Core Points - The 2025 China Golden Rooster and Hundred Flowers Film Festival opened in Xiamen, celebrating the 120th anniversary of Chinese cinema [1][4][6] Group 1: Opening Ceremony Highlights - Actors Huang Bo and Zhou Dongyu lit up the "Golden Rooster" symbolizing the creative spirit of filmmakers [1][4] - 84-year-old filmmaker Xiao Guiyun shared her reflections on the responsibility and challenges of filming historical subjects, emphasizing the importance of passing down revolutionary spirit [6][7] - Actress Wan Qian described her acting journey as a series of love letters to film, highlighting the dedication and passion required in the industry [6][10] Group 2: Tribute to Chinese Cinema - Film professionals collectively honored the 120th anniversary of Chinese cinema, noting the evolution from traditional theater to digital screens as a significant aesthetic and technological advancement [7][9] - Singer Yu Kewei performed the festival's theme song "Light and Shadow in the World," paying tribute to the history of Chinese cinema [9][12] Group 3: Future of Film - The festival introduced initiatives like AI talent selection, XR film exhibition, and mobile film projects, positioning itself as a laboratory for new creative forms [7][18] - The appearance of the "Zhi Yuan Ling Xi X2" robot at the opening ceremony symbolized the integration of technology in the film industry, indicating a new era of "Tech+" in Chinese cinema [18][19]

Core Perspective - The event highlights the intersection of historical significance and contemporary cultural expression in Chinese cinema, emphasizing the themes of artistic dedication, cultural heritage, and social responsibility [1][7]. Group 1: Historical Context and Artistic Commitment - The opening ceremony featured a collective singing of "We Walk on the Road," symbolizing the commitment of filmmakers to create for the people [2]. - A significant activity took place at the Nanjing Massacre Memorial, where artists paid tribute to history, reflecting on the importance of memory in their future artistic endeavors [2]. - The screening of "The Founding of a Republic" at the Dahua Grand Theatre showcased the dedication of filmmakers to historical narratives and their emotional connection with the audience [2]. Group 2: Cultural Integration and Heritage - The event successfully rooted film art in traditional Chinese culture, showcasing cultural confidence through various activities [3]. - The performance of the provincial intangible cultural heritage "Liuzuo Drum" celebrated the 120th anniversary of Chinese cinema, merging traditional art with modern celebrations [3]. - Artists engaged in immersive experiences of traditional opera, highlighting the importance of intergenerational cultural transmission [3]. Group 3: Intergenerational Dialogue and Legacy - The theme of "inheritance" was central to the event, emphasizing respect for historical memory and traditional skills [4]. - Veteran artist Tian Hua expressed hope for young actors to create outstanding works, reflecting the encouragement from the older generation to the youth [4]. - The "Film Culture into Campus" initiative facilitated direct dialogue between established artists and students, fostering a spirit of artistic exchange and mentorship [4]. Group 4: Social Responsibility and Community Engagement - The event showcased the role of film art in addressing social issues, such as ecological protection through the Yangtze River dolphin conservation initiative [6]. - Artists and volunteers participated in activities that raised awareness about the urgency of ecological preservation, demonstrating the power of art in community engagement [6]. - The event also included romantic elements that connected generations through classic film memories, reinforcing the cultural warmth of the city [6].

此行的起点，是名人故居众多的西总布胡同。 逛东单北大街，追寻近现代中国著名文学家、艺术家的足迹，或许是件颇有趣味的事儿。由于东单北大 街的西侧胡同大多消失，东侧的胡同还较为完整地留存下来，笔者的追寻之旅，便从东侧的西总布胡同 开始，自南向北穿过外交部街、东堂子胡同、干面胡同。 西总布胡同 董希文在74号创作《开国大典》 ◎高申 西总布胡同39号，曾经拥有过一座小洋楼，而今已然见不到了。所能留下来的，只有对往事的不尽追 忆。 1932年，美国人约翰·金·费尔班克和未婚妻威尔玛来到北平，他们从清华大学美籍教授翟孟生手里租得 39号院子。不久之后，二人在这个院子里结婚了。 在西总布胡同的这段时光，这对夫妇结识了梁思成、林徽因、胡适、金岳霖、钱端升、陈岱孙、丁文 江、蒋梦麟、傅斯年、翁文灏、费孝通夫妇等一大批中青年学术精英。梁思成还为这对夫妇分别起了中 文名字：费正清和费慰梅。 来到西总布胡同51号院，这里自新中国成立后便是中央美院的宿舍，著名画家侯一民就曾住在这里。您 还记得第三套人民币的图案吗？1元券上开拖拉机的女农民，2元券上开机床的工人，5元券上手持钢钎 的炼钢工，10元券上工农兵代表，都是侯一民创作的；而第 ...

Core Insights - The article highlights the 80th anniversary of Changchun Film Studio and the 120th anniversary of Chinese cinema, emphasizing the studio's historical significance as the "cradle of New China’s cinema" [1] - Various generations of filmmakers reflect on the development of Chinese cinema and discuss future trends during the Changchun Film Festival [1] Group 1: Historical Significance - Changchun Film Studio has produced over 3,600 films since its establishment, creating a legacy that has influenced generations of Chinese people and established a benchmark for filmmakers [9] - Renowned artists like Tian Hua and director Xiao Guiyun express their emotional connection to the studio and its historical contributions to Chinese cinema [2][4] Group 2: Cultural Reflection and Future Outlook - Filmmakers discuss the importance of cultural confidence and how the understanding of Chinese culture has evolved over the past decade, leading to a greater appreciation among the public [13] - The new generation of directors and creators is encouraged to integrate modern technology and audience sentiments into their work while maintaining the essence of storytelling [13]

Core Viewpoint - The vitality of cultural arts lies in innovation and creation, exemplified by the enduring legacy and continuous evolution of Dunhuang art, which has become a significant cultural symbol of China [1][5]. Group 1: Historical Context and Development - Over 80 years, generations of artists have followed in the footsteps of Chang Shuhong, integrating Dunhuang aesthetics into their work, leading to significant contributions in various art forms [2]. - The establishment of the Dunhuang Research Institute in 1944 marked a pivotal moment in the preservation and promotion of Dunhuang art, with Chang Shuhong advocating for the study and creation of new art styles rooted in Dunhuang traditions [1][2]. Group 2: Modern Innovations and Applications - The application of digital technology has become a focal point for the creative transformation of traditional Chinese culture, with numerous exhibitions showcasing Dunhuang art through high-precision digital reproductions and immersive experiences [3]. - Recent exhibitions, such as "Like This Mogao," highlight the use of multimedia to enhance the presentation of Dunhuang art, making it accessible to a global audience [3]. Group 3: Contemporary Artistic Practices - Contemporary artists, including Chang Shuhong's daughter, Chang Shana, have successfully incorporated Dunhuang elements into modern architecture and design, reflecting the ongoing relevance of Dunhuang aesthetics [4]. - The collaboration between fashion designers and the Dunhuang Research Institute has led to innovative clothing designs that blend traditional aesthetics with modern sensibilities, showcasing the versatility of Dunhuang art in various cultural contexts [4]. Group 4: Insights and Future Directions - The ongoing practices surrounding Dunhuang aesthetics provide valuable insights into the importance of understanding and applying Chinese styles and spirit in cultural and artistic innovations aimed at future audiences [5].