重排经典，不意味满足于在前人的树荫下乘凉，更不能止步于对经典外壳的机械复刻。将经典的薪火， 投入当下生活的熔炉，才能锻造出属于我们这一代人的新经典 清脆的驼铃声与老北京叫卖声此起彼伏，西直门城楼的剪影映衬着老车厂的灰瓦房，八仙桌在灯光中隐 隐浮现……1957年北京人艺的经典剧目《骆驼祥子》，如今又原汁原味亮相在首都剧场的舞台上。年轻 一代演员的表演赢得了掌声和喝彩，台下既有白发苍苍的老观众，也有眼里有光的青春面庞。近来，复 排经典剧目的热潮正涌向戏剧舞台：北京人艺和国家大剧院以不同形式演绎《风雪夜归人》；国家话剧 院《物理学家》和北京人艺《屠夫》从不同角度反思战争；国家大剧院的《简·爱》《第十二夜》再现 世界经典；北方昆曲剧院《牡丹亭》《西厢记》彰显东方美学；音乐剧《夜幕下的哈尔滨》、京剧《野 火春风斗古城》等作品则以新的形式诠释经典……这些创作并非简单的"昨日重现"，而是精心书写着文 化传承的新篇，彰显着经典跨越时代的永恒魅力。 观众爱看经典，因为在飞速发展的时代，经过时间考验的经典作品，以其强大的艺术穿透力给人以精神 引领，并且有着超越时空触动心弦的力量。经典重排，绝非刻舟求剑，而是唤醒沉睡的历史文本，使 ...

话剧 | 国家大剧院戏剧演员队 《简 ·爱》 | | 国家大剧院 | 8 | | --- | --- | --- | --- | | 北京人民艺术剧院 | 《燃烧的梵高》 | 北京人艺实验剧场 | 8 | | 开心麻花 | 《出马》 | 海淀剧院 | 8 | | 俄罗斯瓦赫坦戈夫剧院 | 《叶甫盖尼 · 奥涅金》 | 北京保利剧院 | 8 | | 中央戏剧学院 | 《告别》 | 中央戏剧学院实验剧场 | 8 | | 鼓楼西戏剧 | 《枕头人》 | 鼓楼西剧场 | 8 | | 繁星戏剧村 《奋不顾身的爱情》 | | 繁星亦花园剧场 | 8 | | 北京风雷京剧团 | 《票友》 | 北京天桥艺术中心 | 8 | | 俄罗斯瓦赫坦戈夫剧院 《万尼亚舅舅》 | | 北京保利剧院 | 8 | 30-31 AUGUST, 2025 北京天桥艺术中心·大剧场 B 西游记 红楼梦 H 演义 水游传 文师演唱公 里温经典 HUICE I 指挥:范泰 7 77 | "旋舞多瑙河"国家大剧院合唱团欧洲经典合唱作品音乐会 | 国家大剧院 | | --- | --- | | 爱乐汇交响乐团 重温经典 -- "四大名著"《红楼梦》 《西 ...

Core Insights - The seventh "Shanghai International Musical Festival" concluded with 12 productions, 44 performances, and over 70,000 attendees, showcasing a strong emphasis on original works and international collaborations [1][3]. Group 1: Festival Highlights - The festival featured two main sections: "International Invited" and "Original Showcase," highlighting both global perspectives and support for local creations [3]. - Notable performances included the German musical "Ludwig II: The King Returns" and the Italian musical "Casanova: The Lover of Venice," both making their Chinese debuts [3]. - The "Musical Star Series Concert" attracted over 16,000 viewers, with a 93% female audience and 70% of attendees being from the post-90s and Gen Z demographics [3]. Group 2: Original Works and Audience Engagement - Original productions like "Lion Boy," "Finding Li Er Gou," and "Baoyu" received positive audience feedback, with strong ticket sales and near-full capacity [3]. - The musical "Da Zhuang Wang" sold out its initial five performances and added seven more, totaling 12 shows, receiving widespread acclaim on social media [3]. Group 3: Development Initiatives - The "Chinese Original Musical Incubation Plan" has successfully developed over ten original works, with seven achieving commercial production and over 270 performances [5]. - A new initiative, "Musical Creation Ten Lessons," will invite top creators to share insights, enhancing the quality of original productions [5]. Group 4: Industry Collaboration and Quality Focus - A seminar on "Comparative Analysis of Musical Creation Ecosystems between Shanghai and Hong Kong" highlighted the need for high-quality original works in the industry [7]. - Participants emphasized that the core of original musicals lies in quality and substance, advocating for a shift from quantity to quality in productions [7]. Group 5: Global Engagement - The "Musical Singing Competition" attracted over 700 applications, with around 160 contestants, including 12 from overseas and Hong Kong/Macau regions [9]. - Participants shared cultural insights and experiences, fostering a collaborative environment among young talents from different countries [9].