对话人： 樊 星（繁星戏剧村创始人） 李 歌（鼓楼西剧场总经理） 周飞亚（本报记者） 小剧场是戏剧繁荣发展的一个风向标，承担着戏剧人才培养、剧目孵化、观众培养等众多功能。近年 来，随着"演艺新空间"的热潮涌动，小剧场的发展似乎进入了一个相对沉寂阶段。对于行业来说，这意 味着什么？小剧场在整个戏剧生态中又该如何定位？我们邀请北京比较有代表性的两家小剧场负责人， 分享来自一线的观察和思考。 ——编 者 李歌：鼓楼西的观众定位很明确，以北京近百所高校的师生、文艺青年为主。近年来，我们一直在做高 校剧团公益展演，这既是培养高校的戏剧力量，也是培养观众群——很多学生人生中第一次看话剧，可 能就是看同学的戏。目前，第三届展演刚刚结束作品征集，将在10月开幕。当然，最根本的还是内容。 我们不焦虑如何抓住年轻观众，我们焦虑的是如何把内容做好。9月初剧场上演的《欠你一枚小红 星》，用老调填新词，讲一个主旋律的故事，非常动人，很多年轻观众留言"小红星带我喜欢上京剧"。 这证明，好内容永远不缺市场。 记者：您怎么看待小剧场在整个戏剧生态中的定位？它的特点、作用或者说意义是什么？ 樊星：小剧场概念诞生于法国，本身只有100多年的历史 ...

Group 1 - The article reflects on the personal experiences and memories associated with visiting the Summer Palace, highlighting the overwhelming crowds and the nostalgia tied to childhood visits [1] - The author expresses a deep appreciation for the literary works of Shen Congwen, particularly "Ancient Sentiment of Shuangxi in Snow," which evokes a sense of solitude and connection to nature [2] - The narrative includes a connection to the historical figure Xiong Xiling, emphasizing the author's personal ties to the location and its significance in their upbringing [3][4] Group 2 - The article discusses the lesser-known residence of Shen Congwen at the Summer Palace, specifically the Jiqing Pavilion, and contrasts it with more famous figures who resided there [5] - It highlights the unique architectural and aesthetic qualities of Jiqing Pavilion, as well as Shen Congwen's reflections on the beauty of the surroundings [6] - The narrative captures the essence of summer experiences at the Summer Palace, including the challenges of living in a historical site and the joys of childhood exploration [6]

Group 1 - The article discusses the contrasting themes of humiliation in male characters within modern Chinese literature compared to popular female-oriented web novels, highlighting a cultural narrative that emphasizes male suffering and loss [2][4][10] - It notes that modern Chinese literature often reflects a collective national consciousness of humiliation, suggesting that the memory of suffering is more profound than that of victory, shaped by historical experiences over the past century [2][10][12] - The article also contrasts this with the principles of popular web novels, where male protagonists are expected to achieve their desires without facing the same level of emotional turmoil [1][13] Group 2 - The article provides examples of literary works that depict male characters experiencing humiliation, such as Shen Congwen's "Husband" and the stories of other authors like You Shizhong and Luo Shi, which focus on the emotional struggles of men witnessing their partners in compromising situations [4][6][8] - It highlights the shared theme across various literary works, where male characters endure the pain of seeing their loved ones involved with others, reflecting deeper societal issues and personal conflicts [6][9][10] - The discussion extends to Taiwanese literature, illustrating similar themes of male humiliation in works by authors like Wang Zhenhe and Huang Chunming, emphasizing the cultural and emotional implications of these narratives [8][9]

Core Viewpoint - The articles celebrate the significance of the "first book" in the lives of various individuals, highlighting personal stories of authors, publishers, and readers, and emphasizing the transformative power of literature in shaping identities and experiences [4][5][9][13][20]. Group 1: Personal Stories of First Books - The first book often marks a pivotal moment in an individual's life, serving as a reflection of personal growth and emotional journeys [5][9]. - Authors like Mai Jia recount their experiences with their first published works, illustrating how these moments can mend familial relationships and foster a sense of identity [5][7]. - The narrative of a first book is not just about the act of writing but also about the emotional connections and memories associated with it, as seen in the stories shared by various individuals [4][6][12][20]. Group 2: The Role of Literature in Society - The articles discuss the current challenges faced by traditional novels in China, noting a decline in readership and the need for authors to adapt their writing styles to engage modern audiences [8]. - There is a call for writers to embrace a more accessible and engaging narrative style, moving away from pretentiousness to connect better with readers [8]. - The importance of literature as a means of cultural expression and personal reflection is emphasized, showcasing how it can inspire and influence societal values [4][19]. Group 3: Impact of Personal Experiences on Writing - Personal experiences, such as overcoming hardships or embarking on adventurous journeys, significantly influence the content and themes of the first books written by individuals [9][12]. - The act of writing is portrayed as a therapeutic process, allowing authors to confront their past and articulate their emotions through storytelling [5][11]. - The journey of writing a first book often involves perseverance and dedication, reflecting the broader human experience of striving for self-expression and understanding [12][20].