【光明书话】 作者：杨焄（复旦大学中国古代文学研究中心教授） 编者按 《金石录》出自宋代著名的学术伉俪赵明诚、李清照之手，是中国古代金石学首屈一指的重要著作。全 书共三十卷：目录十卷，收录钟鼎彝器的铭文款识和碑铭墓志等石刻文字两千种；跋尾二十卷，包含重 要钟鼎碑石的提要502篇，以金石与史籍互证，考伪辨谬，具有极高的学术价值。1951年，失传四百余 年的南宋淳熙龙舒郡斋本《金石录》三十卷足本现世，为存世唯一宋刻全本《金石录》，震惊学界。它 历经元、明、清三代秘藏，最终入藏国家图书馆，成为国之珍宝。 2025年，上海书画出版社首次以原色原大、高清全彩的形式复刻出版《宋刻全本金石录》；近期，在上 海图书馆举办的典籍文献展中，又首次同时展出了分藏于国家图书馆和上海图书馆的两部南宋淳熙年间 龙舒郡斋刊刻的《金石录》。图书与展览让更多读者走近这部传世经典。 古人所说的"金石"，既可特指研治钟鼎碑铭的专门之学，又能比拟男女坚贞不渝的爱情。在近期举办 的"情比金坚——攟古继美：上海图书馆藏苏州潘氏典籍文献展"上，首次同时展出了分藏于国家图书馆 和上海图书馆的两部南宋淳熙年间龙舒郡斋刊刻的《金石录》。其中国家图书馆所藏为三十 ...

《战国楚简谐声通假大系》（全四册） 杨建忠 编著，中华书局 本书系统整理了2022年底之前公布的战国楚简中的谐声字，收5102个字头（不含同一字头下的异体 字），1345个声符及其谐声系列（其中单字209个）、4236个谐声字（不含同一字头下的异体谐声 字）。书中构建了一个断代的、分域的谐声、通假系统，以此系统为框架，将战国楚简谐声字悉数收纳 其中，并与战国其他系属文字横向比较，对系统了解和把握战国文字字形、音韵，以及战国时期汉字汉 语的发展变化，具有重要的作用。 《中华医藏·第三编·温病卷》（全五十册） 《中华医藏》编委会 编，李鸿涛 杨继红 主编，国家图书馆出版社 《中华医藏·第三编·温病卷》，由中国中医科学院中医药信息研究所古籍资源研究室主任李鸿涛、山西 中医药大学研究生学院院长杨继红主编，收录温病代表性典籍93部，包括通论、瘟疫、疟疾、痢疾、痧 症、霍乱、鼠疫等多个类别。如明代吴又可《温疫论》，提出"戾气"病因说，标志着温病学登上历史舞 台；清代戴天章《广瘟疫论》、杨璇《伤寒瘟疫条辨》、刘奎《松峰说疫》《瘟疫论类编》等继承发扬 其说，形成温病学派。此外还有《疟疾论》《痢疾论》《痧胀玉衡书》《随息居重订 ...

在上海图书馆东馆举行的"情比金坚——上海图书馆藏苏州潘氏典籍文献展·新春特展"（见下图）上， 上海图书馆与国家图书馆所藏的两部宋刻本《金石录》在同一展柜联袂展出，这是两部失散多年的宋版 至宝首次"同框"。 六对伉俪 共济深情 《金石录》由赵明诚、李清照合著，李清照于赵氏去世后整理成书，表上于朝，刊行问世，并撰写《金 石录后序》一文。这部中国古代金石学重要著作的流传本身就是一段"金石不渝"的文化传奇。800多年 后的今天，当我们翻开《金石录》，那娟秀的笔迹与刚劲的题跋相互映照，仿佛还能看见归来堂的烛光 下，李清照与赵明诚这对知己夫妻相对而坐，在金石文字间寻觅着永恒。 本次展览以这部金石名典为核心，不仅仅展示《金石录》，还围绕伉俪同藏共读的主题，展出阮元刘文 如、奕绘顾太清、王芑孙曹贞秀、张蓉镜姚畹真、徐乃昌马韵芬等六对夫妇的著作和藏书原件18种，呈 现儒林眷侣或共研金石，或同校诗书，或酬唱往还，或协力典藏的精神生活，揭示鸾凤和鸣之于文化传 承与创造的情感力量；芝兰同馨对于文脉滋养与赓续的共济相成。 两部国宝 合璧奇缘 "一页宋版，一两黄金"，《金石录》长期被认为是宋刻孤本、全本，历经明清数代藏家递藏。数百年 间 ...

□ 朱光 今天起，《全民阅读促进条例》施行。中国出版协会全民阅读工作委员会主任聂震宁撰文《既要久久为 功，也要只争朝夕》，开篇第一句话："开展全民阅读推广活动，目的是建设书香社会。"建设书香社 会，正是走向美好生活的重要一步。 阅读的终点，从来不是书架，而是现实生活、辽阔人生。如今的很多"斜杠文艺青年"，身为"新大众文 艺"颇为活跃的圈层，提升了个人甚至行业价值。例如动画电影《哪吒之魔童闹海》的导演饺子，毕业 于医药专业，却精于动漫、热爱阅读。他最喜欢的28位偶像中，包括余秋雨、金庸、易中天。再如，本 报推出的"上海阅读者"系列专栏，不止于赞美每一个阅读者的热忱，更注重分享其个人的阅读方法、独 特经历乃至阅读带来的生活切片。当每个人独有的阅读秘籍成为"共享经验"之后，我们也就为书香社会 的建设出了一份力。 阅读能帮助更多人理解他人、理解传统、理解世界。如果没有《金石录》，李清照在大部分人的眼里仅 是"女词人"。她最近留给世人的印象，是上海歌舞团排演的舞剧《李清照》——让观众对李清照与赵明 诚的爱情故事有了感性认识。赵明诚去世后，李清照嫁给武夫张汝舟——其觊觎妻子的文物之财而非文 学之才，不过百日就离婚。才女就 ...

国图藏本为30卷足本，是完整的传世版本；上图藏本则为10卷残本。近千年来，人皆以为《金石录》仅 存此10卷，国图足本的存在长期不为人知。也正因这份稀缺性，上图藏本成为历代藏书家珍视的瑰宝， 阮元与刘文如、奕绘与顾太清等学林眷侣，都曾在其上留下印记。林峻表示，上图藏本不仅是李清照、 赵明诚的事业结晶与爱情见证，更承载着后世学林眷侣的惺惺相惜，尽显中国文化生生不息背后的情感 力量与文化内涵。 中新网上海1月31日电 (记者 李姝徵)上海图书馆(以下简称"上图")东馆迎来一位特殊的"客人"：来自中 国国家图书馆(以下简称"国图")的南宋龙舒郡斋刻三十卷足本《金石录》。 31日起，国图《金石录》将与上图十卷本《金石录》一起，于"情比金坚——上海图书馆藏苏州潘氏典 籍文献展·新春特展"上联袂展出，展期将持续到3月5日。这也是两部国宝《金石录》，近千年来首次同 框。 1月31日起，中国国家图书馆《金石录》将与上海图书馆十卷本《金石录》一起，于"情比金坚——上海 图书馆藏苏州潘氏典籍文献展·新春特展"上联袂展出。狄权 摄 "两部金石录，千年等一回。"上海图书馆副馆长林峻在接受中新网记者采访时表示，两部国宝《金石 录》同框亮 ...

宋刻本《金石录》的流传，不仅是一段"金石不渝"的文化传奇，承载着赵明诚、李清照夫妇志趣相投、 共同治学的深情，也串联起后世知音、佳偶之间惺惺相惜的情感共鸣。上海图书馆历史文献中心副主任 郭立暄特别指出："在'乾嘉学术'鼎盛的时代，女性同样在其中扮演了重要甚至非常出色的角色。我们 上图的这部《金石录》正是这一点的生动体现。在中国古籍的收藏印记中，出现女性藏家的痕迹并不多 见，而此本便是一个例证。" 围绕这部金石学名典，上海图书馆同步推出了"情比金坚"新春特展。展览以"伉俪同藏共读"为主题，精 心遴选展出了包括赵明诚李清照夫妇在内的六对文化名人夫妇的著作及藏书原件共计18种，旨在从情感 维度揭示文化传承与创造的内在力量。该特展将持续展出至3月5日。 岁末年初，上海图书馆典籍文献展迎来重磅更新。明天开始，由上海图书馆与中国国家图书馆分别珍藏 的两部宋刻本《金石录》将首次同框展出，实现近千年后的历史性聚首。 看看新闻记者: 陈慧莹 顾克军 《金石录》由宋代著名学者赵明诚与其夫人、词人李清照共同编纂，是中国古代金石学领域具有里程碑 意义的重要著作。本次展出的两部宋刻本同出一源，却历经不同的流传轨迹，各具特色与价值。国图 ...

Core Points - The exhibition "Treasures of Gold and Stone: Ancient Discoveries and Artistic Renaissance in China from the 18th to 20th Century" opened on November 7 at the Musée Cernuschi in Paris, showcasing significant works in calligraphy, painting, and stone studies [1][2] - The exhibition highlights the impact of the technique of rubbing (拓印) on artistic innovation during the 18th to 20th centuries, emphasizing its role in reviving ancient cultural heritage and inspiring new artistic forms [1][2] - The exhibition will be open to the public from November 7, 2023, until March 15, 2026 [3] Group 1 - The collaboration between the Musée Cernuschi and the Zhejiang Provincial Museum aims to reflect the historical and cultural exchanges between China and France [1][2] - The exhibition is described as a manifestation of friendship and cultural exchange between China and France, as noted by Paris Mayor Hidalgo [2] Group 2 - The exhibition features a focus on the significance of stone studies (金石学) and its influence on both scholarly and artistic movements in the early 20th century [2] - The Zhejiang Provincial Museum has played a crucial role in rediscovering the importance of stone studies, particularly through the works of Qing Dynasty scholar and artist Liu Zhou [2]

Core Viewpoint - The article highlights the life and contributions of Lü Dalin, a pioneering figure in Chinese archaeology, who created the first systematic catalog of ancient artifacts, "Kao Gu Tu," despite facing the irony of his own tomb being looted centuries later [1][22]. Group 1: Background and Education - Lü Dalin was born into a prominent family in the Northern Song dynasty, known for its scholarly achievements, with several family members holding significant political and cultural positions [2][3]. - He was influenced by the academic thoughts of his time, particularly the "Qi Ben Lun" of the Guanzhong school, which emphasized practical knowledge over theoretical discussions [2][3]. Group 2: Contributions to Archaeology - Lü Dalin's work "Kao Gu Tu" was completed in 1092 and included 234 artifacts, meticulously documenting their shapes, inscriptions, and historical significance, establishing a rigorous academic standard for artifact cataloging [9][10]. - The book was innovative in its classification system, organizing artifacts by their uses, which influenced future scholars and remains relevant in modern studies [10][11]. Group 3: Methodology and Techniques - Lü Dalin developed six distinct drawing methods to accurately represent artifacts, including central projection and isometric projection, which allowed for a comprehensive visual understanding of the objects [12][19]. - His approach to documenting artifacts involved detailed descriptions of dimensions, inscriptions, and historical context, providing a reliable reference for future scholars [11][12]. Group 4: Personal Legacy and Irony - Despite his efforts to protect his own tomb with advanced designs, Lü Dalin's burial site was ultimately looted in a modern theft, highlighting the tragic irony of his life dedicated to preserving history [21][22]. - The article reflects on how Lü Dalin's contributions to archaeology and his vision for understanding ancient artifacts continue to resonate, even as his own legacy faced destruction [22].

Core Viewpoint - The article discusses the significance of Huang Binhong's artistic philosophy and contributions to Chinese painting, particularly highlighting his four foundational theories: "Te Jian Yao," "Nei Mei," "Bu Qi," and "Min Xue" [1][4][22]. Summary by Categories Huang Binhong's Life and Background - Huang Binhong, born on January 27, 1865, was a prominent figure in modern Chinese art, engaging in various roles such as painter, calligrapher, and educator [1][3]. - His life spanned significant historical events, including the Hundred Days' Reform and the founding of the People's Republic of China, influencing his artistic and cultural perspectives [3][4]. Artistic Philosophy - Huang Binhong's artistic philosophy emphasizes the importance of cultural mission and the role of art in shaping national spirit, advocating for the use of painting as a "Te Jian Yao" or "special medicine" for the nation [12][13]. - He believed that art should reflect the inner beauty ("Nei Mei") and moral character of the artist, asserting that true art captures the essence of nature and the universe [17]. The Four Foundational Theories 1. **Te Jian Yao**: This concept refers to the idea of using art as a remedy for societal issues, promoting the notion that painting can heal and uplift the national spirit [12][13]. 2. **Nei Mei**: Huang emphasized the distinction between inner and outer beauty, arguing that true artistic expression comes from understanding the deeper essence of nature [17]. 3. **Bu Qi**: He advocated for the appreciation of individuality and non-conformity in art, suggesting that beauty lies in asymmetry and uniqueness rather than uniformity [20]. 4. **Min Xue**: Huang positioned painting within the realm of "Min Xue," promoting freedom of thought and expression, contrasting it with the restrictive "Jun Xue" that served the elite [22]. Influence and Legacy - Huang Binhong's work and theories have had a lasting impact on the evolution of Chinese painting, bridging traditional techniques with modern artistic expressions [4][22]. - His approach to integrating Western artistic movements while maintaining a strong foundation in Chinese cultural heritage reflects a unique perspective in the discourse of art history [22].