《延禧攻略》

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某平台分别被两家高院判赔6000万、2910万
新华网财经· 2025-08-26 03:12
Core Viewpoint - The article highlights the increasing severity of copyright infringement cases involving short video platforms, emphasizing the need for stricter enforcement and higher penalties to deter such behaviors [1][10][14]. Group 1: Legal Cases and Penalties - A short video platform was ordered to pay 60 million and 29.1 million for unauthorized distribution of "De Yun Dou Xiao She" and "Chang Xiang Si" respectively, indicating a trend of significant financial penalties for copyright infringement [1][4]. - The Supreme People's Court's 2025 guidelines stress the importance of punitive damages to ensure that infringement incurs substantial costs, leading to increased compensation amounts in copyright cases [1][12]. - In a related case, the platform was found to have allowed a large number of infringing videos to persist despite multiple warnings, demonstrating a clear intent to ignore copyright laws [4][8]. Group 2: Infringement Characteristics - The rise of short video platforms has led to widespread unauthorized clips of films and series, with significant viewership numbers, such as 2.159 million views for a specific infringing video collection [3][5]. - The infringement of "De Yun Dou Xiao She" began with its first season and continued into the second season, with over 20,000 infringing videos identified during the legal proceedings [3][4]. - The platform's failure to act on repeated infringement notifications has been noted, with a high percentage of videos remaining online despite numerous complaints [4][8]. Group 3: Industry Impact - The film and television industry reportedly loses over 20 billion annually due to piracy, which severely impacts creators' financial returns and discourages future productions [11][12]. - The presence of infringing content on short video platforms undermines the value of original long-form content, leading to a decline in revenue for legitimate content creators [11][12]. - The article emphasizes the need for platforms to implement effective copyright protection measures to prevent the spread of infringing content and protect the interests of rights holders [10][12]. Group 4: Regulatory Actions - The "Sword Net 2025" initiative aims to strengthen copyright protection for audiovisual works, targeting illegal distribution and enhancing the responsibilities of platforms in managing copyright issues [13][14]. - Courts across the country are increasingly imposing punitive damages in copyright infringement cases, reflecting a shift towards more robust legal protections for intellectual property [13][14]. - The article suggests that the legal landscape is evolving to hold platforms accountable for their role in facilitating copyright infringement, requiring them to adopt proactive measures to prevent such activities [12][14].
更多《甄嬛传》:“广电21条”能救爱奇艺们吗?
2 1 Shi Ji Jing Ji Bao Dao· 2025-08-24 23:01
Core Viewpoint - The recent implementation of the "21 Regulations" by the National Radio and Television Administration (NRTA) is expected to significantly benefit the Chinese film and television industry, particularly in the production of historical dramas, which have been a major source of revenue and popularity [2][10][12]. Group 1: Impact of "21 Regulations" - The NRTA has relaxed restrictions on the number of historical dramas, signaling support for market-oriented creation in the industry [2][10]. - The regulations allow for an increase in the maximum number of episodes for dramas, which could lead to the production of higher-quality long dramas [11]. - The introduction of policies such as "border examination and broadcasting" for series and seasonal dramas is expected to shorten content production cycles and align broadcasts with current social sentiments, enhancing capital efficiency for companies like iQIYI [11][12]. Group 2: Industry Response - Following the announcement of the "21 Regulations," many film and television stocks experienced significant gains, indicating a positive market reaction [3]. - Major companies in the industry, such as the Yuewen Group, anticipate launching more film and television projects due to the new regulations [12]. - The regulations are seen as a potential attractor for more investment in the film and television sector, which is currently facing financial challenges [13][14]. Group 3: Current Challenges - The film and television industry is experiencing financial difficulties, with iQIYI reporting an 11% year-on-year revenue decline to 6.628 billion yuan and a net loss of 133.7 million yuan [14]. - Tencent Video also reported a decrease in paid subscribers, losing 3 million to a total of 114 million [15]. - The reduction in content budgets due to financial constraints may lead to fewer high-quality productions, creating a vicious cycle that could further diminish audience engagement [16][17]. Group 4: Future Outlook - While the "21 Regulations" may increase the likelihood of producing popular dramas like "Empresses in the Palace," the actual success will depend on the ability to create high-quality content that meets evolving audience tastes [19]. - The rise of short videos poses additional risks to traditional film and television investments, making the landscape more competitive and uncertain [19].
更多《甄嬛传》:“广电21条”能救爱奇艺们吗?丨消费参考+
2 1 Shi Ji Jing Ji Bao Dao· 2025-08-24 02:10
Core Viewpoint - The recent implementation of the "21 Regulations" by the National Radio and Television Administration (NRTA) is expected to significantly benefit the Chinese film and television industry by relaxing restrictions on historical dramas, potentially leading to an increase in high-quality productions like "Empresses in the Palace" [2][3][10]. Group 1: Impact of "21 Regulations" - The NRTA's new regulations indicate a flexible approach to the control of historical dramas, which is a clear signal of support for the Chinese film and television industry [10]. - The regulations allow for the lifting of the 40-episode limit on dramas, creating opportunities for longer, high-quality series [11]. - The introduction of policies such as "border examination and broadcasting" for series and seasonal dramas is expected to shorten content production cycles and align broadcasts with current social sentiments, enhancing capital efficiency for companies like iQIYI [11][14]. Group 2: Market Reactions and Financial Implications - Following the announcement of the "21 Regulations," many film and television stocks experienced significant gains, indicating a positive market reaction [3]. - iQIYI reported a year-on-year revenue decline of 11% to 6.628 billion yuan, with a net loss of 133.7 million yuan, highlighting the financial struggles within the industry [15]. - Tencent Video also saw a decrease in paid subscribers, losing 3 million to a total of 114 million, reflecting the financial challenges faced by major players [16]. Group 3: Future Prospects - The potential for more popular dramas akin to "Empresses in the Palace" is anticipated, as the relaxed regulations may lead to the creation of more engaging content [12][23]. - Companies like Yuewen Group, which owns popular IPs, expect to see an increase in film and television projects following the new regulations [13]. - Despite the positive outlook, the ability to produce high-quality works remains crucial, as audience preferences continue to evolve [21].
古装剧相对放开了,影视投资会变多吗?丨消费参考
2 1 Shi Ji Jing Ji Bao Dao· 2025-08-20 01:31
Industry Insights - The National Radio and Television Administration has implemented measures to enhance content supply for television, emphasizing the need for quality content and innovation in programming [1][2] - The new policies will allow for more flexible broadcasting measures for historical dramas, increasing the total number of episodes allowed during prime time from 15% to 30% of the annual total [2] - Historical dramas are identified as a competitive advantage for the Chinese film and television industry, with recent successes like "Ling Jiang Xian" achieving significant advertising metrics [3] Company Performance - Tencent's video platform has seen a decline in paid subscribers, dropping by 3 million to 114 million as of Q2 2025, indicating challenges in the long video content sector [4] - iQIYI reported a 9% year-on-year revenue decline to 7.19 billion yuan in Q1 2025, highlighting a trend of audience loss in long video content over the past few years [5][6] - Despite the new regulations, the overall impact on the film and television industry may be limited, although companies excelling in historical dramas could benefit [7] Market Trends - The broadcasting and television service industry reported a total revenue of 688.41 billion yuan in the first half of 2025, reflecting a year-on-year growth of 5.24% [33]
古装剧相对放开了,影视投资会变多吗?
2 1 Shi Ji Jing Ji Bao Dao· 2025-08-20 01:26
Group 1 - The core viewpoint of the article is that the new measures implemented by the National Radio and Television Administration aim to enhance the quality and supply of television content, particularly benefiting the film and television industry [1][2] - The measures include a "Content Renewal Plan" to improve content innovation, adjust management policies for drama series, and promote the production and broadcasting of high-definition programs and quality documentaries [1][2] - The adjustments in broadcasting policies, such as increasing the allowed total episodes of costume dramas during prime time from 15% to 30%, indicate a more flexible approach to meet audience demand [2] Group 2 - Costume dramas are highlighted as a competitive advantage for the Chinese film and television industry, with recent successes like "Ling Jiang Xian" achieving significant advertising metrics [3] - However, there are concerns about whether the new policies will lead to structural growth in film and television investments, as major long-video platforms like Tencent Video and iQIYI are experiencing declines in paid membership and revenue [4][5][6] - The overall impact of the new regulations may not fundamentally change the industry landscape, but they could benefit companies that excel in producing costume dramas [7]
「史上最卷」暑期档,没有爆款剧?
3 6 Ke· 2025-08-11 02:47
Core Viewpoint - The summer drama season of this year has underperformed expectations, with a noticeable decline in the quality and popularity of new releases compared to previous years [5][19][34]. Group 1: Industry Performance - This summer's drama season is characterized by a lack of standout hits, with many anticipated shows failing to deliver strong viewership or critical acclaim [10][12][19]. - The audience's engagement has significantly decreased, with many viewers abandoning long dramas in favor of shorter, more engaging content [57][64]. - Historical data shows that previous summer seasons consistently produced major hits, but this year has been described as experiencing a "great slump" [19][21][27]. Group 2: Audience Behavior - Viewers are increasingly drawn to short dramas, which have gained substantial popularity and viewership, overshadowing traditional long-form dramas [64][86]. - The shift in audience preference indicates a growing demand for faster-paced, concise storytelling that aligns with contemporary viewing habits [81][85]. - The current audience is less inclined to invest time in lengthy series, reflecting a broader trend in media consumption where quick, engaging content is favored [61][62][90]. Group 3: Financial Implications - The decline in popular dramas directly impacts revenue generation for streaming platforms, which rely heavily on blockbuster series to attract subscriptions and advertising revenue [38][48][44]. - Historical examples illustrate how successful dramas have previously generated significant income through various monetization strategies, including subscription fees and merchandise sales [38][44][50]. - The current landscape suggests that without compelling content, platforms may struggle to maintain their financial performance during peak viewing seasons [48][92].
我在CP感玄学课考了99分的好成绩
Hu Xiu· 2025-08-02 09:35
Core Viewpoint - The article discusses the concept of "CP感" (Couple Chemistry) in Chinese dramas, suggesting that it can be analyzed and understood through specific frameworks rather than being purely mystical or random [4][5][15]. Group 1: CP感 Analysis - CP感 can be likened to a chemical reaction, where the right elements and conditions lead to successful pairings in dramas [6][13]. - The article categorizes CP感 into five basic types of reactions: 1. **Combustion Reaction**: Intense physical chemistry, exemplified by the drama "这一秒过火" [8]. 2. **Acid-Base Neutralization**: Character contrasts that create balance, seen in "永夜星河" and "念念有词" [9][10]. 3. **Oxidation-Reduction Reaction**: Characters drawing out needed traits from each other, as in "雁回时" [10]. 4. **Decomposition Reaction**: Unleashing suppressed traits, illustrated by "苍兰诀" [11]. 5. **Synthesis Reaction**: Combining two distinct characters for a common goal, as in "朝雪录" [12]. Group 2: Industry Trends - The article notes that the understanding of CP感 is not just theoretical but also practical, requiring careful casting and direction to achieve desired emotional responses [15][26]. - It highlights the trend of "CP邪修" (CP Deviance), where unconventional pairings are explored, often leading to unexpected audience engagement [18][20]. - The phenomenon of audience-driven "self-generated CP" is also discussed, where fans create their own narratives and pairings through editing and reinterpretation [22].
扇巴掌才是收视密码
Hu Xiu· 2025-04-30 08:46
Group 1 - The article discusses the resurgence of slapping scenes in Chinese dramas, highlighting their role in conveying intense emotions and audience engagement [3][12][13] - It notes that slapping has become a significant element in both short and long dramas, reflecting a shift in narrative style and audience expectations [11][14] - The article emphasizes that slapping serves as a form of immediate emotional feedback, contrasting with the slower pacing and emotional restraint seen in some contemporary dramas [12][13] Group 2 - The piece mentions specific dramas that have effectively utilized slapping, such as "Summer Family Three Thousand Gold" and "Cloud of Feather," showcasing the variety of contexts in which slapping is employed [8][9][10] - It highlights the cultural significance of slapping in storytelling, suggesting that it has evolved from a trope of lowbrow entertainment to a more nuanced expression of character dynamics and societal commentary [3][12] - The article also points out that the portrayal of slapping can vary in effectiveness, with some scenes resonating well with audiences while others may detract from the overall narrative [5][11]