Core Points - The article highlights the successful implementation of reading activities in rural areas, particularly in Changjia Village, where a farmer's bookstore has become a hub for community engagement and literary appreciation [2][3][5] - The initiative has led to the creation of literary works inspired by local experiences, enhancing cultural identity and community spirit [3][5] Group 1: Reading Activities - The "Village Reading" event in Changjia Village has gained popularity, with local residents actively participating and sharing their reading experiences [2] - The farmer's bookstore was relocated and upgraded in 2021, expanding its collection to better meet the needs of the community [3] - The reading activities have been supported by local authors, such as Zhao Xiaolin, who has conducted over 20 reading sessions and created works based on village life [3] Group 2: Community Impact - The bookstore has facilitated connections among villagers, fostering friendships and encouraging reading habits among children [3][5] - The upgraded bookstore has also provided resources that directly support local agricultural practices, such as books on mushroom cultivation [3] - The initiative has contributed to a broader digital reading campaign, allowing villagers to access a vast array of audiobooks and e-books through a network borrowing platform [5]

鲁迅为什么能写出《阿Q正传》？柳青为什么能写出《创业史》？ 一大原因是，他们都有自己的"根据地"。 鲁迅的根据地是他的家乡"鲁镇"和"未庄"。柳青的根据地是他的第二故乡长安县皇甫村。 根据地之于作家、艺术家，像一棵树的根，如一座山的基，似一条河的源，是取之不尽、用之不竭的资 源库，是创作灵感的生发地。 柳青曾说："生活是创作的基础。"他在皇甫村用十几年如一日的生活和创作，践行了自己的"创作观"， 皇甫村也成了柳青文学的根据地。 (责编：牛镛、岳弘彬) 还有一些文艺工作者，没有建立自己的根据地，不愿意走进生活深处，即便有时候受邀到基层采风，也 是心不在焉，或浮光掠影、"蜻蜓点水"，看到什么算什么，听到什么算什么，不肯深挖现象，不愿找生 动的细节，不想了解故事背后的故事。他们进行创作，只是为了给邀请方"交差"，创作出来的作品常 常"骨头比肉多"，形象苍白，语言不灵动。 没有根据地，不知何处是妙境。有了根据地，方知此地是宝地。文艺家的根据地，可大，也可小，可 近，也可远。可以是故乡，也可是他乡；可以是一企业，也可以是一县域；可以是一村庄，也可以是一 社区，甚至可以是一家族。只要自己感兴趣，地方无论大小，距离无论远近 ...

Group 1 - The core discussion revolves around the use of dialects in literary writing, highlighting the balance between artistic expression and the limitations on the work's dissemination [1][2] - Dialects are closely tied to local culture and personal experiences, making them appealing for some authors, yet they can restrict the broader reach of literary works [1][3] - Modern authors have developed a language awareness, with some expressing challenges in translating dialects into modern Chinese, leading to unique narrative styles [2][3] Group 2 - The focus on dialects has shifted from facilitating communication among different dialect speakers to the necessity of protecting dialects as part of cultural heritage [3] - The emergence of new literary movements, such as "New Northeast Writing" and "New Southern Writing," emphasizes the importance of dialects in contemporary literature [3] - Contemporary authors are exploring how to narrate Chinese stories through the uniqueness of dialects while preserving their distinctiveness in the portrayal of modern times [3]