据新华社消息，第82届威尼斯国际电影节6日晚揭晓主要奖项，中国演员辛芷蕾凭借在影片《日掛中天》中的精彩 表现荣获最佳女演员奖。 《日掛中天》由蔡尚君执导，辛芷蕾与张颂文、冯绍峰等联袂出演。影片讲述一对昔日恋人分别多年后在南方小城 重逢，却被命运裹挟最终走向悲剧的故事。影片拍摄地覆盖广东省多座城市，展现独特的岭南文化风貌。 公开资料显示，辛芷蕾 ， 原名辛蕾，1986年出生于黑龙江省 鹤岗市 ，毕业于 中央戏剧学院，代表作有 《绣春 刀》《繁花》《庆余年》《如懿传》等一系列影视作品。 2016年，她主演的电影《长江图》入围第66届柏林国际电影节主竞赛单元，成为该届入围主竞赛单元的唯一一部华 语影片。2023年，凭借《 初步举证 》中120分钟的独角戏，她 获得 第32届上海白玉兰戏剧表演艺术奖 主角奖。 来 源： 新华社、长安街知事、潇湘晨报、辛芷蕾工作室等 责编：刘珺宇 校 对： 祝甜婷 百万用户都在看 关税，突变！刚刚，特朗普签了！ 刚刚，股价大涨！AI芯片，重磅消息 深夜！深圳重磅发布，今日实施！ 打卡！600万！ 一次"互动"，突然来袭！刚刚，大面积异动！ 违法和不良信息举报电话：0755-835140 ...

本文字数：1511，阅读时长大约3分钟 作者 | 第一财经 葛怡婷 北京时间9月7日凌晨，第82届威尼斯国际电影节揭晓奖项归属，中国内地演员辛芷蕾凭借在电影《日掛中天》中的出色表现，获得最佳女演员奖。早 在1992年，女演员巩俐曾经凭借在《秋菊打官司》中的演绎获此殊荣。 影片《日掛中天》由蔡尚君执导，辛芷蕾、张颂文、冯绍峰主演，讲述中年人的情感困境和命运纠葛，本片入围本届威尼斯电影节主竞赛单元。影片首 映后，辛芷蕾"影后"呼声不断，尽管她的对手还有艾玛·斯通、阿曼达·赛弗里德这样的好莱坞明星。有影评人认为，辛芷蕾在片中贡献了复杂而又极端 的情绪和身体演出，她的表演充满了极致痛感，"一呼一吸之间令人肝肠寸断"。 2025.09. 07 辛芷蕾手捧奖杯 颁奖礼上，一袭白色礼服的辛芷蕾从本届威尼斯电影节评委、中国演员赵涛手中接过奖杯，称此刻的自己像做梦一样："十几年前刚入行的时候，我吹 过一个牛，有一天，我想站在世界级的舞台上成为国际巨星。那时候我遭受了很多嘲笑，但今天我站在这里了，和来自世界的顶级女演员同台竞技，我 为自己感到骄傲，也为中国女演员再次站在这个舞台上感到骄傲。" 辛芷蕾平复心情感谢了台前幕后的工作人 ...

Core Viewpoint - Chinese actress Xin Zhilei won the Best Actress award at the 82nd Venice International Film Festival for her performance in the film "Day Hanging in the Sky," marking a significant achievement for her career and for Chinese actresses on the international stage [1][3]. Group 1: Award and Recognition - Xin Zhilei received the Best Actress award at the Venice International Film Festival, becoming the second Chinese actress to achieve this honor since Gong Li in 1992 [1]. - The film "Day Hanging in the Sky," directed by Cai Shangjun, explores the emotional dilemmas and fate entanglements of middle-aged individuals and was a contender in the main competition section of the festival [1][3]. Group 2: Career Journey - Xin Zhilei, born in 1986 in Heilongjiang Province, faced a long period of minor roles before gaining recognition in 2011 with her role in the fantasy drama "Painted Skin" [3][4]. - Her career took a significant turn in 2016 when she starred in "The Yangtze River," which was nominated for the main competition at the 66th Berlin International Film Festival and won the Silver Bear award [4]. Group 3: Versatility and Impact - Xin Zhilei has participated in various acclaimed films and popular series, expanding her recognition through diverse roles, including her performances in "Ruyi's Royal Love in the Palace" and "Joy of Life" [6]. - She has also ventured into theater, earning the Best Actress award at the 32nd Shanghai White Magnolia Drama Performance Arts Awards for her role in the Chinese version of "Preliminary Evidence," showcasing her range as an actress [8]. Group 4: Fashion and Future Prospects - Xin Zhilei's distinctive appearance and fashion sense have made her a favored choice for several luxury brands, including Chanel and Montblanc, indicating her influence in the fashion industry [8]. - Critics and industry figures, including Wong Kar-wai, suggest that Xin Zhilei's career is just beginning, with her best years ahead [8].

Core Viewpoint - The article discusses the concept of "CP感" (Couple Chemistry) in Chinese dramas, suggesting that it can be analyzed and understood through specific frameworks rather than being purely mystical or random [4][5][15]. Group 1: CP感 Analysis - CP感 can be likened to a chemical reaction, where the right elements and conditions lead to successful pairings in dramas [6][13]. - The article categorizes CP感 into five basic types of reactions: 1. **Combustion Reaction**: Intense physical chemistry, exemplified by the drama "这一秒过火" [8]. 2. **Acid-Base Neutralization**: Character contrasts that create balance, seen in "永夜星河" and "念念有词" [9][10]. 3. **Oxidation-Reduction Reaction**: Characters drawing out needed traits from each other, as in "雁回时" [10]. 4. **Decomposition Reaction**: Unleashing suppressed traits, illustrated by "苍兰诀" [11]. 5. **Synthesis Reaction**: Combining two distinct characters for a common goal, as in "朝雪录" [12]. Group 2: Industry Trends - The article notes that the understanding of CP感 is not just theoretical but also practical, requiring careful casting and direction to achieve desired emotional responses [15][26]. - It highlights the trend of "CP邪修" (CP Deviance), where unconventional pairings are explored, often leading to unexpected audience engagement [18][20]. - The phenomenon of audience-driven "self-generated CP" is also discussed, where fans create their own narratives and pairings through editing and reinterpretation [22].

Core Viewpoint - The article discusses the emergence and characteristics of the "Big Matriarch" character in Chinese dramas, highlighting how this archetype contrasts with traditional female roles and resonates with contemporary audiences [1][3][12]. Group 1: Characteristics of the "Big Matriarch" - The "Big Matriarch" is portrayed as a strong, proactive female character who engages deeply in relationships and personal growth, often alongside male leads, thus forming a "dual strong" dynamic [1][4][8]. - This character type is prevalent in both historical and modern dramas, showcasing a range of roles from supportive wives to ambitious partners who actively contribute to their male counterparts' success [4][7][10]. - The narrative often includes elements of romantic love intertwined with professional aspirations, emphasizing the importance of relationships in the female experience [8][17]. Group 2: Audience Reception and Cultural Context - The "Big Matriarch" resonates with audiences by reflecting real-life complexities of relationships, offering a more relatable and practical approach compared to the idealized "Big Female Lead" [12][19]. - This character type addresses the anxieties of modern viewers, providing a sense of empowerment through the portrayal of women who navigate and manage their relationships effectively [12][21]. - The success of dramas featuring the "Big Matriarch" indicates a shift in audience preferences, moving away from traditional narratives that often depict women as passive or overly dependent on male characters [15][19]. Group 3: Narrative Techniques and Themes - Common narrative techniques in "Big Matriarch" dramas include "marriage first, love later" and character-driven plots that focus on relationship management and personal growth [10][21]. - The male leads in these dramas are often complex characters who exhibit both strength and vulnerability, allowing for a dynamic interplay that enhances the female lead's journey [15][24]. - The themes of romantic love and personal agency are central, with the "Big Matriarch" often depicted as a figure who transforms her circumstances through strategic relationship management [8][17].

Core Viewpoint - The emergence of "famous scenes" in artistic creation reflects an increasing media awareness and user consciousness, but it also leads to a disconnection in overall artistic expression and the creation of "famous scenes" for the sake of it [1][3]. Group 1: Characteristics of "Famous Scenes" - "Famous scenes" are defined as classic segments in films and dramas that possess strong dissemination power and memorability, contributing significantly to the success of characters and works [1][2]. - The phenomenon of "famous scenes" is prevalent across various media, including stage performances and short videos, where creators attempt to replicate the success of classic scenes [1][2]. Group 2: Impact of Media Trends - The rise of "famous scenes" is a response to new trends in media technology and changes in cultural consumption, driven by the fast pace of life and fragmented leisure time, making attention a scarce resource [2][3]. - The efficiency of dissemination has become a key indicator of a work's influence, with "famous scenes" serving as critical points for engagement and virality [2]. Group 3: Narrative Innovation - "Famous scenes" reflect narrative innovation in popular art, catering to audiences' decreasing patience for traditional storytelling and the growing trend of "speed-watching" and "speed-reading" [2][3]. - The creation of "famous scenes" often involves breaking down narratives into visually intense, emotionally charged segments to meet audience expectations [2]. Group 4: Challenges and Misconceptions - The focus on "famous scenes" can lead to a disconnect where segments gain popularity independently, while the overall work may lack substance, resulting in a phenomenon described as "having lines without a story" [3]. - Some creators may design "famous scenes" based on data analysis, detaching them from the narrative, which can lead to a sense of artificiality and formulaic content [3]. Group 5: Artistic Integrity - Ultimately, "famous scenes" serve as a crucial interface between artistic works and audiences, necessitating a balance between market responsiveness and artistic integrity [4]. - The aspiration is to create substantial works that support memorable "famous scenes," contributing to a vibrant cultural landscape that reflects contemporary artistic expectations [4].

Core Viewpoint - The article discusses the evolving landscape of Chinese drama series, particularly focusing on the performance and influence of leading actresses like Liu Shishi, and how their roles and the production dynamics affect the overall reception of the shows [1][3][24]. Group 1: Performance and Role Dynamics - Liu Shishi's portrayal in "Huai Shui Zhu Ting" showcases a blend of various acting styles, reflecting a multi-faceted performance that combines elements from different popular characters [8][10]. - The article critiques the trend of leading actresses having excessive control over their roles, which can lead to a disconnect with the audience and a decline in the quality of the production [5][23]. - The concept of "Tian Xuan Gu Ren" (heavenly chosen ancient person) is discussed, highlighting how the perception of actresses has shifted from their acting skills to their physical presence and demeanor [14][16]. Group 2: Audience Reception and Critique - The audience's mixed reactions to "Huai Shui Zhu Ting" indicate that while there is a viewership, the critical reception has been less favorable, drawing comparisons to previous works like "Ru Yi Chuan" [3][24]. - The article suggests that the overemphasis on aesthetics and personal interpretation by actresses can detract from the narrative and character development, leading to a lack of resonance with viewers [18][23]. - The production's failure to connect with the audience is attributed to a lack of respect for professional input and an over-reliance on star power, which can result in a superficial portrayal of characters [24][25].