2025年初，国球师的《文学史的书写形态与文化政治》修订重出。我第一次读到这部书，是在二十年 前。2004年，《文学史的书写形态与文化政治》由北京大学出版社出版问世。全书共有八章，分别讨论 具体的"文学史"书写个案：《京师大学堂章程》、林传甲《国文讲义》、胡适为代表的所倡导的文 学"革命"、林庚《中国文学史》、柳存仁《中国文学史》、司马长风《中国新文学史》、中国文学史中 的"香港文学"，以及香港评论家叶辉的写作尝试及其启发。八章之外，还有三章附编，分别是《文学史 的探索》《文学·结构·接受史》和《文学结构与文学演化进程》，尤其后两章介绍了作者从布拉格学派 获得的理论训练和理论自觉。 2009年底，国球师从香港科技大学移席香港教育学院。当时的教院正在谋求升格为综合型大学，国球师 带着这样的使命从清水湾来到八仙岭，担任人文学院的创院院长。那几年他非常忙。即使这样，我们的 师门会聚都没有中断过，听他讨论的内容先是陈世骧，后来是高友工、夏志清、徐迟，再后来是吴兴 华，等等。既包括非常理论化的内容例如1960年代普实克和夏志清针锋相对的文章，也涉及一些偏掌故 的，例如陈世骧夫妇的不同道路选择、例如夏志清夏济安兄弟。这些 ...

《战国楚简谐声通假大系》（全四册） 杨建忠 编著，中华书局 本书系统整理了2022年底之前公布的战国楚简中的谐声字，收5102个字头（不含同一字头下的异体 字），1345个声符及其谐声系列（其中单字209个）、4236个谐声字（不含同一字头下的异体谐声 字）。书中构建了一个断代的、分域的谐声、通假系统，以此系统为框架，将战国楚简谐声字悉数收纳 其中，并与战国其他系属文字横向比较，对系统了解和把握战国文字字形、音韵，以及战国时期汉字汉 语的发展变化，具有重要的作用。 《中华医藏·第三编·温病卷》（全五十册） 《中华医藏》编委会 编，李鸿涛 杨继红 主编，国家图书馆出版社 《中华医藏·第三编·温病卷》，由中国中医科学院中医药信息研究所古籍资源研究室主任李鸿涛、山西 中医药大学研究生学院院长杨继红主编，收录温病代表性典籍93部，包括通论、瘟疫、疟疾、痢疾、痧 症、霍乱、鼠疫等多个类别。如明代吴又可《温疫论》，提出"戾气"病因说，标志着温病学登上历史舞 台；清代戴天章《广瘟疫论》、杨璇《伤寒瘟疫条辨》、刘奎《松峰说疫》《瘟疫论类编》等继承发扬 其说，形成温病学派。此外还有《疟疾论》《痢疾论》《痧胀玉衡书》《随息居重订 ...

Group 1 - The core perspective of the article revolves around the concept of "sympathy," which is not only the author's view on literature but also reflects their life and value outlook [2][3] - The author emphasizes that the book "From Gap to Thoroughfare" serves as a reflection of the author's own life experiences, particularly within the context of the "post-70s" generation [3] - The dialogue format used by the author, as noted by Li Er, is a method of literary criticism that aims to evoke sympathy and understanding, providing a comforting response to the literary and societal questions of the time [3] Group 2 - The author highlights the importance of a "righteous" attitude towards literature, which includes being fair, empathetic, and slightly conservative while discussing new issues within a fundamental tradition [2] - The questions posed by the author to various interviewees reflect her own confusions and doubts, allowing the interviewees to validate their perspectives and engage in self-defense [2] - The article suggests that literature is currently in a horizontal "gap" between the virtual and real worlds, indicating a broader existential challenge faced by writers today [3]

Group 1 - The article discusses three notable books published in the second half of 2025, highlighting their significance in literature and cultural heritage [2][4][5] - "Ling Ling Seven Strings: A Study of Zha Fuxi" is a commemorative collection marking the 130th anniversary of the renowned guqin master Zha Fuxi, emphasizing his contributions to the preservation and transmission of guqin music [2][3] - "My Heart Desires a More Adventurous Life" by W. Somerset Maugham is described as a reflective work summarizing his life and writing, emphasizing the importance of travel in his creative process and personal growth [4] - "Paris Review: Non-Fiction Writer Interviews" features interviews with seventeen non-fiction writers, discussing the craft of writing and the distinction between non-fiction and fiction, with insights from Pulitzer Prize winners [5][6] Group 2 - The book on Zha Fuxi includes analyses of his guqin artistry compared to contemporaries, highlighting his unique style that emphasizes emotional depth and philosophical content [3] - Maugham's reflections reveal his belief in the necessity of travel for writers, as it allows for the collection of diverse experiences and materials that enrich their narratives [4] - The interviews in the "Paris Review" provide valuable perspectives on literary criticism, emphasizing the transient nature of critical power and the long-term evaluation of artistic works [5][6]

Group 1 - The article discusses the novel "The Wanted Man" by Wei Shining, which portrays the life of a young man named Qiu Yuan who becomes a fugitive after accidentally killing someone. The narrative explores his various identities and experiences across different locations in China during the 1990s, highlighting the stark contrasts in lifestyles and societal conditions between urban and rural areas [4][3]. - The author describes the novel as a depiction of "a group of unfortunate individuals gathering repeatedly," filled with the complexities of human relationships and societal realities [4][3]. Group 2 - The article mentions the publication of "The Collected Works of Chen Yingzhen (1970-1980s)," edited by Professor Zhao Gang, which includes essays that critique the political oppression, economic distortions, and cultural colonialism in Taiwan during that era. It reflects Chen's evolution from a passionate youth to a more introspective writer facing societal challenges [6][7]. - The work emphasizes the role of intellectuals in advocating for truth and human dignity, showcasing Chen's commitment to addressing significant societal issues through his writings [6][7].

Core Viewpoint - The discussion between critic Cong Zhichen and writer A Lai emphasizes the importance of literary criticism in understanding and appreciating literature, suggesting that every "narrow door" in literature leads to a broader understanding of the world [5][7]. Group 1: Literary Criticism and Its Role - Cong Zhichen's new literary criticism collection "The Narrow Door of Literature" showcases his analyses of various texts, highlighting how literature opens up to the world [5]. - A Lai connects Cong's work to André Gide's "The Narrow Door," arguing that every narrow door leads to a chaotic yet interesting world, encouraging readers to embrace these doors for broader experiences [5]. - The essence of artistic appreciation is described as a subjective aesthetic recreation, where individual readers derive different pleasures from their reading experiences [5][8]. Group 2: The Relationship Between Criticism and Creation - A Lai asserts that true literary criticism reflects and constructs literature, indicating that many critiques do not meet the standards of genuine criticism [7]. - Cong Zhichen believes that literary criticism should first uncover the secrets of the text before discovering values beyond literature, making "The Narrow Door of Literature" a practical application of his literary views [5][7]. - The dialogue emphasizes that literary criticism is a two-way interaction between readers and authors, where critics interpret and express their perspectives while engaging with the authors' voices [11]. Group 3: Aesthetic Values in Literature - A Lai stresses the importance of aesthetic ability in literary criticism, suggesting that the current literary criticism system lacks this essential quality [12]. - The conversation highlights the need to defend the aesthetic and purity of language in an era dominated by consumerism, where language tends to become mundane [12].

Group 1 - The core viewpoint of the article emphasizes the significance of literature as a reflection of the soul and the importance of connecting with human existence and spirit in modern literary criticism [1][4] - The author, Xie Youshun, has made substantial contributions to contemporary literary criticism over the past 30 years, with works that resonate with both writers and readers [1][4] - "The Deep Meaning of Literature" is presented as a culmination of the author's recent literary thoughts, continuing and expanding upon his literary perspectives [1][3] Group 2 - The author asserts that the essence of literary style is thought, and that a writer's personality, taste, and ideas significantly influence the value of their style [2] - The work discusses the relationship between style and thought, suggesting that literary self-awareness is intrinsically linked to stylistic self-awareness [2] - The author calls for modern novels to engage in self-reflection and rationality, urging a reconstruction of the relationship between the self and the world [2]