这些陶俑中，骑俑多达200余件，以骑兵俑为主，均为身披铠甲的武士形象，甲骑具装俑更是多达90 件。这些骑俑所对应的或许就是文献中记载的虎贲。此外，骑俑还包括头戴平巾帻的仪卫骑俑和鼓乐骑 俑各30余件。鼓吹铙歌自汉代从西域传入中原后，便逐渐成为军中乐队及身份的标志。骑在高头大马上 的仪卫和鼓吹军乐，在步行将士、文吏们的簇拥下，共同组成了庞大的送葬队伍，一同护送高洋的灵柩 进入幽深的墓室。 已知中国境内家马的出现，大约晚至距今4000年的黄河上游地区，例如属于齐家文化的甘肃永靖大何庄 遗址、玉门火烧沟遗址等。而黄河中下游地区出现家马，则更晚至商代晚期的安阳殷墟遗址。 考古学家袁靖认为："先秦时期，马主要有三大用途：一是作为彰显地位的随葬品和祭祀品；二是作为 挽车畜力，用于拉车、车战或驮物；三是用于骑乘，主要应用于战场。"春秋战国时期，孙阳（伯乐） 擅长相马，马王堆汉墓出土有帛书《相马经》。从西汉景帝时期开始，逐渐出现"众庶街巷有马，阡陌 之间成群"的景象，马的重要性日益凸显。东魏邺城时期，贾思勰编著的《齐民要术》中不仅保存了部 分《相马经》，还发展出相马五脏法，对于马的饲养及医治记载得丰富详实。 从公元前600年 ...

（来源：河北新闻网） 转自：河北新闻网 有一匹马，它藏在成语里，却从来不姓"马"。 三千年前，赵武灵王在古城邯郸一声令下，革旧鼎新，胡服骑射。三千年后，同样是这片土地，成语不 只是刻在墙上的字，还是挂在家里、穿在身上、刻进日子里的年味儿。 总策划：王悦路 邯郸成语博物馆作为全国首家成语博物馆，这里的 "迎新"在文脉流转的故事里。马年寻 "马"，最动人 的传承便是胡服骑射。 "敢破则兴，敢闯则进"，三千年前赵武灵王冲破旧制、胡服骑射、强军兴邦，革新的勇气在史书里铿 锵；如今华灯亮起，展板上"一马当先""锐意进取"的成语，其蕴含的精神仍鼓舞着每一位奋进者。胡服 骑射是邯郸人的底气：守得住传统，闯得出新路。 这份 "变" 的智慧，不只停在陶俑与史料中，更燃在今天的创新里。从博物馆里的科技互动，到文创货 架上的骑射主题潮品；从博物馆里的文脉传承，到历史街区的文旅新生；从非遗手作里的文化创新，到 城市更新中的实干奋进，一条脉络将千年底蕴与当代发展紧密相连。 千年传承，承载着邯郸人的初心与壮志，策马扬鞭，再启新程。 出镜：韩晓寒 拍摄/后期：孟维仑 海报：孟维仑 总监制：王丽平 贾海丽 策划：刘 伟 周龙 霍文龙 ...

千年传承，承载着邯郸人的初心与壮志，策马扬鞭，再启新程。 总策划：王悦路 （来源：河北新闻网） 转自：河北新闻网 有一匹马，它藏在成语里，却从来不姓"马"。 三千年前，赵武灵王在古城邯郸一声令下，革旧鼎新，胡服骑射。三千年后，同样是这片土地，成语不 只是刻在墙上的字，还是挂在家里、穿在身上、刻进日子里的年味儿。 邯郸成语博物馆作为全国首家成语博物馆，这里的 "迎新"在文脉流转的故事里。马年寻 "马"，最动人 的传承便是胡服骑射。 "敢破则兴，敢闯则进"，三千年前赵武灵王冲破旧制、胡服骑射、强军兴邦，革新的勇气在史书里铿 锵；如今华灯亮起，展板上"一马当先""锐意进取"的成语，其蕴含的精神仍鼓舞着每一位奋进者。胡服 骑射是邯郸人的底气：守得住传统，闯得出新路。 这份 "变" 的智慧，不只停在陶俑与史料中，更燃在今天的创新里。从博物馆里的科技互动，到文创货 架上的骑射主题潮品；从博物馆里的文脉传承，到历史街区的文旅新生；从非遗手作里的文化创新，到 城市更新中的实干奋进，一条脉络将千年底蕴与当代发展紧密相连。 总监制：王丽平 贾海丽 策划：刘 伟 周龙 霍文龙 出镜：韩晓寒 拍摄/后期：孟维仑 海报：孟维仑 ...

为此，记者专访了邯郸市博物馆。相关负责人介绍，今年2月5日，以"战国低头觅食青铜马"为首的15件馆内文物珍品已启程进京，去参加2月 13日至5月12日在中国美术馆举办的"饰象至美——河北古代艺术珍品展"。该展由河北省文物局与中国美术馆联合主办，汇聚了河北博物院、 定州博物馆、承德博物馆等多家单位精品。邯郸市博物馆的这15件珍品，预计在5月下旬返回。 被借走的青铜马 三匹青铜马 不知道最近到邯郸市博物馆的观众是否发现，这里的镇馆之宝——三匹战国青铜马，突然少了一匹。 那匹青铜马"跑"哪儿了？ （来源：邯郸晚报） 这是这匹青铜马首次独自"出差"，此前皆为集体出行：2014年3月28日，三匹青铜马应邀参加了秦始皇帝陵博物院举办的"传承与谋变——三晋 历史文化展"；湖南博物院开馆时，这三匹马也被借走捧场、亮相。 三匹青铜马于1997年在赵王陵2号陵被盗，一度流失香港及海外，次年成功追回。它们或昂首前行，或低头伫立，五官清晰，额鬃分明，四肢 雄健，肌腱隆起，马尾均下垂打结，是典型的成年战马形象，属于蒙古马种。它们比汉代铜奔马还要早400余年，是我国目前所见最早的写实 战马雕塑，为国家一级文物，也是赵武灵王"胡服骑射"改 ...

Core Viewpoint - The article highlights the historical significance of three bronze horses from the Warring States period, showcasing their connection to the "Hu Fu Qi She" reform in Zhao State, which transformed military practices and reflects the spirit of innovation and resilience in Chinese culture [1][3]. Group 1: Historical Significance - The three bronze horses are the earliest known realistic bronze horses in China, predating the famous Eastern Han bronze galloping horse by approximately 400 years [1]. - These artifacts were excavated from the Zhao Wangling No. 2 tomb and are classified as national first-class cultural relics, with a height ranging from 15 to 18 centimeters [1][3]. - The bronze horses serve as historical witnesses to the significant military reforms initiated by Zhao Wuling Wang, which included the establishment of the first organized cavalry in Chinese history [3]. Group 2: Cultural and Artistic Value - The distinct postures of the horses—walking, foraging, and standing—reflect the characteristics of adult Mongolian horses, indicating their suitability for battle and training [3][4]. - The dynamic representation of the horses symbolizes the determination and vitality of the nation during the reform period, while the focused posture of the foraging horse reflects the vigilance of the military and civilians in challenging environments [4][5]. - The artistic craftsmanship of the bronze horses not only showcases the advanced metalworking skills of the Zhao State but also embodies the "Dragon Horse Spirit," representing the strength and resilience of the military forces formed after the reforms [5]. Group 3: Cultural Products and Economic Impact - The museum has developed a series of cultural and creative products inspired by the bronze horses, including refrigerator magnets and plush toys, which blend cultural symbols with practical functions [7]. - The popularity of "horse" themed cultural products captures the essence of cultural confidence and emotional resonance, contributing to the festive economy and enhancing cultural significance during the New Year celebrations [7].

Core Viewpoint - The article discusses the military and political reforms implemented by Zhao Wuling Wang, particularly the adoption of "Hu Fu Qi She" (barbarian clothing and cavalry tactics), which significantly enhanced the military strength and territorial expansion of the Zhao state during the Warring States period [3][5][12]. Military Reforms - Zhao Wuling Wang initiated military reforms that included the establishment of a new cavalry force, which was crucial for the state's military strategy and territorial expansion [4][6]. - The successful military campaigns against the "Three Hu" tribes (Lin Hu, Lou Fan, Dong Hu) marked a turning point for Zhao, showcasing the effectiveness of the new cavalry tactics [5][6]. - The establishment of a cavalry training base in Yuanyang allowed for the recruitment and training of cavalry soldiers, addressing the shortage of cavalry resources in the central plains [7][8]. Territorial Expansion - The military campaigns led to the conquest of key regions such as Yuanyang and Jiu Yuan, significantly expanding Zhao's territory and securing its northern borders [4][5]. - The construction of the Zhao Great Wall was a strategic move to fortify the newly acquired territories and protect against future invasions from nomadic tribes [9][10]. Political and Economic Impact - The reforms led to a shift in the political landscape, promoting meritocracy through military achievements while diminishing the power of hereditary nobility [11][12]. - The economic structure evolved with the emergence of specialized organizations focused on cavalry support, horse breeding, and military logistics, contributing to the overall economic strength of Zhao [11]. Cultural Integration - The reforms facilitated cultural exchange between the nomadic and agrarian societies, leading to a new cultural synthesis known as Zhao culture, which emphasized inclusivity and harmony [12]. - The integration of nomadic practices and agricultural civilization enriched the cultural landscape of Zhao, fostering advancements in various fields [11][12].

Group 1 - The article discusses the discovery of three bronze horses from Handan, which are considered the earliest examples of realistic style in Chinese art, predating the famous "Galloping Horse" by approximately 400 years [2] - These bronze horses challenge the traditional notion of "expressive over realistic" in Chinese art, showcasing a unique blend of artistic styles [4] - The horses are noted for their robust physical features, symbolizing strength and agility, which are essential traits for warhorses [7] Group 2 - The bronze horses have their tails tied up, a practice that was common in ancient battlefields to prevent accidents during high-speed maneuvers, indicating their practical design [16][20] - Experts suggest that these horses may be linked to the military reforms of Zhao Wuling Wang, who implemented the "Hu Fu Qi She" strategy, transitioning from traditional infantry to cavalry [20][21] - This reform not only changed the military tactics of the Zhao state but also fostered cultural exchange and integration, a legacy that continues to resonate in modern times [23]