Core Viewpoint - The article discusses the rise of the internet celebrity Na Na and her successful nationwide tour, highlighting the intersection of abstract culture and live performances, as well as the emotional release it provides to audiences [4][15][27]. Group 1: Na Na's Tour Success - Na Na's recent concert in Beijing sold out quickly, including VIP tickets priced at 666 yuan, indicating her immense popularity [7][13]. - The concert atmosphere was characterized by audience engagement, with fans actively participating in the performance through inside jokes and memes, creating a unique communal experience [11][43]. - The tour's success is attributed to Na Na's ability to resonate with the audience's emotional needs, providing a space for emotional release amidst societal pressures [15][37]. Group 2: Abstract Culture and Audience Engagement - The article notes that abstract culture has transitioned from online to offline, with audiences gathering to engage in playful banter and memes during Na Na's performances [15][20]. - Na Na's ability to create and adapt memes during her shows has contributed to her popularity, as she actively engages with the audience and incorporates their humor into her performances [29][43]. - The phenomenon reflects a broader trend where audiences seek out absurd and non-mainstream content as a means of coping with stress and uncertainty in their lives [36][38]. Group 3: Professional Management Behind the Scenes - Despite the seemingly casual nature of Na Na's performances, they are managed by a professional team with experience in large-scale music events, ensuring a well-executed show [14][49]. - The article emphasizes the importance of having a skilled team to navigate the complexities of live performances, especially for internet celebrities like Na Na [48][52]. - The success of Na Na's tour has attracted attention from venue operators, indicating a potential shift in the live performance landscape towards more abstract and unconventional acts [52][53].

Core Viewpoint - The rise of internet celebrities hosting concerts reflects a shift in the entertainment industry, where the success of a concert is increasingly dependent on fan support rather than the artist's musical talent [1][3][19]. Group 1: Concert Trends - Internet celebrities like He Qiushi are now entering the concert scene, often replicating established artists' styles and setups, leading to criticism and questions about their authenticity [1][3]. - The concert ticket pricing is becoming increasingly variable, with some tickets priced as high as 1314 yuan, while others are sold at steep discounts, raising concerns about the sustainability of this pricing model [19][24]. - The concert industry is booming, with over 5665 concerts held in China by mid-May 2023, attracting 7.82 million attendees and generating ticket sales of 5.45 billion yuan [24]. Group 2: Financial Implications - Concerts can be highly profitable, with individual concerts potentially generating over 20 million yuan in ticket sales, and established artists like Mayday earning hundreds of millions from tours [23][24]. - The concert industry not only benefits the performers but also stimulates local economies, with events like Jay Chou's concert in Tianjin generating over 3 billion yuan in local consumption [24]. - The presence of various ticket pricing strategies, including "support tickets" and "face tickets," indicates a trend towards monetizing fan engagement in unconventional ways [20][23]. Group 3: Audience Engagement - Fans are increasingly willing to pay for experiences that allow them to engage with their favorite celebrities, even if the quality of the performance is not guaranteed [19][26]. - The emotional value associated with attending concerts is significant, as audiences seek to connect with artists and enjoy the live atmosphere, which justifies higher ticket prices [15][19]. - The phenomenon of celebrities from various entertainment backgrounds, including actors and comedians, hosting concerts suggests a diversification of the concert market, appealing to a broader audience [7][13].

Group 1 - The core viewpoint of the articles highlights the significant improvements in education and children's development in the Hotan region of Xinjiang, particularly in early childhood education and primary schooling [1][2][3] - As of 2024, the enrollment rates for preschool education in Xinjiang have reached 104.09%, with the coverage rate of inclusive kindergartens at 93.77% and public kindergartens accounting for 79.34% of children enrolled [1] - The "team-based" educational aid program from Beijing has introduced advanced teaching concepts and trained local teachers, enhancing the quality of education in Hotan [2][3] Group 2 - Students in Hotan are actively engaging with literature, showing a high level of interest in traditional culture and literature, as evidenced by their discussions in class [2][3] - The availability of books has significantly increased due to community and local government support, allowing children to access a variety of reading materials [2] - Teachers who have returned to Xinjiang after their studies are contributing to the local education system, demonstrating a commitment to improving educational outcomes for local children [3]