《男声小酒馆》发生在一间名为"丛林酒馆"的爱尔兰酒馆里，失业工人、沉默诗人、渴望爱情的青 年、历经沧桑的老兵带着各自的迷茫与心事在此相遇。在爱丁堡艺穗节亮相以来，《男声小酒馆》创新 将"小酒馆"实景搬入剧场，以鲜活的人物群像、温暖治愈的叙事而闻名，2022年斩获劳伦斯·奥利弗 奖"最佳新喜剧"提名、摘得大邱国际音乐剧节大奖。 中国站演出完整保留国际版本的精髓，从"拥有帕瓦罗蒂式唱腔的酒馆常客"到"在钢琴上表演踢踏 舞的乐手"，角色性格通过独唱与互动逐一展现。观众参与即兴互动表演，演员不时走下台与观众举 杯、共舞，甚至邀请观众登台游戏，让每场演出都成为"独一无二的现场"。舞台灯光与音效则进一步放 大沉浸感，从独唱到全员合唱，从酒杯轻碰的细响到踏响地板的群舞节奏，构建起演员与观众之间的情 感链接。 记者 诸葛漪 "再来一杯！"观众或是三三两两聚在一起讨论剧情，或是聚在吧台"对酒当歌"……这样热闹的情 景，发生在伦敦西区音乐剧《男声小酒馆》在沪每一场演出后。这场沉浸式的剧院派对将在久事·上海 商城剧院驻演至10月19日。 芝芝是音乐剧的忠实观众，刚看完《男声小酒馆》的她这样评价："没想到现场那么嗨，像是一场 演唱会 ...

今年6月中旬，《大状王》展开内地巡演，23场演出座无虚席，吸引超过3.5万名观众入场，创下香港音 乐剧在内地巡演场次及观众人次纪录。本轮巡演香港站演出，加演至30场仍一票难求。西九文化区管理 局表演艺术委员会主席翟绍唐说，《大状王》自公演以来，获得观众及业界热烈回响。如今回归西九戏 曲中心作第三度公演，展现了香港原创音乐剧的独特魅力。 香港话剧团署理主席陈卓智介绍，香港原创音乐剧发展走过半个世纪，一直有着香港话剧团的足迹。早 于20世纪80年代，香港话剧团开始搬演百老汇音乐剧《梦断城西》。2003年香港话剧团、香港中乐团及 香港舞蹈团，联同顾嘉辉及黄霑两位香港乐坛大师合作《酸酸甜甜香港地》，一年内上演20场，并到杭 州及上海巡演。2008年，香港音乐剧黄金组合高世章及岑伟宗合作《顶头锤》，不仅在香港三度改良及 公演，更带到北京演出。《大状王》同样由香港文化土壤孕育而成并大放光彩。 《大状王》由香港西九文化区委约并与香港话剧团联合制作，云集香港顶尖音乐剧台前幕后班底，由高 世章作曲及担任音乐总监、岑伟宗作词、张飞帆编剧、方俊杰导演、林俊浩任编排导演及编舞、黄逸君 任舞台美学指导。知名演员刘守正、郑君炽、丁彤欣以 ...

11月4日至12月28日，《悲惨世界》40周年纪念版音乐会在上海大剧院演出。 23年前，作为首部引进中国大陆的西方经典音乐剧，《悲惨世界》连演21场创下票房纪录，为中国观众打开了世 界音乐剧的大门。今年11月4日至12月28日，这部跨越时代的传奇将以40周年纪念版音乐会形式在上海大剧院演 出。 眼下，这一经典音乐剧IP正联动城市商业体推出限定活动。8月9日至8月21日，"音乐剧《悲惨世界》40周年主题 展览"全国首展落地上海恒隆广场。步入商场中庭，蓝丝绒色调的展厅引人注目，数面展示墙以文字、图像、视频 等形式勾勒出《悲惨世界》40年来的传奇历程，并首次公开展出2002年《悲惨世界》中国首演时的签名海报、节 目册、经典周边等珍贵实物，邀请消费者一探究竟。 逛展时，剧中四首扣人心弦的歌曲：《云上城堡》《我曾有梦》《繁星》《带他回家》，邀请观众在恢弘旋律中 感受雨果笔下19世纪法国社会的风云变幻与人物的细腻情感。 一些音乐剧粉丝奔着展览和限量周边而来。观众在逛展之余，可通过打卡、消费等形式领取歌词本、纪念海报等 限定周边，还可在广场内多家商户加盖专属纪念印章，凭票根享受餐饮、零售等专属折扣。 恒隆地产董事-内地业务 ...

Core Viewpoint - The establishment of the first musical theater academy in China at Zhejiang Conservatory of Music aims to create a comprehensive talent cultivation and knowledge system for musical theater, addressing industry challenges and enhancing the development of original Chinese musicals [1][2]. Group 1: Academy and Center Establishment - The Zhejiang Musical Theater Academy will focus on building a unique "industry-university-research-creation" model for musical theater education and talent development [1]. - The newly established Zhejiang Musical Theater Center will adopt a five-in-one development model encompassing teaching, creation, performance, research, and industry [1][2]. Group 2: Industry Trends and Challenges - The Chinese musical theater market has shown strong growth, with original Chinese musicals surpassing imported versions in quantity, becoming a significant part of cultural tourism consumption [1]. - The industry faces challenges such as high production costs, box office pressures, and a shortage of versatile talent, particularly in creating a comprehensive ecosystem that integrates teaching, original incubation, and market transformation [1][2]. Group 3: Educational Approach and Curriculum - The academy will implement an innovative teaching system focused on "modern expression of Eastern aesthetics," training talent across the entire production, performance, and dissemination chain [2]. - The academy plans to adopt a "project-based teaching" model, allowing students to participate in all aspects of original productions, from creation to promotion [2]. Group 4: Future Plans and Collaborations - The center plans to host an annual international musical theater festival and forum, collaborating with top creative forces to establish a "Chinese Story Original Laboratory" to incubate 2-3 original musicals rooted in Chinese culture each year [3]. - The center will develop strategic collaborations with leading domestic theaters and international production institutions, creating a performance chain that includes campus productions, domestic tours, and international exchanges [3].

Core Insights - The seventh "Shanghai International Musical Festival" concluded with 12 productions, 44 performances, and over 70,000 attendees, showcasing a strong emphasis on original works and international collaborations [1][3]. Group 1: Festival Highlights - The festival featured two main sections: "International Invited" and "Original Showcase," highlighting both global perspectives and support for local creations [3]. - Notable performances included the German musical "Ludwig II: The King Returns" and the Italian musical "Casanova: The Lover of Venice," both making their Chinese debuts [3]. - The "Musical Star Series Concert" attracted over 16,000 viewers, with a 93% female audience and 70% of attendees being from the post-90s and Gen Z demographics [3]. Group 2: Original Works and Audience Engagement - Original productions like "Lion Boy," "Finding Li Er Gou," and "Baoyu" received positive audience feedback, with strong ticket sales and near-full capacity [3]. - The musical "Da Zhuang Wang" sold out its initial five performances and added seven more, totaling 12 shows, receiving widespread acclaim on social media [3]. Group 3: Development Initiatives - The "Chinese Original Musical Incubation Plan" has successfully developed over ten original works, with seven achieving commercial production and over 270 performances [5]. - A new initiative, "Musical Creation Ten Lessons," will invite top creators to share insights, enhancing the quality of original productions [5]. Group 4: Industry Collaboration and Quality Focus - A seminar on "Comparative Analysis of Musical Creation Ecosystems between Shanghai and Hong Kong" highlighted the need for high-quality original works in the industry [7]. - Participants emphasized that the core of original musicals lies in quality and substance, advocating for a shift from quantity to quality in productions [7]. Group 5: Global Engagement - The "Musical Singing Competition" attracted over 700 applications, with around 160 contestants, including 12 from overseas and Hong Kong/Macau regions [9]. - Participants shared cultural insights and experiences, fostering a collaborative environment among young talents from different countries [9].

Group 1 - The Shanghai Meiqi Grand Theatre has reopened with the original West End musical "SIX," which is expected to attract over 80,000 audience members during its 64 performances [1] - The first round of ticket sales for "SIX" saw nearly 10,000 tickets sold out on the opening day, with 600 premium tickets selling out in just 3 minutes, indicating strong market demand [1] - Over 40% of the audience for "SIX" are from outside Shanghai, and more than 50% of ticket buyers are under 25 years old, reflecting a growing trend of attracting younger consumers to the theatre [1] Group 2 - "SIX" has won 35 international theatre awards since its UK premiere in 2017, and its unique musical style and visual appeal have led to over 316 million views on TikTok [1] - The Shanghai Theatre Arts Center aims to introduce the latest international works to Chinese audiences, despite challenges in audience recognition of new productions [1] - The musical is part of the 2025 Shanghai Jing'an Modern Theatre Festival and collaborates with local commercial districts to create combined ticket and dining offers, enhancing cultural consumption [1] Group 3 - The Meiqi Grand Theatre has undergone multiple renovations to accommodate high-tech stage requirements, including rebuilding the stage structure and upgrading mechanical systems [2] - The theatre has created social spaces for audience interaction, including a "theatre social lounge" and a beverage service area with themed drinks [2] - The goal is to drive surrounding business activities and create immersive travel experiences through theatre [2]