南方财经记者魏彤 广州报道 2025粤港澳大湾区文化产业投资大会（广东·广州）会场外，来自深圳的众擎机器人正灵活地翻着跟 斗，直接向在场的投资人拉起了"投资"，引来不少与会人员驻足拍摄。 谁也想不到，眼前动作灵活的人形机器人，在其诞生之初是如何也站不稳的，更别说大动作的翻跟斗 了。2018年，众擎机器人开始布局四足机器人，依靠四足机器人成功养活了团队；两年后，众擎机器人 已经成了国内四足领域出货量最大的团队。日后，众擎得到资本市场关注后"一飞冲天"，开启了其在人 形机器人领域的传奇之路。 这样的创业故事在大湾区还有很多。粤港澳大湾区拥有良好的文化产业生态，拥有活跃的金融投资氛 围，文化、金融与科技的融合对接通道正在一步步打通。 "近5年来，粤港澳大湾区文化产业合计产生的融资事件达720件，总融资金额约为564.1亿元。"11月26 日，在广州黄埔国际会议中心召开的2025粤港澳大湾区文化产业投资大会（广东·广州）（以下简称： 大湾区文投会）上，暨南大学产业经济研究院院长陶锋发布了《2025粤港澳大湾区文化产业投资趋势报 告》（以下简称《报告》），对大湾区文化产业投资优势和投资情况进行盘点，同时对投资前景进行分 ...

（原标题：从全国票仓到精品剧目首演地，新型文化消费催熟大湾区文艺市场） 南方财经记者魏彤 广州报道 当广州交响乐团音乐总监、著名指挥家黄屹挥动起银色指挥棒，一副生机勃勃的粤港澳大湾区画卷随着 流淌的旋律徐徐展开。 9月16日晚，一场联动大湾区11座城市的文艺盛事在广州大剧院拉开帷幕。这是粤港澳大湾区举办的第 五届文化艺术节，从9月16日开启后持续一个月时间，期间预计举办超100场精品演出、19场艺术展览、 150余场公益演出及系列艺术讲堂。 粤港澳大湾区向来是全国演艺市场的重要"票仓"。仅仅广东就拥有包括1.28 亿常住人口，如此庞大的市 场，推动广东成为演出市场规模、活跃度和竞争力持续领跑全国的重要区域，并且常年吸引大量国内外 艺人前来演出。 事实上，作为"票仓"的广东，今年以来审批的营业性演出已超过40万场，演出总收入突破了63亿元。其 中，销售门票的大型营业性演出达410场，演出收入37亿元，直接带动交通、住宿、餐饮等相关行业消 费超过250亿元，演艺经济已成为拉动消费的重要引擎。尤其是今年5月，广东省委宣传部、广东省文化 和旅游厅联合印发了《关于推动广东演艺市场高质量发展的若干政策措施》，聚焦在市场培 ...

Group 1 - The core concept of "Tuanbo" is a new form of cultural consumption, characterized by multiple hosts performing together in a live streaming format, enhancing interaction with the audience [1] - Tuanbo primarily features group performances by male and female troupes, with diverse styles such as traditional Chinese dance and Hip Hop, and employs high production standards comparable to television programs [1] - The industry faces challenges in optimizing existing shortcomings, increasing quality content supply, and developing sustainable market value for long-term growth [1] Group 2 - MCN institutions and guilds are essential for providing necessary conditions for quality live streaming, including stage design, host training, and team building [2] - Professional troupes entering the Tuanbo space enrich the variety and elevate the average quality of content, offering immersive cultural experiences [2] - Individual hosts are encouraged to focus on enhancing their professional skills, with examples of successful hosts who have a strong background in performing arts [2] Group 3 - Platforms must strengthen management of inappropriate content while supporting quality content; Douyin has upgraded its content management guidelines and introduced support for professional Tuanbo organizations [3] - Industry organizations should provide positive guidance, with initiatives like the recent announcement of quality live streaming rooms, including a dedicated Tuanbo category [3] - The future of Tuanbo requires not only entertainment value but also cultural content, necessitating collaboration among platforms, guilds, hosts, industry organizations, and regulatory bodies for sustainable development [3]

Group 1 - The core viewpoint of the articles highlights the rise of group broadcasting (团播) as a new cultural production and consumption form, which is gaining popularity among users and is evolving towards professionalization and standardization [1][2] - Douyin has announced an upgrade to its content management regulations for group broadcasting, signaling its commitment to fostering a healthy development of the industry and protecting the rights of practitioners [1] - Group broadcasting has transitioned from its initial phase to a stage of quality and scale development, creating numerous job opportunities in the process [1][2] Group 2 - The operational structure of group broadcasting typically requires 5-7 front-line hosts and a backstage team that is 1.5 times larger, including various professionals such as operators, lighting technicians, and makeup artists [2] - Douyin's platform is projected to create over 64.55 million job opportunities in 2024, with direct employment exceeding 49.21 million and indirect jobs in the industry chain reaching 15.34 million [2] - The interactive mechanisms established by platforms like Douyin allow young individuals to gain social recognition and economic returns through content creation and live interaction [2] Group 3 - Group broadcasting has faced challenges, leading to Douyin's decision to expel 54 agencies involved in illegal activities and penalize 194 others for misconduct [3] - The industry has evolved from the early "ambiguous economy" to a new form of cultural consumption, supported by diverse audience engagement and the emergence of more robust business models [3] - With content innovation, ecological optimization, and regulatory collaboration, group broadcasting is expected to develop into a sustainable new industry, contributing to cultural prosperity and job growth [3]

Core Insights - The rise of group broadcasting (团播) has become a significant trend in the short video platform industry, attracting various players due to its immense market potential and generating both excitement and controversy [1][2] Group Broadcasting Overview - Group broadcasting involves multiple participants in a live stream, evolving from grassroots efforts to an industrialized scale over three years, with production quality comparable to small concerts [1][2] - The format allows for diverse presentations, including dance performances and interactive games, providing emotional value to the audience similar to other cultural consumption activities [1] Industry Regulation and Development - New business models like group broadcasting typically transition from chaotic growth to gradual regulation, with platforms like Douyin implementing measures such as the "health score" system to manage inappropriate behavior and ensure compliance [2] - The industry is moving towards a more standardized 2.0 phase, distancing itself from controversial practices and focusing on the rights of broadcasters [2] Economic Impact and Cultural Consumption - The growth of group broadcasting aligns with a broader trend in cultural consumption, particularly as GDP per capita surpasses $10,000, leading to increased demand for entertainment experiences [3] - The emergence of group broadcasting reflects a shift in consumer behavior, with a notable rise in cultural events and experiences, indicating a robust market for new products and services [3] Employment and Production Quality - Group broadcasting contributes significantly to economic development by creating new job opportunities, with a typical production team requiring multiple roles, including hosts, camera operators, and technical staff [5] - High production standards are being adopted, with many broadcasts utilizing equipment comparable to major television productions, attracting professional talent to the industry [5] Future Outlook - Expanding domestic demand and promoting consumption are key focus areas, with the internet providing a platform for innovative business models like group broadcasting to thrive [6] - A balanced approach that allows for the evolution of new business models while addressing public concerns is essential for sustainable growth in the industry [6]