UCCA尤伦斯当代艺术中心正在呈现瑞士空间影像艺术先驱皮皮乐迪·里思特（Pipilotti Rist）的大型个展"掌心宇宙"。受此启发，UCCA特别策划展览平行系 列对话"她的宇宙：女性在文学、社会学和电影学中的位置"，希望通过文学、社会学与电影学三个领域的交叉碰撞，更深入地展现女性在文化和社会结构中 所扮演的多元角色及其主动创造的能量。9月20日，该系列第三场对话在UCCA报告厅举行，由电影学博士、中国人民大学文学院讲师缴蕊主讲。 讲座中，缴蕊梳理了欧洲电影史上具有代表性的女性导演与作品，介绍她们如何通过影像美学与叙事策略发起关于身体的自我解放，即如何争取与展现女性 身体自主权、欲望表达权及社会可见性。今天，关于身体的个体记忆在公共场域中不断被各种语言讲述，而电影让身体得以在跨越时空的影像中相遇。从电 影诞生之初，女性身体就是重要的被观看对象；然而这门在"男性凝视"下成长的艺术，也记录了女性从客体位置逃逸的路径，并逐渐成为女性自我解放的武 器。银幕上自由的身体召唤着解放的目光，而这样的目光也引领我们看见更多被解放的女性，在影像的对视中分享流动的生命。 电影史中的"男凝"机制 在讲座开篇，缴蕊分享了自己观看" ...

Core Viewpoint - The article highlights the achievement of Chinese actress Xin Zhilei, who won the Best Actress award at the 82nd Venice International Film Festival for her performance in the film "Day Hanging in the Sky" [1]. Summary by Sections Film and Awards - "Day Hanging in the Sky," directed by Cai Shangjun, features Xin Zhilei alongside Zhang Songwen and Feng Shaofeng, telling a tragic story of former lovers reuniting after many years in a southern city [1]. - Xin Zhilei is the third Chinese actress to win the Best Actress award at the Venice International Film Festival, following Gong Li and Deanie Ip [1]. Personal Achievements - Xin Zhilei expressed her dreams of becoming an international star during her acceptance speech, encouraging young girls to pursue their dreams boldly [1]. - She was born in 1986 in Hegang, Heilongjiang Province, and graduated from the Central Academy of Drama, with notable works including "Embroidered Spring Knife," "Blossoms," "Joy of Life," and "Ruyi's Royal Love in the Palace" [1]. Previous Recognition - In 2016, Xin Zhilei starred in "The Yangtze River" which was the only Chinese film nominated for the main competition at the 66th Berlin International Film Festival [2]. - In 2023, she won the lead actor award at the 32nd Shanghai White Magnolia Drama Performance Arts Award for her solo performance in "Initial Evidence" [2].

Core Viewpoint - The article highlights the achievement of Chinese actress Xin Zhilei, who won the Best Actress award at the 82nd Venice International Film Festival for her performance in the film "Day Hanging in the Sky," marking a significant milestone for Chinese actresses on the international stage [2][4]. Group 1: Xin Zhilei's Career Progression - Xin Zhilei, born in 1986 in Heilongjiang, China, faced a long journey in the entertainment industry, transitioning from minor roles to a leading actress over more than a decade [5][7]. - Her breakthrough came in 2011 with the role of a blind woman in the fantasy drama "Painted Skin," which helped her gain recognition [5]. - A pivotal moment in her career was in 2016 when she starred in "The Yangtze River" which was nominated for the main competition at the 66th Berlin International Film Festival and won the Silver Bear award [5][7]. Group 2: Recent Achievements and Recognition - Xin Zhilei's performance in "Day Hanging in the Sky" was praised for its emotional depth, leading to her winning the Best Actress award at the Venice Film Festival, a recognition that had not been awarded to a Chinese actress since Gong Li in 1992 [2][4]. - She has also gained popularity through various roles in acclaimed films and series, such as "Ruyi's Royal Love in the Palace" and "Joy of Life," which expanded her visibility in the industry [7][9]. - Beyond acting, Xin Zhilei has successfully ventured into theater, earning the Best Actress award at the 32nd Shanghai White Magnolia Drama Performance Arts Awards for her role in the play "Initial Evidence" [9]. Group 3: Fashion and Brand Collaborations - Xin Zhilei's distinctive look and fashion sense have made her a sought-after figure for luxury brands, including Chanel and Montblanc, enhancing her profile in the fashion industry [9]. - Her recent appearance on the cover of Vogue alongside other actresses signifies her rising status and influence in both the film and fashion sectors [5][9].

Core Insights - The introduction of high-definition stage imaging, exemplified by the success of "Prima Facie" in China, represents a new artistic form that merges theater and film [1] - NT Live has become a leading producer in the field of stage imaging, showcasing the potential for theatrical performances to reach wider audiences through cinematic techniques [1][4] - The recent screening of "Macbeth" highlights the ongoing transformation and collaboration between theater and film, contributing to the evolution of the British creative industry [2][6] Group 1: Stage Imaging and Its Impact - High-definition stage imaging utilizes advanced filming techniques to enhance the audience's experience, capturing moments that might be overlooked in traditional theater [1] - NT Live's initial venture in 2009 with "Phedre" marked a significant milestone, allowing global audiences to experience live theater performances [4][5] - The success of NT Live has encouraged more theaters and film companies to engage in the production and distribution of stage imaging [1][5] Group 2: The Artistic Merger of Theater and Film - The recent "Macbeth" production employs immersive filming techniques, enhancing the sensory experience for viewers and drawing parallels to traditional stage performances [6][9] - The unique staging of "Macbeth" emphasizes sound design and minimalistic set design, creating a more intimate connection between the audience and the characters [9][10] - The dialogue surrounding the relationship between theater and film suggests that stage imaging does not replace traditional theater but rather complements it, offering audiences a different perspective [12]

Core Insights - The "Belt and Road" Film Week showcases the cultural depth and breadth of film industries in co-building countries through diverse film screenings, cultural forums, and lifestyle markets [1][3] - The event emphasizes the importance of international collaboration among filmmakers from "Belt and Road" countries, aiming to promote local films to a global audience [3][5] Film Week Highlights - The 27th Shanghai International Film Festival featured the "Belt and Road" Film Week, which has evolved to present a wider range of themes and cultural exchanges [1][3] - The Golden Goblet Film Forum focused on the theme "Future of Light and Shadow: Transformation of Film Festivals and Cross-Cultural Co-Creation," gathering industry leaders to discuss youth talent support and international co-production mechanisms [3][4] Cultural Exchange and Audience Engagement - The event aims to bridge cultural gaps and enhance understanding of diverse narratives, particularly from countries along the "Belt and Road" [4][5] - The significance of showcasing films from various countries is highlighted, as it allows audiences to appreciate diversity and find common emotional connections [5][8] Market Trends and Opportunities - The Chinese film market is experiencing a shift towards differentiated and niche films, with a growing appreciation for smaller, unique productions [5][6] - Successful examples of low-budget films, such as "Initial Evidence," demonstrate the potential for diverse storytelling to resonate with audiences [6][9] Youth Focus and Future Directions - Engaging young audiences is crucial for the future of film festivals, as seen in initiatives from the Yogyakarta Asian Film Festival, which connects local filmmakers with educational institutions [7][9] - The importance of maintaining dialogue and collaboration among filmmakers from different countries is emphasized, particularly in the context of cultural exchange [8][9]