Core Viewpoint - The article discusses the emergence and characteristics of the "Big Matriarch" character in Chinese dramas, highlighting how this archetype contrasts with traditional female roles and resonates with contemporary audiences [1][3][12]. Group 1: Characteristics of the "Big Matriarch" - The "Big Matriarch" is portrayed as a strong, proactive female character who engages deeply in relationships and personal growth, often alongside male leads, thus forming a "dual strong" dynamic [1][4][8]. - This character type is prevalent in both historical and modern dramas, showcasing a range of roles from supportive wives to ambitious partners who actively contribute to their male counterparts' success [4][7][10]. - The narrative often includes elements of romantic love intertwined with professional aspirations, emphasizing the importance of relationships in the female experience [8][17]. Group 2: Audience Reception and Cultural Context - The "Big Matriarch" resonates with audiences by reflecting real-life complexities of relationships, offering a more relatable and practical approach compared to the idealized "Big Female Lead" [12][19]. - This character type addresses the anxieties of modern viewers, providing a sense of empowerment through the portrayal of women who navigate and manage their relationships effectively [12][21]. - The success of dramas featuring the "Big Matriarch" indicates a shift in audience preferences, moving away from traditional narratives that often depict women as passive or overly dependent on male characters [15][19]. Group 3: Narrative Techniques and Themes - Common narrative techniques in "Big Matriarch" dramas include "marriage first, love later" and character-driven plots that focus on relationship management and personal growth [10][21]. - The male leads in these dramas are often complex characters who exhibit both strength and vulnerability, allowing for a dynamic interplay that enhances the female lead's journey [15][24]. - The themes of romantic love and personal agency are central, with the "Big Matriarch" often depicted as a figure who transforms her circumstances through strategic relationship management [8][17].

可以说，在注意力经济成为趋势、微视听形塑文艺新格局的当下，文艺创作者面临的核心命题，已从单 一的"如何讲好故事"转向"如何讲好故事"与"如何在信息洪流中吸引注意力"之间的平衡。"名场面"体现 了文艺创作日益增强的媒介自觉和用户意识，但也出现了割裂整体艺术表现力、为"名场面"而"名场 面"的创作误区。 典型的表现就是"有句无篇"。有些作品的片段在网络上引发热度，但当观众想要完整地观看作品时，却 发现索然无味，精华就是那几分钟的"名场面"。一些创作者基于大数据分析，反向设计"名场面"，脱离 剧情去打造"高光时刻"，再将其植入作品中，实在有"为了那口醋，包了一顿饺子"的错置感。"名场 面"效应还带来跟风模仿，场景设置同质化、模板化，一些作品采用夸张的音乐、慢动作、反复的台词 等煽情手法营造高潮，演员演得刻意，观众看得尴尬。 归根结底，"名场面"是文艺作品与观众建立连接的重要"界面"，在这一界面之下，应是饱满的情节逻 辑、情感逻辑和表演逻辑，是创作者主动回应市场、积极拥抱传播，同时又坚持艺术自觉、不被流量迷 惑的功力和定力。用一部部扎扎实实的好作品托举起让人难忘的"名场面"，用一个个精彩纷呈的"名场 面"串起我们时代 ...

连日来，演员黄杨钿甜佩戴高价耳环的消息在网络上传播，引发关注。据九派新闻，5月14日下午，多个消息称，黄杨钿甜父亲为四川雅安公务员，质疑其 高额消费不合理。 5月16日，黄杨钿甜所属经纪公司嘉行传媒官方微博发布严正声明。声明称："近日，我司发现部分互联网用户及自媒体在新浪微博、豆瓣、抖音、微信公众 号、小红书等多个互联网平台上发布、传播大量针对我司艺人黄杨钿甜女士及其父母的虚假信息，相关内容纯属恶意谣言，已引发部分社会公众对黄杨钿甜 女士的误解和恶意评价，严重侵害了黄杨钿甜女士的名誉权，造成了极其恶劣的社会负面影响。" 嘉行传媒表示，社会公众的合理监督是维护社会公正和法治的重要力量，公司、黄杨钿甜女士及其父母愿意接受社会公众的合理监督，但绝不姑息任何恶意 造谣的侵权行为，恳请大家勿信谣、勿传谣。 据封面新闻报道，5月14日，有网友就此事发文，称黄杨钿甜父亲曾是雅安的公务员，负责招投标工作。该文再次引发热议，大量网友留言称："父亲是公务 员，家庭收入不应该这么高。"5月15日，记者从雅安市证实，黄杨钿甜父亲2015年-2017年曾在雅安市经合外事局（原投促局）工作，2017年辞去公职，下 海经商至今，"辞职都八 ...

Core Viewpoint - The article discusses the evolving landscape of Chinese drama series, particularly focusing on the performance and influence of leading actresses like Liu Shishi, and how their roles and the production dynamics affect the overall reception of the shows [1][3][24]. Group 1: Performance and Role Dynamics - Liu Shishi's portrayal in "Huai Shui Zhu Ting" showcases a blend of various acting styles, reflecting a multi-faceted performance that combines elements from different popular characters [8][10]. - The article critiques the trend of leading actresses having excessive control over their roles, which can lead to a disconnect with the audience and a decline in the quality of the production [5][23]. - The concept of "Tian Xuan Gu Ren" (heavenly chosen ancient person) is discussed, highlighting how the perception of actresses has shifted from their acting skills to their physical presence and demeanor [14][16]. Group 2: Audience Reception and Critique - The audience's mixed reactions to "Huai Shui Zhu Ting" indicate that while there is a viewership, the critical reception has been less favorable, drawing comparisons to previous works like "Ru Yi Chuan" [3][24]. - The article suggests that the overemphasis on aesthetics and personal interpretation by actresses can detract from the narrative and character development, leading to a lack of resonance with viewers [18][23]. - The production's failure to connect with the audience is attributed to a lack of respect for professional input and an over-reliance on star power, which can result in a superficial portrayal of characters [24][25].