Core Insights - The series "赴山海" has become a new flow password in the internet space, marking a significant event in the drama market for the second half of 2025 [1] - Despite high initial viewership and popularity, the series has faced criticism regarding its quality, leading to a complex evaluation of the lead actor 成毅's ability to carry a show [3][12] - The phenomenon of "black-red" (negative publicity leading to increased attention) has emerged, indicating that the series' flaws have generated significant online discussion, overshadowing its actual quality [9][11] Group 1: Series Performance and Reception - "赴山海" achieved over 700 million views within 10 days of its release, topping the drama popularity charts for 10 consecutive days [1] - The lead actor 成毅's character has garnered over 200 million views on iQIYI, showcasing his significant role in driving the series' initial success [1] - However, the series has been criticized for its production quality, with common complaints about the plot, pacing, and technical errors, leading to a decline in audience reception [6][11] Group 2: Actor's Market Position and Future Projects - 成毅 is set to star in the upcoming series "两京十五日," indicating that despite the current setback, he continues to secure high-profile projects [3] - The market's perception of an actor's ability to carry a show has become increasingly complex, with traditional metrics of success being challenged [3][18] - The concept of "single-person approval" has emerged, where top actors can secure projects based on their individual influence, reflecting a shift in how projects are evaluated in the industry [20][22] Group 3: Industry Trends and Actor Dynamics - The dual nature of flow (popularity) and its backlash has created a cycle where actors can quickly rise and fall based on a single project's reception [11][12] - The industry is witnessing a trend where both flow actors and established talent must continuously prove their worth, as the market allows for limited mistakes [29] - The emergence of a new generation of actors who can balance both popularity and acting skills is reshaping the competitive landscape, with a focus on diverse roles and strong performances [30]

Group 1 - The core viewpoint of the report is that CIBN KuMiao has become the leading platform in the smart screen market with 148 million monthly active users by 2024, surpassing Galaxy Qiyi [1][5] - The report indicates that the total number of activated smart TVs in China reached 390 million by the end of 2024, representing a year-on-year growth of 2.6% [5] - The daily average viewing time for smart TV users is 4.5 hours, which exceeds the average daily internet usage time on mobile phones, recorded at 4.1 hours [10] Group 2 - The report highlights that the viewing time for children's content has seen the fastest growth, increasing by 76% year-on-year [9] - Classic content continues to attract viewers, with 20 classic dramas accounting for 22% of the viewing time among the top 100 dramas [9] - Youku has upgraded its user experience across all platforms, focusing on content recommendation, immersive viewing, and visual upgrades to enhance user decision-making efficiency [10]

Core Viewpoint - The article discusses the emergence and characteristics of the "Big Matriarch" character in Chinese dramas, highlighting how this archetype contrasts with traditional female roles and resonates with contemporary audiences [1][3][12]. Group 1: Characteristics of the "Big Matriarch" - The "Big Matriarch" is portrayed as a strong, proactive female character who engages deeply in relationships and personal growth, often alongside male leads, thus forming a "dual strong" dynamic [1][4][8]. - This character type is prevalent in both historical and modern dramas, showcasing a range of roles from supportive wives to ambitious partners who actively contribute to their male counterparts' success [4][7][10]. - The narrative often includes elements of romantic love intertwined with professional aspirations, emphasizing the importance of relationships in the female experience [8][17]. Group 2: Audience Reception and Cultural Context - The "Big Matriarch" resonates with audiences by reflecting real-life complexities of relationships, offering a more relatable and practical approach compared to the idealized "Big Female Lead" [12][19]. - This character type addresses the anxieties of modern viewers, providing a sense of empowerment through the portrayal of women who navigate and manage their relationships effectively [12][21]. - The success of dramas featuring the "Big Matriarch" indicates a shift in audience preferences, moving away from traditional narratives that often depict women as passive or overly dependent on male characters [15][19]. Group 3: Narrative Techniques and Themes - Common narrative techniques in "Big Matriarch" dramas include "marriage first, love later" and character-driven plots that focus on relationship management and personal growth [10][21]. - The male leads in these dramas are often complex characters who exhibit both strength and vulnerability, allowing for a dynamic interplay that enhances the female lead's journey [15][24]. - The themes of romantic love and personal agency are central, with the "Big Matriarch" often depicted as a figure who transforms her circumstances through strategic relationship management [8][17].

Group 1 - The article discusses the resurgence of slapping scenes in Chinese dramas, highlighting their role in conveying intense emotions and audience engagement [3][12][13] - It notes that slapping has become a significant element in both short and long dramas, reflecting a shift in narrative style and audience expectations [11][14] - The article emphasizes that slapping serves as a form of immediate emotional feedback, contrasting with the slower pacing and emotional restraint seen in some contemporary dramas [12][13] Group 2 - The piece mentions specific dramas that have effectively utilized slapping, such as "Summer Family Three Thousand Gold" and "Cloud of Feather," showcasing the variety of contexts in which slapping is employed [8][9][10] - It highlights the cultural significance of slapping in storytelling, suggesting that it has evolved from a trope of lowbrow entertainment to a more nuanced expression of character dynamics and societal commentary [3][12] - The article also points out that the portrayal of slapping can vary in effectiveness, with some scenes resonating well with audiences while others may detract from the overall narrative [5][11]