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《异人之下之决战!碧游村》
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“广电21条”之下,长剧的安全感来自系列化开发?
Xin Lang Cai Jing· 2025-12-27 02:14
Core Insights - The industry is experiencing a "long drama anxiety," but long dramas are not failing; instead, serialized works are becoming a crucial support for stable performance [1][3] - The release of the "21 Regulations" by the broadcasting authority has provided a more flexible production and broadcasting environment for serialized and seasonal dramas [3][4] - Serialization is increasingly seen as a necessary working method for producers, shifting from a post-success discussion to a pre-project evaluation criterion [4][5] Group 1: Industry Trends - Serialized works occupy half of the top 10 highest-rated Chinese dramas on Douban, indicating a strong market response [1] - Producers are now prioritizing projects that can be developed into long-term IPs, reflecting a shift in focus from standalone success to sustainable content [4][5] - The industry is moving towards a model where different content forms, such as films, long dramas, and short dramas, are integrated under a single IP system [11][12] Group 2: Production Strategies - Producers are increasingly adopting a "pre-judgment" approach, assessing the potential for serialization before project initiation [5][10] - The development of multiple related projects in parallel is becoming common, allowing for a more cohesive narrative and character development [7][8] - The use of advanced technologies and AI in production processes is enhancing efficiency and quality, making the production of serialized content more manageable [25][27] Group 3: Audience Engagement - Serialization allows for a longer relationship cycle between content and viewers, fostering trust and engagement [21][22] - The feedback loop between creators and audiences is crucial for adjusting content in real-time, enhancing the relevance and appeal of serialized dramas [23][24] - The industry is focusing on creating content that resonates with audiences, ensuring that stories are compelling enough to maintain viewer interest over time [22][28]
“优酷原创”厂牌亮相,内容精品化战略持续推进
Sou Hu Cai Jing· 2025-05-28 05:22
Core Viewpoint - Youku has launched a new brand "Youku Original" focusing on strong narratives, serialization, and an international perspective to pursue "good stories" [1][2][4] Group 1: Brand Strategy - The launch of "Youku Original" represents a deeper commitment to content quality and is part of Youku's exploration of premium content creation [1][2] - Youku aims to meet audience aesthetic demands by producing high-quality works such as "Mo Yu Yun Jian," "Bian Shui Wang Shi," and "Nan Hong" [2][4] Group 2: Creative Logic - The underlying creative logic for "good stories" includes strong narratives, serialization, and an international perspective [4] - Strong narratives reflect high aesthetic standards and a pressing demand from audiences for compelling storytelling [4] - Serialization is based on audience feedback, aiming to create an efficient standardized production system for series [4] Group 3: International Perspective - The international perspective emphasizes creating stories that can attract global audiences and meet international content quality standards [4] - Good content transcends borders, and "good stories" can resonate across languages and cultures [4] Group 4: Content Production and Technology - Solid content production capabilities and technological advancements are core to supporting "Youku Original" [4] - The company has attracted top creative talents and established initiatives to nurture directors, screenwriters, and actors [4] - Youku utilizes advanced technologies like virtual filming and specialized production vehicles to enhance creative boundaries [4] Group 5: Audience Engagement - Respecting the audience is a perpetual pursuit, and understanding content creation rules is essential for exploring more possibilities in domestic dramas [5] - Youku has upgraded its user experience with features like thematic recommendations, focused content display, and enhanced visual quality [6]
“庆奶事件”无碍《折腰》杀疯,爱优腾都要陈年的积压剧救市?
3 6 Ke· 2025-05-15 11:40
Group 1 - The drama "折腰" (Bend the Waist) achieved significant popularity upon its release, with a heat value exceeding 26,000 within the first night and over 10 million interactions on various platforms within a day [1][3][4] - The production cost of "折腰" was 260 million, and it was initially shelved due to tax issues involving lead actress Song Zuer [3][4] - The success of "折腰" is attributed to its engaging storyline and the current market's struggles with long dramas, which have seen a decline in viewership and quality [4][5][6] Group 2 - The drama incorporates popular elements such as family feuds and romantic entanglements, appealing to the audience's preferences for complex narratives [6][7] - The show has received mixed reviews, with some praising its entertainment value while others criticize its handling of serious themes [8] - Advertisers have shown confidence in the series, with multiple brands investing in ad placements during the first few episodes [8][10] Group 3 - The rise of short dramas has created additional challenges for long dramas, leading to a more competitive and uncertain market environment [5][15] - The market has seen a trend of "积压剧" (shelved dramas) gaining unexpected popularity, indicating a shift in audience preferences towards quality content over quantity [12][13][20] - The overall landscape of the drama market is evolving, with a focus on high-quality, concept-driven productions that resonate with viewers [20]