如今，人工智能正从多领域、多层次重塑博物馆的展现形态与功能边界。 面向未来，博物馆在数字化浪潮中应着力于夯实基础、洞察需求和重构功能。基础建设不仅涵盖网络、 算力等硬件支撑，也包括统一互通的数据标准和高质量的藏品数字资源库建设。通过充分的科学调研把 握观众需求，并对人工智能的运用效果进行评估与持续改进，方能真正实现科技赋能博物馆发展。 对于博物馆来说，人工智能不只是辅助工具，更应成为激发创新与变革的催化剂，推动博物馆突破限制 发展的无形"围墙"，成为更加开放、更有活力的文化枢纽。 （文章来源：人民日报） 信息处理层面，人工智能是"超级助手"。对于博物馆中海量的藏品图片、文字信息和文献资料，利用自 然语言处理和图像识别技术，可以自动完成数据提取、识别、分类。在内容生成层面，人工智能是"灵 感源泉"。生成式人工智能已被部分博物馆用来辅助开发教育项目和社交媒体互动，让博物馆的传播方 式变得更多样有趣。今年大受欢迎的中共一大纪念馆"数字一大·不忘初心"、陕西历史博物馆"壁画那边 是唐朝"等大空间VR沉浸式体验项目，就是数字孪生与AI+3D重建技术赋能文旅、活化历史的成功尝 试。在重塑体验方面，人工智能是"贴心伙伴"。 ...

Core Insights - The article highlights the impressive cultural and historical significance of the Liaoning Provincial Museum (Liaobo), emphasizing its ability to rival major national museums in China [1][3] - The museum has recently hosted significant exhibitions, including the "Strengthening the Awareness of the Chinese National Community" theme exhibition, showcasing over 600 artifacts [3][11] Group 1: Historical Significance - Liaobo is recognized as the first museum established in New China, opening on July 7, 1949, and has played a crucial role in the development of museum practices in China [4][6] - The museum's establishment was part of a broader effort to preserve and protect cultural heritage during the tumultuous period of the Chinese Civil War [4][6] Group 2: Unique Cultural Aspects - Liaoning's cultural heritage is characterized by its unique historical interactions, serving as a crossroads for various civilizations, including agricultural, nomadic, and fishing cultures [7][15] - The museum houses approximately 120,000 artifacts, with significant collections of ancient art, including notable works from the Song and Yuan dynasties [7][10] Group 3: Modern Utilization and Engagement - The museum is actively enhancing the utilization of its collections through innovative approaches, including collaborations with local cultural institutions and the integration of technology [10][9] - Liaobo aims to foster a sense of historical identity and community awareness among younger audiences through educational programs and interactive exhibits [18][11]

吉林省立法创新推动博物馆事业高质量发展 中新网长春10月15日电 (金乔)吉林省人大常委会15日召开新闻发布会，解读《吉林省博物馆条例》(以 下简称《条例》)有关情况。据悉，该《条例》是吉林省文化领域的一部重要地方性法规，也是全国首 部省级层面博物馆专项立法。 9月23日，吉林省十四届人大常委会第十九次会议审议通过《条例》，将于2026年1月1日起正式施行。 《条例》共六章53条，明确了博物馆事业发展的基本原则、各方职责、规划建设、管理体系、文物保 护、事业发展等。 广告等商务合作，请点击这里 本文为转载内容，授权事宜请联系原著作权人 文物保护是博物馆工作的重要组成部分。据介绍，为处理好文物保护和文物利用的关系，《条例》依据 修改后的文物保护法对博物馆馆藏文物、商业经营、安全管理等内容加以规范，规定加强库房管理和藏 品安全管理，禁止将馆藏文物出租、出售或者抵押、质押给其他单位、个人，开发博物馆相关旅游项目 必须严格落实文物保护和安全管理规定，防止建设性破坏和过度商业化。 韩金华介绍，《条例》还提到支持开展博物馆方面的科学研究、加强博物馆研究成果转化应用。通过提 供优质讲解服务，加强数智赋能，推动博物馆积极融入 ...

Core Points - The Paris Picasso Museum has announced the launch of a major renovation project named "Picasso 2030," which is the largest renovation since its opening in 1985, with a budget of €50 million [1][6] - The museum will remain open to the public throughout the renovation period from 2028 to 2030 [1] - A special exhibition titled "Very Picasso: Paul Smith's New Perspective" will be held at the Shanghai Pudong Art Museum starting December 22, featuring over 80 valuable pieces from the Paris Picasso Museum [3] Renovation Details - The renovation will connect the museum's internal courtyard with the adjacent Leonor-Fini Square, creating a 25,000 square foot outdoor sculpture garden that will be free to the public [1][6] - The new sculpture garden will display approximately twelve bronze sculptures by Picasso, including works themed around animals and transformation [6] - The exhibition space will be doubled to 8,600 square feet, with a new wing dedicated to temporary exhibitions [1][6] Historical Context - The museum is housed in the former private residence of tax collector Pierre-Ovide Fontenay, which has undergone multiple transformations since its inception [4][7] - The museum's collection includes over 5,000 artworks and 200,000 archival materials, showcasing Picasso's evolution from his Blue Period to Cubism and later works [4][8] - The museum was officially opened to the public on October 1, 1985, after the French government accepted Picasso's artworks as payment for inheritance tax [7][8] Funding and Challenges - The renovation project will be funded entirely through sponsorship, with contributions from the Picasso family and the museum's own funds, as the French Ministry of Culture is currently focused on other major projects [7] - The museum director emphasized that the project is not yielding to commercialism, maintaining a non-profit approach to overseas exhibitions [7]

10月13日上午，长沙子弹库战国帛书第二、三卷《五行令》与《攻守占》划拨入藏仪式在湖南省博 物馆举行，标志着流失海外79载的瑰宝正式回归故土、入藏湖南省博物馆。 子弹库战国帛书是迄今为止发现的中国最早的、首个典籍意义上的帛书，于1942年在长沙子弹库楚墓遭 盗掘出土，1946年流散海外。通过中美文物返还合作，今年5月18日，美国史密森尼学会国立亚洲艺术 博物馆返还的《五行令》《攻守占》落地北京，回到祖国。子弹库战国帛书共分三卷，系统记录了先秦 时期的天文历法、宇宙观及军事占卜等内容，是研究天文学、军事学、文字学、文献学与思想史的不可 或缺的珍贵实物资料。 帛书于今年9月10日运抵湖南省博物馆后，已完成14天环境适应观察，经无损评估后保存于恒温恒湿环 境中。目前，馆内已完成全部帛书的标准化影像采集，并在一片未完全剥离的帛书上发现肉眼不可见的 墨迹字样40余个。 湖南省博物馆作为湖湘文化的守护与传承重镇，具备一流的文物保护与研究条件。帛书入藏后，该馆将 承担起永续守护与深化研究的历史责任，让这件国宝在故土焕发新的生机。 ...

Core Insights - The "museum fever" in China has been rising, with various museums innovating their exhibitions and extending opening hours to meet public demand [1][2] - The development of museums in China has evolved into a significant cultural phenomenon, with museums serving as "second classrooms" and integrating into daily life [1][2] Group 1: Museum Innovations - Jiangsu Nantong Museum has implemented a "museum-garden integration" concept, enhancing educational experiences through activities like "little docents" training [2][3] - The museum houses approximately 50,000 cultural relics and aims to attract over 1.25 million visitors in 2024, showcasing its commitment to social education and innovative activities [3] Group 2: Cultural IP Development - The Dunhuang Museum has transformed its cultural relics into a cultural IP, offering various merchandise and immersive experiences to engage younger audiences [4][5][6] - The museum has expanded its product lines to include clothing and accessories, enhancing the popularity of Dunhuang culture [6] Group 3: Museum City Expansion - Taiyuan, known as a "museum city," has 106 museums, with a visitor count of over 10.24 million in 2023, reflecting an 8.85% increase year-on-year [7][8] - The city has implemented a plan to encourage the development of community museums, enhancing public engagement with local history and culture [10][11]

Core Viewpoint - The Palace Museum is celebrating its 100th anniversary in 2025, reflecting on its journey of protecting and promoting Chinese traditional culture while adapting to modern challenges and opportunities [1][4]. Group 1: Historical Development - The Palace Museum was established in 1925, transforming from a royal palace into a public museum, making its collections accessible to the public [1]. - During the Japanese invasion in 1933, the museum relocated over 19,000 boxes of artifacts to protect them, demonstrating its commitment to cultural preservation [1]. - After the founding of the People's Republic of China, the museum restructured to enhance its service functions and research capabilities, leading to the return of artifacts from the south starting in January 1950 [1]. Group 2: Modern Development Strategy - Since the 18th National Congress of the Communist Party, the Palace Museum has entered a new development phase, proposing the "Four Palaces" construction system: Safe Palace, Academic Palace, Digital Palace, and Vital Palace [2]. - The museum aims to become a world-class museum and a model for cultural heritage protection, integrating cultural and tourism sectors [2]. - Efforts include systematic protection of cultural heritage, development of academic resources, and exploration of digital technologies for artifact preservation and sharing [2]. Group 3: Future Directions - The museum is focusing on completing the "Palace Protection Overall Plan (2026-2040)" and establishing a quality management system for cultural institutions [3]. - There is an emphasis on interdisciplinary research involving the museum's collections and historical architecture, encouraging collaboration with various sectors [3]. - The museum aims to enhance its digital capabilities and provide innovative exhibitions and services to enrich cultural experiences for the public [3]. Group 4: Cultural Significance - The transformation of the Palace Museum from a royal garden to a public institution symbolizes China's modernization and the pursuit of national rejuvenation [4]. - The museum is guided by Xi Jinping's thoughts on socialism with Chinese characteristics, aiming to elevate its cultural heritage protection and research efforts [4].

Core Viewpoint - The Palace Museum, celebrating its 100th anniversary in 2025, is a significant cultural symbol of China, representing the preservation and promotion of Chinese civilization and heritage [42][43][47]. Group 1: Historical Significance - The Palace Museum was established on October 10, 1925, and has since become a cultural landmark for the Chinese people and a treasure of human civilization [46][47]. - Over its 100 years, the museum has witnessed and adapted to significant changes in Chinese society, reflecting the intertwined fate of the nation and its cultural heritage [53][54]. - The museum houses over 1.95 million artifacts, showcasing the richness of Chinese material culture and spiritual pursuits [49]. Group 2: Cultural Exchange and Modernization - The museum serves as a bridge for cultural exchange, hosting exhibitions that highlight interactions between Chinese and Western civilizations [50]. - Recent initiatives include the "Digital Palace Museum," which aims to enhance public engagement through technology and creative cultural products [55]. - The museum's expansion includes new facilities and exhibitions, such as the "Hundred Years of Guardianship" exhibition, which features 200 artifacts and attracts global visitors [51][52]. Group 3: Future Aspirations - The Palace Museum aims to continue promoting cultural prosperity and building a strong cultural nation, aligning with the broader goals of Chinese modernization [58][59]. - The next decade is expected to see further developments in cultural heritage preservation and public engagement, enhancing the museum's role in contemporary society [57][58].

Core Perspective - The Palace Museum is celebrating its 100th anniversary, reflecting on its journey of protecting, researching, and promoting Chinese traditional culture while adapting to modern challenges and opportunities [1][4]. Group 1: Historical Development - The Palace Museum was established in 1925, transitioning from a royal palace to a public museum, emphasizing the importance of public access to cultural heritage [1]. - During the Japanese invasion in 1933, the museum relocated over 19,000 boxes of artifacts to safeguard them, marking a significant moment in its history [1]. - After the founding of the People's Republic of China, the museum restructured to enhance its service functions and research capabilities, leading to the return of artifacts from the south starting in January 1950 [1]. Group 2: Modern Development Strategy - Since the 18th National Congress of the Communist Party, the Palace Museum has entered a new development phase, proposing the "Four Palaces" construction system: Safe Palace, Academic Palace, Digital Palace, and Vibrant Palace [2]. - The museum aims to become a world-class institution and a model for cultural heritage protection, integrating resources from various fields such as archaeology and architecture [2]. - Efforts are being made to enhance digitalization and innovative cultural heritage protection, including the development of digital resources and platforms [2]. Group 3: Future Directions - The museum is focusing on completing the "Palace Protection Overall Plan (2026-2040)" and establishing a quality management system for cultural institutions [3]. - There is an emphasis on interdisciplinary research involving the museum's collections and historical architecture, encouraging collaboration with various sectors [3]. - The museum aims to leverage digital technology to enhance both its physical and digital offerings, ensuring a rich cultural experience for the public [3].

Group 1: Historical Significance of Artifacts - The article highlights the historical importance of various artifacts in the Palace Museum, including the Qing Dynasty cloisonné enamel piece, which is among the first items to receive an identification number [2] - The museum's collection has been meticulously cataloged over the years, with the most recent comprehensive inventory completed in 2011, revealing a total of 1,807,558 items, including 1,684,490 precious artifacts [2] - The narrative of the artifacts' journey during the war, particularly the southward migration of cultural relics, reflects a significant period in Chinese history and the efforts to preserve cultural heritage [6] Group 2: Restoration and Preservation Efforts - The restoration of the "Dashing Sound" guqin is presented as a notable success story, showcasing the dedication to preserving ancient musical instruments and their cultural significance [10] - The article discusses the collaborative efforts in the restoration of artifacts, emphasizing the integration of traditional techniques with modern technology to ensure the longevity of the items [19][20] - The museum's commitment to not only restoring artifacts but also reviving traditional craftsmanship is highlighted, aiming to bring ancient art forms back into contemporary life [20] Group 3: Cultural Heritage and Public Engagement - The Palace Museum has evolved from a royal palace to a public museum, significantly increasing its accessibility to the general public since its establishment in 1925 [14] - The museum plays a crucial role in educating the public about Chinese history and culture, with ongoing efforts to enhance visitor experience and engagement through various initiatives [14][22] - The digitalization projects, such as the "Panoramic Palace" initiative, aim to provide virtual access to the museum's treasures, allowing a broader audience to appreciate its cultural heritage [22]