（来源：邯郸日报） 转自：邯郸日报 打击三胡，战争远离中原各诸侯国，外交和政治斗争单一，不会引起太大的利益冲突和反弹，而且武灵王对三胡的军事斗争，采取的是军事高 压下的怀柔安抚政策，目的是稳定北部边陲局势，解除赵国的后顾之忧，所以赵武灵王打击三胡的反侵略战争，进行得比较顺利。 武灵王率领他的这支新型军队，从代郡出发，一路沿阴山南麓向西挺进，一鼓作气攻下林胡的原阳（今内蒙古呼和浩特市东南）后，乘胜西 进，又占九原（今内蒙古包头市以西）。大军在九原略作休整，继而南渡黄河，在榆中（今内蒙古伊金霍洛旗一带）与林胡王主力相遇，一举 大败林胡军，迫使"林胡王献马"。 武灵王继位以来，首次"西略胡地，至榆中"就旗开得胜，马到成功，取得辉煌战果。赵国上下一时人心大振，欢呼雀跃，结束了赵国二十多年 来一蹶不振的长期颓势，初步显示了胡服骑射国策的强大生命力。用无可辩驳的事实，证明了武灵王当初选择胡服骑射改革方略的远大目光。 让那些对这项改革持观望态度的中间派势力，坚定了信心；更让极力抵制这场军事变革的顽固派分子们，闭上了他们嘟嘟囔囔的大嘴！ 李延军 公元前307年的邯郸城，那场关于胡服骑射争论的喧嚣，尘埃落定之后，胡服，便成了赵 ...

Group 1 - The article discusses the discovery of three bronze horses from Handan, which are considered the earliest examples of realistic style in Chinese art, predating the famous "Galloping Horse" by approximately 400 years [2] - These bronze horses challenge the traditional notion of "expressive over realistic" in Chinese art, showcasing a unique blend of artistic styles [4] - The horses are noted for their robust physical features, symbolizing strength and agility, which are essential traits for warhorses [7] Group 2 - The bronze horses have their tails tied up, a practice that was common in ancient battlefields to prevent accidents during high-speed maneuvers, indicating their practical design [16][20] - Experts suggest that these horses may be linked to the military reforms of Zhao Wuling Wang, who implemented the "Hu Fu Qi She" strategy, transitioning from traditional infantry to cavalry [20][21] - This reform not only changed the military tactics of the Zhao state but also fostered cultural exchange and integration, a legacy that continues to resonate in modern times [23]