当年谭鑫培拍摄《定军山》时，丰泰照相馆的老板在琉璃厂院子里拉了一块白布，拍了三天，由于 当时技术落后，有效的素材只有十几分钟。因为无声电影限制，他们只能拍摄《定军山》中的一些舞 蹈、武打动作，难以体现唱、念的部分。即便如此，影片在北京大观楼影戏院首映时万人空巷，大家都 好奇谭鑫培在银幕上的形象如何，也带有对"伶界大王"的崇敬之情。 记者 钟菡 "失传的拷贝被你找到了？"上海大学上海电影学院教授刘海波第一次看到导演郑大圣拍摄的120秒 《定军山》致敬影像时，差点以为"影史要改写了"。1905年，京剧大师谭鑫培在北京丰泰照相馆拍摄了 影片《定军山》，被视为中国电影的开端，遗憾的是，这部无声电影的拷贝后来毁于一场大火，仅存一 张剧照。 在11月21日开幕的"到上海去——纪念中国电影诞生120周年特展"上，由郑大圣创作、谭门第七代 传人谭正岩表演的《定军山》致敬影像正式亮相，画幅、帧率都根据历史资料1:1复刻，让观众得以领 略中国最早电影的魅力。在开幕论坛上，谭门第六代和第七代传人谭孝曾、谭正岩父子与导演郑大圣、 制片人李基业揭开《定军山》拍摄背后的故事，共话中国电影120年来的"影戏双生"。 《定军山》背后的故事 ...

Core Viewpoint - The Shanghai Film Museum will launch a major exhibition titled "Going to Shanghai - Commemorating the 120th Anniversary of Chinese Cinema" on November 21, showcasing 761 exhibits, with 80% being displayed for the first time, marking the largest and most diverse exhibition since the museum's establishment [1][2]. Group 1: Historical Significance - The exhibition highlights the historical significance of Shanghai as the birthplace of Chinese cinema, with the first film screening occurring in Shanghai in 1897, predating the film "Dingjun Mountain" [3]. - Shanghai has been the site of numerous "firsts" in Chinese cinema, including the first cinema, the first production company, and the first distribution company, establishing it as a cultural hub for film [3][4]. Group 2: Exhibition Highlights - The exhibition features rare artifacts, including a 4-meter-wide celebratory banner for the opening of the Minxin Film Company, showcasing exquisite craftsmanship [5]. - A significant artifact is the subtitle photography table used in classic animations, which has been made accessible to the public for the first time [6]. - A diary belonging to film entrepreneur Lu Jie, containing insights into the origins of film terminology, is also a key exhibit [6]. Group 3: Cultural Impact - The exhibition aims to connect the history of Shanghai cinema with contemporary film culture, showcasing the city's ongoing influence in the film industry [8][10]. - It emphasizes the role of Shanghai as a vibrant cultural node in the global film landscape, highlighting the interaction between local and international filmmakers [8][10]. Group 4: Audience Engagement - The exhibition is designed to attract a broad audience, including film enthusiasts and the general public, with interactive installations and themed areas [10][12]. - It features a "Fan's Home" area that invites visitors to engage with film culture through various interactive experiences [10][12]. Group 5: Legacy and Future - The exhibition reflects on the historical consumption of cinema in Shanghai, with notable figures like Lu Xun documenting their film-going experiences, illustrating the deep-rooted connection between cinema and daily life in the city [11]. - The ongoing efforts to integrate film culture into urban life are highlighted, showcasing how cinema has become a lifestyle in Shanghai [10][12].

Core Points - The 2025 China Golden Rooster and Hundred Flowers Film Festival opened in Xiamen, celebrating the 120th anniversary of Chinese cinema [1][4][6] Group 1: Opening Ceremony Highlights - Actors Huang Bo and Zhou Dongyu lit up the "Golden Rooster" symbolizing the creative spirit of filmmakers [1][4] - 84-year-old filmmaker Xiao Guiyun shared her reflections on the responsibility and challenges of filming historical subjects, emphasizing the importance of passing down revolutionary spirit [6][7] - Actress Wan Qian described her acting journey as a series of love letters to film, highlighting the dedication and passion required in the industry [6][10] Group 2: Tribute to Chinese Cinema - Film professionals collectively honored the 120th anniversary of Chinese cinema, noting the evolution from traditional theater to digital screens as a significant aesthetic and technological advancement [7][9] - Singer Yu Kewei performed the festival's theme song "Light and Shadow in the World," paying tribute to the history of Chinese cinema [9][12] Group 3: Future of Film - The festival introduced initiatives like AI talent selection, XR film exhibition, and mobile film projects, positioning itself as a laboratory for new creative forms [7][18] - The appearance of the "Zhi Yuan Ling Xi X2" robot at the opening ceremony symbolized the integration of technology in the film industry, indicating a new era of "Tech+" in Chinese cinema [18][19]

Core Insights - The Chinese film industry has achieved significant milestones, with box office revenue surpassing last year's total by 2025, marking a new record for domestic animated films [1][6] - The development of Chinese cinema reflects the cultural memory and spiritual pursuits of the Chinese nation, as emphasized by President Xi Jinping [1] Historical Context - Chinese cinema began in 1895 with the first film screening in France, followed by the production of "Dingjun Mountain" in 1905, showcasing strong national characteristics [2] - The evolution of Chinese films has preserved cultural memories and reflected the struggles and aspirations of the people through various iconic films and dialogues [2][4] Cultural Significance - Films serve as a medium for expressing the voices and emotions of the people, with a focus on themes that resonate with the public [4] - The industry has maintained a commitment to traditional Chinese culture while exploring modern storytelling techniques [5] Market Dynamics - The Chinese film market has seen a significant leap in scale, with box office revenues exceeding 440 billion yuan this year, compared to less than 1 billion yuan at the beginning of the century [6] - Technological advancements in film production have accelerated, with a notable increase in the number of special effects used in animated films [6][8] Policy and Reform - The film industry has benefited from reforms that have integrated market dynamics with socialist cultural values, supported by various regulatory frameworks [7] - The "14th Five-Year Plan" aims to establish China as a film powerhouse by 2035, presenting historical opportunities for the industry [7] International Presence - Chinese films are increasingly defining the concept of "blockbusters," with domestic films accounting for over 70% of box office revenue for five consecutive years [9] - The global competitiveness of Chinese cinema is highlighted by successful international releases and collaborations [10][11] Challenges and Future Outlook - The industry faces challenges such as competition from short videos, changing audience preferences, and structural issues [12] - Despite these challenges, the evolution of Chinese cinema continues to reflect cultural heritage and adapt to modern demands, with a focus on innovation and expansion [12][14]

Core Points - The event "Light and Shadow for a Century: Sino-French Film Dialogue" was held on September 22 as part of the 2025 Beijing Cultural Forum, celebrating the rich history of Sino-French film collaboration through music and film [1] - The concert featured segments titled "Echoes of the Century" and "Journey of Light and Shadow," showcasing classic films and music that highlight the century-long relationship between Chinese and French cinema [1] - Notable performances included a segment from the 1905 film "The Battle of Dingjunshan," with live traditional music, emphasizing the cultural significance of early Chinese cinema [1] - The concert also highlighted the 1957 co-production "The Kite," which is recognized as the first color children's film in New China, showcasing the imaginative friendship between Chinese and French filmmakers [3] - A reunion of the creative team from "Wolf Totem" took place, reflecting on the challenges and experiences of the film's production, which took seven years to complete [5] - The concert featured music from the upcoming Chinese film "Fengshen Part One: Chaoge Fengyun," which will be screened in over a hundred theaters in France during the 2024 Spring Festival, illustrating the growing interest in Chinese cinema abroad [6] - A gift exchange ceremony at the end of the concert symbolized the enduring cultural ties between China and France, with notable figures exchanging memorabilia related to their cinematic heritage [6] Summary by Sections Event Overview - The "Light and Shadow for a Century: Sino-French Film Dialogue" concert was part of the 2025 Beijing Cultural Forum, focusing on the historical collaboration between Chinese and French cinema through music and film [1] Musical Performances - The concert included performances of classic films and music, with segments like "Echoes of the Century" and "Journey of Light and Shadow" that highlighted the century-long relationship between the two countries' film industries [1] Historical Significance - The concert featured early Chinese cinema, including a performance from "The Battle of Dingjunshan," showcasing the cultural importance of these films [1] - The 1957 film "The Kite" was highlighted as a significant co-production, marking a milestone in Sino-French cinematic collaboration [3] Creative Team Reunion - The reunion of the "Wolf Totem" creative team underscored the dedication and challenges faced during the film's production, which took seven years [5] Future Prospects - The upcoming release of "Fengshen Part One: Chaoge Fengyun" in France indicates a growing interest in Chinese films, with screenings planned during the 2024 Spring Festival [6] Cultural Exchange - The concert concluded with a gift exchange ceremony, symbolizing the strong cultural ties and mutual respect between Chinese and French cinema [6]

Core Points - The event "Wind Moves, Shadows Change - Sino-French Film Dialogue Series" was held on September 22, featuring a film concert that revisited significant films in Sino-French cultural exchanges [1][4] - The concert included performances by musicians using both Chinese and Western instruments, accompanied by historical footage [1] - The first recorded film materials about China were shot by French diplomat Auguste François, showcasing ordinary life scenes in various Chinese regions [1][2] Summary by Sections Event Overview - The film concert is part of the special planning for the 2025 Beijing Cultural Forum, highlighting the historical significance of Sino-French film exchanges [1] - The concert was divided into two parts: "Echoes of the Century" and "Journey of Light and Shadow" [1] Historical Significance - François used a borrowed camera from the Lumière brothers, the inventors of cinema, to create the first valuable moving images of China [2] - The concert featured classic films, including the first Sino-French co-production "The Kite," released in 1958, which marked a milestone in Chinese cinema [5] Cultural Exchange - French actor Juliette Binoche emphasized the renewed value of historical footage due to cultural exchanges between China and France [2] - Former French Prime Minister Jean-Pierre Raffarin highlighted the importance of film as a medium for emotional language and cultural dialogue [7] Audience Engagement - The concert attracted a diverse audience, including many young students from universities, indicating a growing interest in cultural heritage and film history [10] - The event concluded with a gift exchange between notable figures, symbolizing the enduring friendship between the two nations [12]

Core Viewpoint - The "2025 Beijing Cultural Forum - Sino-French Film Dialogue Series" launched the "Light and Shadow for a Century: Sino-French Journey" film concert, celebrating the achievements of film arts in both countries and promoting cultural exchange [1][2]. Group 1: Event Overview - The film concert took place on September 22, featuring music and film as a medium to honor the cinematic accomplishments of China and France [1]. - The event is part of a series aimed at enhancing cooperation in various fields, including film, between China and France [2]. Group 2: Notable Attendees and Contributions - Key figures included Shen Haihong, former French Prime Minister Jean-Pierre Raffarin, and various cultural representatives from both countries [2]. - Shen highlighted the deep friendship between China and France through over a century of mutual reflection in film arts [2]. Group 3: Performances and Cultural Exchange - Performances included segments from classic Chinese operas and films, showcasing the blend of traditional and modern cinematic techniques [1][3]. - The concert featured music from Sino-French co-productions, emphasizing the historical and cultural ties between the two nations [7]. Group 4: Future Initiatives - The event marks the beginning of further exchanges, with plans for French filmmakers to engage with Chinese cultural institutions and students [7]. - This initiative aims to foster ongoing cultural dialogue and collaboration, enriching the future of Sino-French cultural relations [7].

Core Points - The "2025 Beijing Cultural Forum - Sino-French Film Dialogue Series" launched the "Light and Shadow for a Century: Sino-French Journey" film concert, celebrating the achievements of film art in both countries and initiating a new chapter in Sino-French cultural exchange [1][4] - The event featured notable attendees such as French director Jean-Jacques Annaud and actress Juliette Binoche, highlighting the collaboration between Chinese and French filmmakers [1][3] Group 1 - The concert included performances of music from co-produced films like "Kite" and "Wolf Totem," allowing the audience to revisit classic works and memories of Sino-French film exchanges [3] - Rare footage from the late 19th and early 20th century China was presented by French filmmakers, alongside segments from the Paris Chinese Film Archive's collection, including "Dingjun Mountain," "The Love of Laborers," and "The West Chamber" [3] - The mutual gift exchange during the concert symbolized a century of collaboration in film between China and France, with significant items exchanged between descendants of notable figures [3] Group 2 - The "Sino-French Film Dialogue Series" aims to bridge academic, industrial, and cultural fields, promoting a historical review and collaborative creation in film art, thereby injecting lasting vitality into Sino-French cultural exchanges [4]

今年是中国电影（600977）诞生120周年。1905年由任庆泰执导的第一部中国国产电影《定军山》在北 京诞生，这部电影既是中国电影的起点，也是中华优秀传统文化与现代科技的初次碰撞。2025年同样是 融合了中华优秀传统文化与当代科技的动画电影《哪吒之魔童闹海》（以下简称《哪吒2》），以全球 票房超156亿元跻身全球影史全球前5的成绩，为中国电影攀登艺术和产业高峰献上了一份里程碑式的答 卷，也为重塑新大众文艺的范式，构建现代精神生产新体系，注入了强劲的动力。 从《定军山》到《哪吒2》，中国电影从跟跑到与电影大国并跑，再到如今展现出领跑之势，彰显出中 国电影的时代担当，镌刻着一代代中国电影人的奋斗。4月19日，在第十五届北京国际电影节期间，一 场关于中国电影如何高质量发展的话题被热烈讨论。何为高质量电影？在注意力经济的当下，电影如何 与微短剧争夺市场？AI技术给电影产业带来哪些影响？ 流媒体是人才的垫脚石 "其实从电影产业规模看，目前AI对电影产业的影响是微不足道的。AI可以提供个性实践，但最重要的 还是要会讲故事，这才是艺术创作的唯一出路。"黄建新说。 微短剧、长剧、电影将三分天下 有数据显示，作为近年来新兴的 ...

Core Insights - The 15th Beijing International Film Festival has commenced with the theme "New Quality Light and Shadow, Beautiful Together," featuring hundreds of activities that celebrate the film industry [1] - The festival aims to enhance the dialogue between Chinese cinema and international markets, addressing the ongoing challenge of "going global" for Chinese films [1][2] - The success of the animated film "Ne Zha" has sparked discussions on the types of Chinese films needed in international markets and the potential ceiling of the domestic film market [2] Group 1 - The Beijing International Film Festival serves as a platform for showcasing both domestic and international films, with nearly 160 films screened in its inaugural year [1] - The festival has expanded its international network, with 12 out of 15 films nominated for the "Tiantan Award" coming from abroad, including the guest country Switzerland [3] - The festival's historical significance is highlighted by its connection to the first Chinese film, "Dingjun Mountain," which was screened in 1905, marking the beginning of China's film journey [1] Group 2 - The festival has seen a significant increase in participation, with 1,794 feature films from 103 countries and regions competing for the "Tiantan Award" this year [3] - The event emphasizes cultural exchange through film, with prominent figures in the industry, such as actress Chen Chong, participating as judges [3] - The festival's activities reflect the ongoing transformation of the film industry, particularly the shift from traditional film to digital formats and advanced technologies [1]