——铜人像类，铸刻侍奉神的人们； ——祭品类，供奉神的礼仪用具，摆放在神像与人像之间，譬如盛装酒的青铜容器，玉璋、玉戈等。 目前出土数以十计的铜尊和多件铜罍等盛酒铜器，反映出三星堆人以铜尊为主要祭祀和礼仪用器，铜尊 最多，铜罍其次，其他类型极少。 三星堆出土的青铜尊 三星堆遗址中出土的罍 三星堆的"群神系统" 三星堆青铜器最具代表性的特征，是丰富的人物造像。"千器千面"中，到底哪些是神，哪些是人？流传 至今的各种神话中，藏着一条规律线索：人像写实，神像虚构。人像结合神兽、神物，幻化出不同的 神，是人类共通的艺术手法。 （原标题：神秘的神坛：构筑"天地人"三界，或是"三神"系统来源） 文博时空 作者 毛玉婷 玉山 三星堆的青铜器丰富精彩、琳琅满目，但其纷杂往往让观众留下"走马观 花，不知所云"的感受，北京大学考古文博学院教授、北京大学文化遗产保护研究中心主任孙华梳理出 用于陈设组合的三类器物群： ——铜神像类，这是三星堆人崇奉的对象，其中又分为主神（大神）与小神； 1、 主神 神话故事总会出现"各司其职"的诸神。孙华分析三星堆的"群神系统"时指出，主神是三星堆人顶礼膜拜 的主要对象。他佩戴着以"千里眼、顺风耳" ...

（原标题：第一批居民从哪来？他们纪念的是哪位蜀王？） 文博时空 作者 毛玉婷 五千年前，一系列远古文化在成都平原交叉绽放。他们中，到底是哪批人率先抵 达三星堆，勾画出三星堆的最初面貌？后来，又有哪些人融入，改变了当时的社会文化？后世人描绘的 蜀王，是否能够在平原找到踪迹，他们是否参与创造了三星堆？ 墓葬的发现可以帮助解答这些疑问，但至今在三星堆古城发现的都是不埋人的器物坑，考古人心心念的 王陵并未出现，所以仍是迷雾重重。 巴蜀文化脉络 目前，川中最早的文化痕迹发现于山地区域，现隶属于阿坝藏族羌族自治州茂县。 距今大约5000年前的新石器期时代，川西高原的岷江上游，先民在营盘山活动留下遗址群。他们的文化 特征接近中国西北地区、黄河上游的马家窑文化，两个地方的人都种植小米（粟、黍），用着相同的制 陶手法，不约而同地在高领陶器的肩、颈、腹部留下粘接痕。 营盘山遗址所在地 图据成都文物考古研究院 营盘山彩陶，图源：成都文物考古研究院 大概在距今4900年，部分古蜀人从西北高原而下，抵达成都平原的德阳什邡，创立了"桂圆桥文化"。在 这个靠近山地、相对较高的地区，他们延续旱作农业，继续种植小米。 成都文物考古研究院副院长 ...

（原标题：盛极而落：三星堆至今不为人所知的三部曲） 文博时空 作者 毛玉婷 近年的考古圈顶流"网红"，非三星堆莫属。在原始宗教的牵引下，先民驰骋于理 想之境，铸造出奇诡、神秘、夸张的青铜造像，构筑起神性美学，再烧砸毁掉，留下扑朔迷离的器物 坑，让今人在似懂非懂间感慨、景仰、追寻。 青铜大面具 青铜纵目面具 青铜头像 不寻常的青铜"神器"掀起一波波流量，却也遮挡住三星堆遗址绵延两千年的丰富内涵。当从"坑"里跳出 来，仔细翻阅史料，可以看到三星堆历经了三种不同的文化阶段：从新石器本土文化上"迭代"，三星堆 文化在商代中晚期达到鼎盛，进入青铜时代。这时，物质发展催生职业分工，一种类似于都江堰的早期 分流控水技术或出现，各种文化因子一起推动，揭开蜀地的古国序章。极盛之时却突遇变故，随着文化 日渐衰落，人们废弃古城，迁徙它处……尽管不是连贯的文化演进，"兴—盛—落"三部曲展开了三星堆 的绵延画卷。 总览：古国、古城、古文化 三星堆位置图，图据三星堆博物馆 三星堆遗址分布图 图源：四川省考古研究院 鸭子河南岸，分布着面积约12平方公里三星堆遗址（据现有认识），集古文化、古城、古国遗址的考古 面貌于一址。 那时，三星堆人就 ...

Core Viewpoint - The article emphasizes the importance of exposing children to museums as a means of education that transcends traditional schooling, fostering a broader worldview and deeper understanding of history and culture [1][3]. Group 1: Importance of Museums - Museums serve as a three-dimensional encyclopedia, with each artifact acting as a silent teacher, providing insights into a nation's cultural heritage [6][16]. - Engaging with historical artifacts allows children to connect with the rich cultural roots of their civilization, enhancing their understanding of history [4][17]. - There is a disparity in access to museum experiences between children in major cities and those in smaller cities, highlighting the need for broader educational resources [19][22]. Group 2: Educational Resource - A newly published book series titled "China's Top Ten Museums" aims to bridge the educational gap for middle and primary school students, aligning with new curriculum standards and enhancing their knowledge base [25][92]. - The series includes detailed explanations and high-quality visuals of over 700 national treasures, providing a comprehensive educational tool that integrates various subjects [43][63]. - The book is designed to make learning engaging and effective, transforming abstract historical concepts into relatable stories that children can easily grasp [92][93]. Group 3: Features of the Book Series - The series consists of ten volumes, each focusing on a specific museum, allowing children to explore 5,000 years of history and cultural evolution [31][65]. - It includes high-definition images and detailed analyses of artifacts, making the learning experience immersive and visually appealing [39][41]. - The content is structured to facilitate cross-disciplinary learning, connecting history, geography, art, and science, thereby igniting children's curiosity and desire for knowledge [113][120]. Group 4: Promotional Aspects - The book series is currently offered at a promotional price of 299 yuan, significantly lower than its original price of 1199 yuan, making it an accessible educational resource for families [74][148]. - Early purchasers receive additional gifts, including high-quality posters and a custom canvas bag, enhancing the value of the purchase [78][150]. - The series is presented as not just a collection of books but as a lifelong ticket to understanding and appreciating 5,000 years of Chinese civilization [150].

Core Insights - The China Pavilion at the Osaka Expo has received over 200,000 visitors in its first month, averaging about 7,000 visitors per day, making it one of the most popular pavilions at the expo [1][2] Group 1: Pavilion Highlights - The theme of the China Pavilion is "Building a Community of Life Between Man and Nature - The Future Society of Green Development," featuring multiple unique exhibition areas [1] - The pavilion's design resembles a scroll of Chinese literature, showcasing both ancient civilization and modern technology [1] - A significant exhibit is a large circular screen displaying multimedia images themed around the "Twenty-Four Solar Terms," illustrating the harmony between humans and nature [1][2] Group 2: Visitor Experience - The pavilion has implemented a humanized flow mechanism to prioritize the entry of special groups, including the elderly, children, and disabled individuals, supported by around 60 volunteers [2][3] - Visitors have expressed admiration for the cultural connections between China and Japan, noting similarities in seasonal changes and traditional aesthetics [2] - The pavilion features a replica of the 4-meter tall bronze tree from the Sanxingdui site, which has impressed many visitors and reshaped their understanding of Chinese bronze artifacts [2][3] Group 3: Cultural Significance - The pavilion aims to convey the warmth of Chinese culture and its respect for vulnerable groups, as highlighted by the experiences of international visitors [3] - The "Moon Soil" exhibit, showcasing samples from China's Chang'e missions, has drawn significant interest, with visitors expressing amazement at China's achievements in space exploration [3] - An AI-generated mural titled "Co-creating Peach Blossom Land" allows visitors to contribute to a collective artwork, emphasizing the theme of global cooperation [3][4]