Core Viewpoint - The revival of classic plays is not merely a mechanical reproduction but a creative process that infuses contemporary life into timeless works, aiming to forge new classics for the current generation [2][6]. Group 1: Revival of Classics - The Beijing People's Art Theatre has restaged the classic play "Camel Xiangzi," which has received applause from both older and younger audiences, highlighting the ongoing trend of reviving classic works on stage [2][5]. - Various theaters, including the National Theatre and Northern Kunqu Opera Theatre, are reinterpreting classics in innovative ways, showcasing the enduring charm of these works across different artistic forms [2][3]. Group 2: Artistic Innovation - The process of reinterpreting classics requires creators to deeply understand the original works while injecting contemporary elements, thus bridging the gap to modern audiences [3][4]. - Directors like Li Liu and Wang Keran have successfully adapted classic plays while maintaining the original spirit, demonstrating the dialogue between classics and contemporary issues [3][4]. Group 3: Cultural Significance - The trend of classic revival reflects cultural confidence and the preservation of cultural genes, allowing the wisdom embedded in these works to resonate in a modern context [5][6]. - The revival of classics serves as a collective memory and spiritual code for a nation, emphasizing the importance of cultural transmission and innovation [5][6].

Group 1 - The article highlights various theatrical performances scheduled in Beijing, showcasing a diverse range of productions from different theaters and companies [3][8][20]. - Notable performances include "Jane Eyre" by the National Theatre, "Burning Van Gogh" by Beijing People's Art Theatre, and "The Night of Chicago" by Happy Mahua [3][8]. - The events are set to take place in various venues such as the National Centre for the Performing Arts, Tianqiao Performing Arts Center, and Poly Theatre, indicating a vibrant cultural scene in Beijing [3][8][20]. Group 2 - The article mentions ticket information for various performances, emphasizing the accessibility of cultural events to the public [6][12]. - It also lists upcoming concerts and performances by popular artists, including Wang Yuan's concert at the National Stadium [21][24]. - The article notes the importance of cultural events in promoting artistic expression and community engagement within the city [25][26].

Core Insights - The seventh "Shanghai International Musical Festival" concluded with 12 productions, 44 performances, and over 70,000 attendees, showcasing a strong emphasis on original works and international collaborations [1][3]. Group 1: Festival Highlights - The festival featured two main sections: "International Invited" and "Original Showcase," highlighting both global perspectives and support for local creations [3]. - Notable performances included the German musical "Ludwig II: The King Returns" and the Italian musical "Casanova: The Lover of Venice," both making their Chinese debuts [3]. - The "Musical Star Series Concert" attracted over 16,000 viewers, with a 93% female audience and 70% of attendees being from the post-90s and Gen Z demographics [3]. Group 2: Original Works and Audience Engagement - Original productions like "Lion Boy," "Finding Li Er Gou," and "Baoyu" received positive audience feedback, with strong ticket sales and near-full capacity [3]. - The musical "Da Zhuang Wang" sold out its initial five performances and added seven more, totaling 12 shows, receiving widespread acclaim on social media [3]. Group 3: Development Initiatives - The "Chinese Original Musical Incubation Plan" has successfully developed over ten original works, with seven achieving commercial production and over 270 performances [5]. - A new initiative, "Musical Creation Ten Lessons," will invite top creators to share insights, enhancing the quality of original productions [5]. Group 4: Industry Collaboration and Quality Focus - A seminar on "Comparative Analysis of Musical Creation Ecosystems between Shanghai and Hong Kong" highlighted the need for high-quality original works in the industry [7]. - Participants emphasized that the core of original musicals lies in quality and substance, advocating for a shift from quantity to quality in productions [7]. Group 5: Global Engagement - The "Musical Singing Competition" attracted over 700 applications, with around 160 contestants, including 12 from overseas and Hong Kong/Macau regions [9]. - Participants shared cultural insights and experiences, fostering a collaborative environment among young talents from different countries [9].

中新网北京6月17日电 (记者 高凯)第31届北京国际图书博览会将于近期在国家会议中心拉开帷幕，作为 历届图博会的重要展区之一，本届图博会上，北京展区将突出北京中轴线文化、北京原创文学、北 京"旧书新知"、北京"四个文化"，呈现一场精彩纷呈的京味文化大餐。 据介绍，此次北京展区以"书香京城悦读世界"为主题，总面积达350平方米，北京出版集团、市属图书 出版单位和重点网络出版服务企业共40家盛装参展，集中展示图书超3500册。 北京展区分为主题出版区、文化传承区、特色区、国际展示区、数字化出版体验区，旨在通过多角度、 多层面、多维度，讲述首都出版业发展的新成果、新创举、新探索。 主题出版区，市属出版单位策划的主题出版类图书呈"品"字型陈列。其中包括《现代化的中国选择》等 主题出版类图书、《艺文北京丛书》等获奖类图书、《抗日年代》等中国人民抗日战争暨世界反法西斯 战争胜利80周年主题图书，共约270种。 特色展区则突出原创文学、旧书新知和古籍整理几大亮点。其中，原创文学展位展陈345种精品原创文 学图书，并通过大屏幕沉浸式互动设备，突出展示了"十月"文学精品、《北上》等首都文学IP在影、 视、剧等方面的转化成果。 ...