不勒斯四部曲"中的第一部，其书籍在全球累计售出 上千万册，被翻译成40多种语言，读者遍布世界各地。后又被改编为广受好评的HBO剧集，并衍生出 绘本、话剧等多种艺术形式，形成了一个跨越媒介的全球文化现象。 这股热潮在中文世界同样强劲，其中译本自2017年推出后便持续占据各大图书榜单前列。本次活动消息 一出，就在上海乃至长三角地区的文艺社群中形成热议，活动预约一经上线便迅速"秒空"，足见其魅 力，以及观众对这场期盼已久的光影之约的热烈反响。 ...

转自：北京日报客户端 12月21日，聚焦女性成长与亲子关系的现实主义题材影片《鱼刺》在北京新影联金宝影城举行了首映 礼，该片导演、编剧张旭煜，制片人樊智杰，主演黄婧仪、陈佳宁与百余位观众一同观看影片，并进行 了交流，分享了创作心得与关于青春、成长的感悟。 饰演李琪的黄婧仪认为，生活中很多母女关系是非常含蓄的，不善于向对方表达爱意，反而在有冲突的 时候，才会体会到对方的爱，"代际关系很难做到相互理解，但可以相互包容。" 影片以真诚的叙事、细腻的表达，挖掘青少年的成长轨迹与家庭关系的复杂性，曾荣获第 26 届上海国 际电影节亚洲新人奖最佳编剧；黄婧仪凭借细腻的演技对少女李琪的精准诠释，获第18届FIRST青年电 影展最佳演员。 作为发行单位的北京新影联影业（院线），始终关注该类型影片的创作、生产并助推其获得更好的市场 反馈，对影片的分线发行进行形式上的探索与尝试。通过与北京市电影股份有限公司同主导运营的首都 之星艺术影厅联盟（"首艺联"）项目为平台，对影片的分线发行将如《千里送鹤》《再会长江》等影片 输送市场，获得更多的排映场次与展示空间。该片将于12月 24日公映。 来源：北京日报客户端 该片由以浙南沿海城市为 ...

剧集《余生有涯》近日在东方卫视、腾讯视频等播出，引起网友热议。该剧对叙事结构的创新、对现实 人生的思考、对县城生活的刻画，都给人留下较为深刻的印象。 《余生有涯》的叙事结构好比一棵大树，其中有主干，有枝，有条，有叶。元素虽多，但井然有序、轻 重有别。主干为女性成长，是全剧的支撑。叶思北生活在一个重男轻女的家庭，高中差点辍学，大学毕 业后回家乡小县城工作，为弟弟买房背负了高额债务，人生之路数度被阻、踉踉跄跄，让她逐渐成了一 个谨小慎微、讨好退让的人，失去了自我。被侵害后，她几乎听从母亲的安排，准备不了了之，独自默 默忍受。后来才逐渐觉醒，顶着家庭、职场和社会的三重压力，毅然通过法律手段惩罚罪犯，维护权 益。这部剧写了叶思北从顺从到自觉的过程，她走出原生家庭，与犯罪分子斗争，其间有犹豫、羞耻、 彷徨、恐惧，经历千辛万苦，从生活的废墟中站了起来，从尘埃里开出了人生的花。 《 人民日报 》（ 2025年12月02日 20 版） 除此之外，该剧还有一些值得关注的特点。一是坚持现实主义创作理念，直面问题、不回避矛盾。剧作 真实展现了叶思北的依法维权之路：亲人的反对，自身的犹疑，熟人的议论，施暴者的压力，甚至第一 次因为证 ...

Core Insights - The article emphasizes the importance of accepting the end of relationships and not forcing connections that are meant to fade away [5][11][23] Group 1: Relationship Dynamics - The article discusses the emotional toll of trying to maintain relationships that are no longer beneficial, highlighting a reader's experience of sacrificing her well-being for a friendship that was not reciprocated [7][10] - It mentions that some relationships are destined to end, and individuals should not feel obligated to hold onto those who wish to leave [8][15] - The narrative includes examples of individuals who have successfully moved on from past relationships, illustrating the strength found in acceptance and self-care [18][22] Group 2: Personal Growth and Acceptance - The article suggests that true maturity comes from allowing people to leave one's life without resentment, which ultimately leads to personal growth [11][25] - It highlights the idea that letting go of unworthy relationships frees individuals to focus on their own well-being and future [23][26] - The piece concludes with the notion that every ending can lead to new beginnings, encouraging readers to embrace change rather than resist it [22][23]

Core Viewpoint - The film "Girl," directed by Shu Qi, has received critical acclaim but has underperformed at the box office since its release on November 1, with a total revenue of 4.16 million yuan by November 10 [1][3]. Group 1: Film Overview - "Girl" is Shu Qi's directorial debut, which she also wrote, and it has been recognized at prestigious film festivals, including the Venice International Film Festival and the Busan International Film Festival, where it won the Best Director award [1][2]. - The film's narrative is set in late 1980s Taiwan, focusing on the life of Lin Xiaoli, who endures a violent and oppressive family environment, reflecting themes of childhood trauma and domestic violence [3][4]. Group 2: Personal Connection and Themes - Shu Qi draws parallels between Lin Xiaoli's experiences and her own childhood, highlighting the impact of familial violence and the cycle of trauma [3][4]. - The film explores complex mother-daughter relationships, emphasizing understanding over resentment, and presents a nuanced view of the challenges faced by women in traditional roles [6][7]. Group 3: Artistic Direction and Reception - The film has been praised for its emotional depth and artistic quality, with a strong behind-the-scenes team contributing to its success [10]. - Critics have noted the film's ability to resonate with universal themes of human experience, despite its heavy subject matter, and it encourages viewers to find hope amidst despair [10][11].

Group 1 - The articles highlight the dedication and passion of journalists in their pursuit of truth and storytelling, emphasizing the importance of their work in society [1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] - Various journalists share personal experiences that illustrate the challenges and rewards of their profession, including live reporting, in-depth interviews, and the emotional impact of their stories [2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] - The narratives reflect a commitment to social responsibility, with journalists aiming to drive change and raise awareness about important issues through their reporting [6][10][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] Group 2 - The articles emphasize the evolving nature of journalism, with many reporters adapting to new technologies and platforms, such as live streaming and social media [19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] - There is a focus on the emotional and human aspects of reporting, showcasing how journalists connect with their subjects and the impact of their stories on audiences [2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37] - The importance of storytelling in journalism is highlighted, with many journalists expressing their belief that the most compelling stories often come from everyday experiences and ordinary people [28][29][30][31][32][33][34][35][36][37]

Group 1 - The web drama "Wife is Good" is produced by multiple companies, including Beijing Junyi Film and Television Production Co., Ltd. and Migu Digital Media Co., Ltd., and has generated significant industry attention since its preparation phase [1][7] - The series is based on the Migu signed novel "Goodbye Lover: Contract Expired, Substitute Can't Escape," and aims to explore themes of female empowerment and personal growth within a family context [1][7] - The production team is experienced, with Zhang Yang as the producer and Liu Aidong as the director, featuring a mix of emerging and established talents [1][4] Group 2 - The narrative focuses on a female protagonist, Su Li, who, as a journalist, navigates the complexities of a wealthy family while also experiencing personal growth and challenges in her career [5][7] - The show aims to present a balanced portrayal of women's struggles in both family and workplace settings, addressing issues such as PUA (psychological manipulation) and the journey from resilience to awakening [5][7] - Migu is committed to developing high-quality content and has established a comprehensive industry model that includes script incubation, quality production, and extensive distribution [7][8] Group 3 - The production of "Wife is Good" has entered an intensive filming phase, with expectations for the series to premiere in the first half of 2026 [8]

Core Viewpoint - The book "Can We Still Be Family?" by two Japanese women from "non-traditional families" explores themes of family, intimate relationships, love, marriage, and female growth through their candid dialogues [1][3]. Group 1: Authors and Background - The book features conversations between actress and writer Yayako Uchida and neuroscientist Nobuko Nakano, who share their unique and challenging family backgrounds [1][3]. - Yayako Uchida, daughter of the late actress Kiki Kirin, grew up in a celebrity family marked by her parents' separation before her birth and her father's tumultuous lifestyle [1][4]. - Nobuko Nakano experienced a cold and communicative relationship with her parents, leading to her early independence [1][3]. Group 2: Themes of Relationships - The dialogues reflect on their experiences with family and marriage, revealing the complexities of their relationships and the impact of their upbringing [3][4]. - Uchida married at 19 and had three children, but faced significant differences with her husband, while Nakano's marriage involved a "weekend couple" and child-free lifestyle [3][4]. - The book emphasizes the importance of communication in relationships, contrasting it with the silence that can lead to deeper issues [11]. Group 3: Insights on Parenting and Family Dynamics - The authors discuss the challenges of parenting, highlighting the potential for becoming "toxic parents" due to immaturity and lack of preparation [10][12]. - Nakano notes that the separation between parents and children is a painful yet necessary part of growth, while Uchida reflects on the void left by her parents' passing [9][10]. - The book predicts that by 2024, half of the Japanese population may choose not to marry, reflecting changing societal norms around family and relationships [10][13]. Group 4: Cultural Reflections - The book has resonated with readers in Japan, who find common ground in the authors' experiences, suggesting that non-traditional family backgrounds do not preclude a fulfilling life [13]. - The discussions also touch on societal expectations and the evolving nature of marriage, with younger generations approaching relationships with caution [12][13].