本报电（曹晶）近日，"全球发展·数智赋能·国际人文——暨中国当代文学与艺术国际传播资源中心首届 工作坊"在北京师范大学举办，来自国内外高校和科研机构的20余位专家学者参加会议。 北京师范大学人工智能学院教授宋继华在题为"技术赋能中国文学国际传播的关键认知"的主旨发言中， 肯定了搭建当代中国文学与艺术国际传播资源交互平台的重要性。他认为，储备高质量、高准确性、高 价值的资源数据，有助于依托平台、利用数字人文方法展开研究，为中国当代文学与艺术"出海"提供集 成性、系统性方案。 北京师范大学文学院教授杨俊杰提到，目前中国文学各文体间的海外传播并不平衡，"出海"实践和学科 研究的重点多放在虚构文学上，未来可以更多地将报告文学、非虚构写作等纳入国际传播范畴，进一步 提高中国当代文学海外传播的丰富性。北京师范大学外国语言文学学院教授姚成贺从中国当代文学翻译 实践角度出发，提出国际传播要具备区域国别视野，洞悉不同海外受众的审美偏好和阅读习惯，有的放 矢地推动作品"出海"。北京师范大学中华文化研究院、京师书院教授刘江凯从学科创新和人才培养角 度，提出进一步完善跨学科培养的教育支撑体系，促进教科研与项目实践、行业和社会服务等的 ...

Core Perspective - Cultural export is not only an important engine for enhancing the economic value of the cultural industry but also a global practice for the modern transformation of Chinese civilization [1] Group 1: Language and Cultural Transmission - Language plays a crucial role as a hub for translation and dissemination in cultural export, serving as a deep carrier of cultural values, thinking patterns, and aesthetic experiences [2] - The dual challenges of "translatability" and "perceptibility" must be addressed for Chinese culture to truly integrate into the global context, particularly regarding traditional concepts that lack direct Western equivalents [2] - Language programs in universities should develop classroom models focusing on "cultural symbols," "emotional narratives," and "value consensus" to enhance cultural transmission [2] Group 2: Educational Transformation and Curriculum Innovation - Cultural export drives the transformation and upgrading of language disciplines, necessitating a new set of professional skills and competencies for talent development [3] - Traditional language education often emphasizes systematic knowledge and basic skills, while neglecting cross-cultural communication, digital technology application, and overseas cultural project management [3] - Universities should foster students' proficiency in digital tools and encourage project-based practices to digitize, translate, and creatively disseminate traditional cultural resources [3] Group 3: Dual Empowerment and Technological Integration - A new model of dual empowerment should be explored, integrating digital humanities and artificial intelligence to promote the modern transformation of traditional cultural resources [4] - Effective feedback mechanisms should be established to ensure that overseas audience preferences are communicated back to local creative processes, facilitating a positive interaction between cultural production and dissemination [4] - Digital technologies provide new research paradigms for traditional culture, enabling the construction of systematic cultural knowledge graphs and enhancing the expression and dissemination of traditional culture through AI [4][5]

Core Viewpoint - The relationship between China's digital humanities autonomous knowledge system and sovereign AI is crucial for understanding and promoting Chinese culture in the digital age [1][5]. Group 1: Concepts and Definitions - Sovereign AI is defined as the ability of a nation to independently control data, algorithms, and semantics, emphasizing cultural sovereignty alongside technological sovereignty [1]. - The Chinese digital humanities autonomous knowledge system aims to reconstruct knowledge structures and interpretation systems through digital and intelligent means, ensuring that Chinese historical thought and aesthetics are understood and disseminated autonomously [1][2]. Group 2: Significance of Sovereign AI - Sovereign AI enables a deeper understanding of Chinese cultural texts, as it can accurately interpret the flexible grammar and historical context of Chinese literature, unlike general AI models [3]. - It allows for the revival of cultural heritage by supporting multi-modal analysis of non-textual cultural artifacts, such as bronze inscriptions and architectural designs [3]. - Sovereign AI facilitates the reconstruction of relationships between knowledge, creating knowledge maps that connect people and ideas, enhancing the understanding of cultural heritage [3]. - It embeds Chinese values at the algorithmic level, addressing the biases present in existing AI models and promoting cultural inclusivity [3]. Group 3: Practical Pathways for Development - The establishment of a high-quality localized data foundation is essential, requiring standardized management of cultural relics and the creation of a targeted corpus [4]. - Development of specialized models tailored for cultural applications is necessary, as general models are insufficient for the unique demands of digital humanities [4]. - A national-level digital humanities intelligence platform should be built to unify resources and tools currently scattered across various databases [4]. - The cultivation of interdisciplinary talent that understands both AI and humanities is critical, as there is currently a shortage of such professionals [4]. Group 4: Future Vision - Sovereign AI is viewed as a creative tool rather than a defensive concept, aimed at reconstructing AI through the lens of Chinese cultural logic [5]. - The goal is to ensure that AI can genuinely understand and represent Chinese civilization and culture, thereby allowing for the continuous growth and dissemination of Chinese cultural heritage in the digital realm [5].

Core Viewpoint - The Shanghai Expo Museum stands out as the only museum participating in the 2025 Osaka Expo, showcasing a "Digital Humanities" theme that combines technology and history to narrate Shanghai's transformation and cultural development since the 2010 Expo [1][2]. Group 1: Exhibition Highlights - The exhibition theme "Next Stop: Future" uses technological means to present the historical impact of the Expo on urban development, employing transportation metaphors to engage visitors [1][2]. - A historical image wall features videos, light boxes, and interactive elements to display the success of the 2010 Shanghai Expo and its long-term benefits, highlighting the transformation of the Expo site and the completion of a 45-kilometer riverside walkway [2]. - The museum aims to present a multidimensional and contemporary image of Shanghai, utilizing a narrative from a local child's perspective to connect with international audiences [2]. Group 2: Challenges and Collaborations - The curation of the "Digital Humanities" exhibition faced challenges in data processing, leading to collaboration with Shanghai Theatre Academy and Shanghai Library for technical support [3]. - The design of the exhibition considered human-computer interaction, with multiple adjustments made to enhance accessibility and user experience [3]. Group 3: International Engagement and Activities - The museum plans to conduct various international exchange activities around Shanghai's cultural outreach, leveraging the 45th anniversary of the friendship city relationship with Osaka [3]. - Events include dialogues on sustainable museum development during the Expo's theme week and sharing experiences on urban renewal in collaboration with Shanghai's urban art season [3]. Group 4: Visitor Reception - The exhibition has been well-received, with many visitors expressing emotional connections to familiar scenes from the 2010 Expo [4]. - Notable endorsements include praise from world record holder Yamada Tomiyo, who commended the Shanghai Expo Museum for its innovative approach [4].