《新闻女王2》

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钟澍佳:从《新闻女王》到《玫瑰战争》,新港剧的涅槃之路
Nan Fang Du Shi Bao· 2025-08-29 09:47
Core Insights - The article discusses the transformation of Hong Kong television dramas under the leadership of TVB's Vice President and 77 Studio President, Chung Shu-Ka, who is steering the industry towards a new direction with innovative content and themes [1][3][12] Group 1: New Hong Kong Drama Methodology - Chung Shu-Ka's return to TVB was driven by the need to revive the declining influence of Hong Kong dramas, focusing on balancing entertainment with social values [3][4] - The success of the drama "News Queen" marked a turning point, showcasing the potential of Hong Kong dramas to resonate with contemporary audiences by addressing ethical and societal issues [4][5] - The new methodology emphasizes observing social changes and reflecting them in storytelling, moving away from traditional family-centric narratives to themes of individual struggles and workplace challenges [5][6] Group 2: Focus on Female Narratives - 77 Studio is concentrating on female-centric stories, creating a "Hong Kong-style female lead" universe, driven by the increasing presence of talented female actors [7][8] - The rise of independent women in society has provided a fertile ground for these narratives, allowing for complex and relatable female characters [7][8] - The challenge remains to avoid falling into repetitive storytelling patterns while maintaining the uniqueness of Hong Kong's female characters [7][8] Group 3: Upcoming Projects - The upcoming drama "Rose War" will explore the competitive nature of the entertainment industry, focusing on female characters striving for success [9][10] - The series aims to present a realistic portrayal of the struggles faced by women in the industry, countering the glamorized perceptions often associated with it [10][11] Group 4: Future of New Hong Kong Dramas - The industry is adopting higher production standards to meet global audience expectations, with a focus on quality content as the primary driver for success [12][13] - Chung Shu-Ka envisions expanding into new genres, including historical dramas and shorter series formats, to adapt to changing viewer preferences [13][14] - The ongoing evolution of Hong Kong dramas aims to blend traditional elements with modern storytelling techniques, ensuring relevance in a competitive landscape [14]
牵手腾讯、华为 TVB重申全年实现正数净利润预期
Zheng Quan Shi Bao Wang· 2025-08-06 15:28
Group 1 - The core viewpoint of the articles highlights TVB's strong performance in the Hong Kong free-to-air television market, maintaining a leading viewership share of 79% in the second quarter [1] - TVB's advertising revenue is expected to grow in 2025, driven by the successful launch of advertising services targeting the Greater Bay Area, which has gained widespread recognition from advertisers [1] - The company held a promotional event in Guangzhou on June 12, 2025, showcasing its content matrix and strategic partnerships with major companies like Tencent and Huawei, laying a solid foundation for revenue growth in the next 12 to 18 months [1] Group 2 - In the OTT streaming business, the average monthly active users remain around 2 million, with significant growth in digital advertising revenue across the company's digital assets, attributed to the launch of the myTVSuper "TV 3.0" plan [2] - The company is actively producing multiple co-productions, including "News Queen 2" and "Themis," with plans to start production on "Rose War" in the third quarter of 2025 [2] - TVB has established film production centers in Shenzhen and Guangzhou, aiming to create a comprehensive industry chain from creative incubation to production, promoting cultural integration between Hong Kong and mainland China [3] Group 3 - TVB anticipates a continued improvement in EBITDA for the fiscal year ending December 31, 2025, with a positive outlook for net profit [3]
电视广播(00511)大湾区广告强劲增长 联袂腾讯华为 重申全年盈利转正预期
智通财经网· 2025-08-05 04:29
Group 1 - The company maintains a leading position in Hong Kong's free-to-air television market, with a combined market share of 79% for its flagship channels [1] - The company's advertising revenue in Hong Kong is expected to grow in 2025, driven by increased contributions from advertising services in the Greater Bay Area [1] - A promotional event held in Guangzhou attracted significant interest from advertisers in the Greater Bay Area, laying a solid foundation for future revenue growth [1] Group 2 - The average monthly active users for the company's OTT streaming services remain around 2 million, with over 20% growth in tracking and subscription numbers compared to the previous year [2] - Digital advertising revenue across the company's digital assets has shown strong double-digit percentage growth, attributed to the launch of the myTVSuper "TV 3.0" plan [2] - The company is focused on producing several anticipated dramas, including "News Queen 2" and "Couple's Game," with multiple co-productions at different stages of production [2] Group 3 - The company reaffirms its expectation for continuous improvement in EBITDA and achieving positive net profit for the fiscal year ending December 31, 2025 [3]
TVB将再拍笑傲江湖
Di Yi Cai Jing· 2025-06-12 14:19
Group 1 - TVB has announced collaborations with Tencent, Huawei, and iFlytek to expand its business in the mainland market, focusing on film production, music creation, and AI technology [1] - The strategic partnership between TVB and Tencent includes a memorandum for joint production of TV series, aiming to create content with both artistic value and market potential [1] - Two major projects announced for collaboration are the classic martial arts series "The Smiling, Proud Wanderer" and the urban emotional drama "Rose War" [1] Group 2 - TVB's revenue from mainland operations increased by 17% year-on-year to 851 million yuan, primarily driven by co-production projects with partners like Youku and Tencent Video [2] - "News Queen 2" is expected to be broadcast this year [2] - TVB anticipates continued growth in EBITDA for 2025, projecting a positive net profit attributable to shareholders for the full year [2]