未经许可侵权传播《德云斗笑社》《长相思》，适用惩罚性赔偿 某平台分别被两家高院判赔6000 万、2910万 近日，某平台因未经许可传播《德云斗笑社》第一季和第二季、《长相思》（第一季）侵权纠纷两案，分别由广东省高级人民法院、重庆 市高级人民法院作出终审判决。两家高级人民法院均认定该短视频平台存在大量侵权行为，判令其立即采取过滤、拦截等有效措施阻止侵 权视频传播，并分别赔偿权利人经济损失及合理开支6000万元和2910万元。此前，爱奇艺起诉该短视频平台侵权《狂飙》案，由江苏省高 级人民法院作出终审判决，全额支持3000万元诉讼请求。 2025年1月，最高人民法院发布的《关于以高质量审判服务保障科技创新的意见》指出，应依法充分发挥赔偿制度作用，让侵权行为付出 更大代价。司法审判应当充分吸收和贯彻司法意见的要求和指引，进一步提高损害赔偿金额。各地法院纷纷加大版权侵权判赔力度。 为进一步打击侵权盗版，2025剑网行动的重点整治工作之一就是加强对电影、电视剧、微短剧、短视频的版权保护，打击非法搬运、传 播、售卖视听作品的侵权行为，加强对网站平台帮助侵权治理。 "播出即盗版"，侵权持续时间长、规模大、情节严重 其中，《德 ...

21世纪经济报道记者贺泓源，实习生刘瑾睿、李晴 北京报道 未来，像《甄嬛传》这样的"大热剧"可能会越来越多，因为广电总局对古装剧的限制相对放开了。 此前，视频平台上线古装、玄幻等类型剧集，有着一定数量限制。 而近期，广电总局印发实施若干举措，被业内统称为"广电21条"。其中就明确，"不严格限制古装剧数 量"。 条例一出，影视行业"喜大普奔"，多家影视股涨停。 今天，我们就来聊下，"广电21条"对市场的影响 。 大家好，我是小贺，欢迎收看本期消费参考。 登顶中国影视剧流量之王的，依旧是古装剧。像云合数据正片有效播放破250亿名单中，有且只有《三 生三世十里桃花》《知否知否应是绿肥红瘦》两部古装剧集。 此外，《延禧攻略》成为中国影视剧出海标杆，该剧登顶2018年谷歌年度电视节目热搜榜。 新政提出的古装剧调控灵活化，就是支持中国影视业的明确信号。 其二，"广电21条"提到，电视剧将适当放开40集上限。这一政策也为优质长剧打开空间。 像《甄嬛传》高达76集，40集的时候华妃才刚被"斗倒"，离甄嬛变身钮祜禄·甄嬛还很远很远。正是细 致的故事细节，才让《甄嬛传》如此经典。 首先，我们来聊下，"广电21条"落地，是如何利好 ...

Core Viewpoint - The recent implementation of the "21 Regulations" by the National Radio and Television Administration (NRTA) is expected to significantly benefit the Chinese film and television industry by relaxing restrictions on historical dramas, potentially leading to an increase in high-quality productions like "Empresses in the Palace" [2][3][10]. Group 1: Impact of "21 Regulations" - The NRTA's new regulations indicate a flexible approach to the control of historical dramas, which is a clear signal of support for the Chinese film and television industry [10]. - The regulations allow for the lifting of the 40-episode limit on dramas, creating opportunities for longer, high-quality series [11]. - The introduction of policies such as "border examination and broadcasting" for series and seasonal dramas is expected to shorten content production cycles and align broadcasts with current social sentiments, enhancing capital efficiency for companies like iQIYI [11][14]. Group 2: Market Reactions and Financial Implications - Following the announcement of the "21 Regulations," many film and television stocks experienced significant gains, indicating a positive market reaction [3]. - iQIYI reported a year-on-year revenue decline of 11% to 6.628 billion yuan, with a net loss of 133.7 million yuan, highlighting the financial struggles within the industry [15]. - Tencent Video also saw a decrease in paid subscribers, losing 3 million to a total of 114 million, reflecting the financial challenges faced by major players [16]. Group 3: Future Prospects - The potential for more popular dramas akin to "Empresses in the Palace" is anticipated, as the relaxed regulations may lead to the creation of more engaging content [12][23]. - Companies like Yuewen Group, which owns popular IPs, expect to see an increase in film and television projects following the new regulations [13]. - Despite the positive outlook, the ability to produce high-quality works remains crucial, as audience preferences continue to evolve [21].

Core Viewpoint - The article discusses the concept of "CP感" (Couple Chemistry) in Chinese dramas, suggesting that it can be analyzed and understood through specific frameworks rather than being purely mystical or random [4][5][15]. Group 1: CP感 Analysis - CP感 can be likened to a chemical reaction, where the right elements and conditions lead to successful pairings in dramas [6][13]. - The article categorizes CP感 into five basic types of reactions: 1. **Combustion Reaction**: Intense physical chemistry, exemplified by the drama "这一秒过火" [8]. 2. **Acid-Base Neutralization**: Character contrasts that create balance, seen in "永夜星河" and "念念有词" [9][10]. 3. **Oxidation-Reduction Reaction**: Characters drawing out needed traits from each other, as in "雁回时" [10]. 4. **Decomposition Reaction**: Unleashing suppressed traits, illustrated by "苍兰诀" [11]. 5. **Synthesis Reaction**: Combining two distinct characters for a common goal, as in "朝雪录" [12]. Group 2: Industry Trends - The article notes that the understanding of CP感 is not just theoretical but also practical, requiring careful casting and direction to achieve desired emotional responses [15][26]. - It highlights the trend of "CP邪修" (CP Deviance), where unconventional pairings are explored, often leading to unexpected audience engagement [18][20]. - The phenomenon of audience-driven "self-generated CP" is also discussed, where fans create their own narratives and pairings through editing and reinterpretation [22].

Group 1 - The article discusses the resurgence of slapping scenes in Chinese dramas, highlighting their role in conveying intense emotions and audience engagement [3][12][13] - It notes that slapping has become a significant element in both short and long dramas, reflecting a shift in narrative style and audience expectations [11][14] - The article emphasizes that slapping serves as a form of immediate emotional feedback, contrasting with the slower pacing and emotional restraint seen in some contemporary dramas [12][13] Group 2 - The piece mentions specific dramas that have effectively utilized slapping, such as "Summer Family Three Thousand Gold" and "Cloud of Feather," showcasing the variety of contexts in which slapping is employed [8][9][10] - It highlights the cultural significance of slapping in storytelling, suggesting that it has evolved from a trope of lowbrow entertainment to a more nuanced expression of character dynamics and societal commentary [3][12] - The article also points out that the portrayal of slapping can vary in effectiveness, with some scenes resonating well with audiences while others may detract from the overall narrative [5][11]